Review: Stone Blind by Natalie Haynes

Rating: 5 out of 5.

As the only mortal of the Gorgons, Medusa knows true weakness. Residing with her sisters in their windswept cave by the sea, she and the Gorgons are fully at the mercy of the whims and desires of the gods. When the sea god Poseidon enacts a violence against her in the Temple of Athene, Athene takes her revenge, transforming Medusa from a young woman into a monster. Armed with a head full of snakes and a piercing gaze that can turn any viewer to stone, Medusa becomes a proper Gorgon. Resigned to never harm a living thing, she retreats to a life of solitude, until a quest blinded by arrogance places the hero Perseus on her shores. With quests and complicated deals at play, limiting the scope of her power may be impossible when divine intervention reigns supreme and women are mere tools for the beings above.

Natalie Haynes transforms the Medusa story we’ve been fed into a layered history of the women at its center and the monster we’ve all been taught to fear. Stone Blind delivers exactly the kind of retelling I have been craving, inexplicably rich, lyrical, and wound up in tragedy. Distinctive with this one is the emphasis on the intersection of time and place, with all characters that coalesce in the Medusa myth. There is not a singular focus on the figure of Medusa, as Haynes grasps at the threads binding the story together, fashioning an elaborate tapestry that rivals that of Athene. I was pulled into the story almost immediately with Medusa’s golden childhood by the sea, completely torn asunder by the acts of violence against her by Poseidon and Athene. Like the tide returns to the sea and back again, there is a constant give and take in Haynes’s narrative, with seemingly insignificant events that take shape, strike, and then fade into the background. Every action leaves behind an echo that lingers, leaving an imprint on every event that takes place further on. There are a broad range of voices present, from godly beings to nymphs, and even animals lending their eyes to the narrative voice. With every delicate line and merciless moment, Haynes dismantles the complex relationships and powerful forces at play within the Medusa myth, creating a wholly authentic view of the monster and existing as a woman within the sphere of the gods. As the focus shifts back to Perseus, it’s clear that existing in spite of these overtly monstrous qualities can equate to a loss of agency in the wrong hands. Stone Blind is the kind of story that will forever be imprinted upon me, long after I have managed to look away from its pages. Natalie Haynes crafts a Medusa retelling that will withstand the test of time, bringing new meaning to the Medusa figure and every woman held within the confines of her myth.

Thank you to NetGalley and the publisher for providing this arc to review.

Trigger Warnings: rape, death, sexual assault, violence

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Review: Lavender House by Lev AC Rosen

Rating: 4 out of 5.

The year is 1952, and Irene Lamontaine, head of the illustrious Lamontaine soap empire has died, leaving behind a substantial family seat vacant. Irene spearheaded the family’s soap empire to its current position with her signature and everchanging scents, held secret behind the gates of the family estate Lavender House. On the estate, the inhabitants have secrets of their own, secrets that require keeping outsiders at bay, and an understanding staff. When Evander Mills, a recently fired cop of the San Fransisco police department is contacted by a mysterious widow to investigate the circumstances surrounding her wife’s death, he finds himself behind its illusive walls for the first time. Reaching deeper into the family’s past, Andy soon finds himself beset by petty squabbles and family jealousy, but Irene’s death wasn’t an accident, and even between a family united by secrets, there are some worth killing for.

Lavender House has been aptly described as a 1950’s Knives Out mystery, surrounding a queer family, their confined existence, and the deadly secrets they keep hidden. Perfectly situated in its place in time, Rosen assembles a cloying ambiance for this novel, with an overpowering scent of deception that permeates the stuffy halls of Lavender House and unto the very page. Passing through the gates of the house aside the narrator Evander Mills, the real mystery begins once inside, as the motivations and history of each of the characters are exhumed. It was at this point of the story, that I was officially hooked. So much of what I love about the family mystery narrative is the entangled motivations and complicated relationships that are played out from start to finish. Lavender House has the added layer of the Lamontaine family being comprised entirely of queer people that have found solace, and ultimately family, with one another. For that reason, this novel is very much a stark examination of queer lives during the 1950s as it is a murder mystery. These two topics intersect as Andy investigates deeper into the family history and the establishment of their legendary soap empire. Each of the family and staff all have their own struggles with identity, which Rosen does a great job exploring in tandem with existing as queer in this time and the difficult choices necessary to exist and have any kind of security. This is a historical novel that does depict some of the violence inflicted upon the LGBTQ+ community during the time period by individuals and law enforcement, so I strongly advise checking out the content warnings before reading. I ended up having to take several breaks during certain sections of this. The existence of Lavender House in and of itself is escapist for the time period it is situated in, yet it provides an altogether intimate and refreshing inquiry into queer existence served against a stellar mystery. With its not so neatly wrapped up ending, I am hopeful that this is not the last we will be hearing from these characters going forward.

Thank you to NetGalley and the publisher for providing this arc to review.

Trigger warnings: violence, grief, homophobic slurs, homophobic violence, police brutality, animal death

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Review: House of Hunger by Alexis Henderson

Rating: 4.5 out of 5.

The advertisement in the paper seems almost written in blood. It comes on behalf of the illustrious houses of the far north, where wealthy nobles live for the finer pleasures of human blood, relying on young women known as bloodmaids to supply it. Happening upon this strange advert is Marion Shaw, a young woman desperate to leave her current circumstances, yet with no hopes of doing so – until now. When a taster deems her blood an exquisite and rare taste, Marion is taken north to be presented as a potential new bloodmaid, where she finds herself the newest member of the notorious House of Hunger. Drawn into the dark world of which Countess Lisavet rules, Marion is quickly swept up in her allure and a hopeless desire to please her. The walls of the house cannot hide everything, and when an expulsion of the head bloodmaid reveals a pattern of past bloodmaids gone missing, Marion learns that deep within the house, lies something truly wretched.

House of Hunger is the unforgiving gothic horror of my dreams, soaked in blood and depravity. One look at its premise, and I could feel in my soul that this was going to be an instant favorite. With vivid descriptions and luscious prose, Alexis Henderson paints an alluring picture of a desolate house set on a sprawling estate and the noble families for whom the taste of blood still holds sway. Where desperate young women plucked from poverty are traded comfort in exchange for the endless supply of blood they can provide. Right from the get-go, this novel scorched a direct path to my heart, assisted by a devastating gothic atmosphere that slowly captured an essence of disquiet, building like a horrific symphony I could not look away from. Of course, no gothic horror is complete without its resilient leading lady, and Marion Shaw is certainly that, a sensational protagonist to follow as the truth behind the house of hunger is unveiled. Entangled in a hypnotic seduction with Countess Lisavet and set off by an unsettling discovery, Marion’s journey was everything I could have possibly asked for, fraught with disillusion and a descent from unwavering devotion into violence. Henderson did an amazing job balancing why someone in Marion’s position would be willing to enter into a bloodmaid contract, and how the wealthy took advantage of these women, that in their eyes, were easily expendable. Coupled with intensifying house politics, the claustrophobic feel of the narrative, and the revelation to the inner workings of the houses, this story takes a depraved and horrifying final bow. House of Hunger is everything I could possibly want in a horror novel, a fearsomely dark tale with a corrupted center.

Thank you to Edelweiss and the publisher for providing this arc.

Trigger warnings: blood, death, violence, gore, murder

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Review: The Book Eaters by Sunyi Dean

Rating: 5 out of 5.

On the outskirts of England lies a secret society, a line of supernatural beings known as book eaters that consume books as food, retaining all of their content and knowledge. Threatened by their ever dwindling numbers, book eater women are raised into a life of marriage contracts and childbearing. In spite of this, Devon Fairweather, the sole daughter of an old clan, has grown up curious, but with the birth and subsequent seizure of her firstborn daughter, Devon realizes the truth of her circumstance. When her second son is born a mind eater, a darker subset of book eaters with a hunger for human minds, Devon vows not to make the same mistake and flees with him. Freedom is not all it is cut out to be, and as Devon and her son Cai attempt to live among humans, she is forced to do horrifying things for them to survive. Against her will, Devon is drawn deeper into the inner workings of her kind, until remaining free becomes a matter of unspeakable sacrifice.

The Book Eaters is a decadent dark fantasy novel alight with imagination and a fierce kind of devotion. Debut author Sunyi Dean draws together a contemporary gothic horror narrative centered around the power of stories and breaking free from a restrictive upbringing. It’s an altogether fitting title for a book that I aptly devoured in just one evening. With a striking atmosphere that evolved with Devon’s recount of her past, I fell in love with the imagery presented and the progressing themes of loss, patriarchy, and control. I wholly admire the emotional journey this book guided me on, quietly leading me through Devon’s descent into disillusion and ferocious fight for her and her son’s freedom. Narrative structure, in turn, is what really set this up for success. The flip between the past and the present was delicately done, slowly revealing Devon’s history and its influences on her current thoughts and actions. Dean’s use of epigraphs at the beginning of each chapter worked in the same fashion, lending themselves to the larger issue of how the stories we are exposed to can shape our capacity for possibility. How love lends itself to sacrifice and restricting imagination becomes control. The topic of motherhood is subtly investigated on behalf of Dean, as Devon comes to accept that love doesn’t have to be another form of control and she becomes more ruthless in the face of her son’s survival. While it was a smaller subplot, Devon’s evolving relationship with Hester and her own sexuality really sealed the deal for me on this one. Book eaters may consume texts to survive, but at the center of this debut is a testament to the role of stories in shaping our minds. Devon’s character arc illustrates beautifully the impact of new experiences on broadening our opportunities and view of ourselves. Beautifully constructed and deeply moving, The Book Eaters is a feast of a novel, interlocked with a quest for agency, transformation, and ultimately identity. 

Thank you to Edelweiss for providing this arc to review

Trigger warnings: Body horror, gore, explicit violence, domestic abuse, violence against children

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Review: Carrie Soto is Back by Taylor Jenkins Reid

Rating: 4 out of 5.

Renowned athlete Carrie Soto quickly surpassed the masses to become one of the world’s most legendary tennis players. Aided by her cutthroat attitude, her passionate coach of a father, and her willingness to win no matter the cost, she broke nearly every record and managed to collect twenty Grand Slam titles in her time. Six years after her retirement from tennis, an upfront spot in the stands at the 1994 U.S open to her record’s demise compels Carrie to come out of retirement and reclaim what was taken. This tremendous decision will have Carrie relying on her father to coach her again and pair her up with the very person to whom she almost gave her heart. One final season to win or lose, and make her mark on the world for a final time.

Author Taylor Jenkins Reid returns with Carrie Soto is Back, a relentless and immersive portrayal of a female athlete’s legendary tennis career. First introduced to Carrie Soto back in Malibu Rising, I could not imagine Reid’s next book would center around her, yet I was all the more excited having learned so. Carrie Soto is the high-stakes entertaining read I needed for the summer, full of all the twists and intricate relationships I’ve come to expect from its author. Not only is this novel comprised of all things tennis, but a touching father-daughter relationship over the years, and an assessment of the media’s treatment of women in sports. Carrie herself is an easy character to fall in love with, wonderfully vicious, and determined to claim every victory. Her journey took hold of me right at the beginning, with the decisive introductory chapter of a retired Carrie witnessing the downfall of her legacy and deciding to take action. From that moment on, I was here for every upswing and countermove on her path to reclaiming her title. In standard fashion, Reid has created a heroine that is uncompromising, but in different ways from those of her previous novels. I really appreciated reading about Carrie’s dedication to succeed and the sacrifices required in order to make it to the top as a world champion. Reid does an incredible job with the setup and payoff here, especially regarding the initial and final chapters of the story. The mirroring of those two moments was equally gratifying as it was vindicating on my part of having called it from the very start. Tennis may not be my forte, but this novel certainly makes you feel a part of the game. Taylor Jenkins Reid has become a staple author for many, and Carrie Soto is Back is her next unapologetically fierce read to devour.

Thank you to NetGalley and the publisher for providing this arc to review.

Trigger warnings: death, grief, injury

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Pride Month Wrap: Recommended Reads for the Rest of the Year

Old and new favorites, and upcoming releases

We’re only halfway through the year and already there have been some fantastic queer books released. With pride month now past, I’d like to take the time to discuss some of my favorite LGBTQ+ reads, a few of which have already been featured on the blog, some underrated favorites, and a retrospect for the rest of the year with an emphasis on sapphic reads. June has already been an incredible month of reading for me, and I cant wait to see what I’ll be able to get to over the next six months. As usual, I’m always looking for recommendations, specifically any LGBTQ+ reads, so be sure to share some of your favorites or new releases you are looking forward to. Happy reading!

Delilah Green Doesn’t Care by Ashley Herring Blake

An incredible romance from debut author Ashley Herring Blake, following a New York City photographer finally gaining success after leaving her hometown, only to be dragged back on the eve of her stepsister’s wedding. Delilah Green Doesn’t Care is a charming romance with an emotional depth surprisingly astonishing to experience. Come for the situational small-town antics, and stay for incredible characters, complicated relationships, and perfectly executed sapphic relationship.

Trigger warnings: bullying, emotional abuse, parental abandonment, cancer, cheating, loneliness.

Count Your Lucky Stars by Alexandria Bellefleur

A second chance queer romance worthy of all the attention this month. Alexandria Bellefleur is the romance god in my mind, and Count Your Lucky Stars is her best work to date. With a beloved cast of characters, pining, and rekindled love, this is both an emotional and passionate romance and the perfect way to close out the series. If you’re looking for a contemporary romance with an incredible backdrop and queer characters, look no further.

Trigger warnings: infidelity, death of a parent, alcohol consumption

A Lady for a Duke by Alexis Hall

Alexis Hall has written one of my favorite queer historical romances in existence, centering around a trans heroine after fleeing waterloo in order to become her true self, and the friend she left behind. This romance is so heartwarming, filled with exquisite pining and the tenderness of newfound love. Not only did the main leads completely steal my heart, but the side characters were absolutely hilarious. Armed with an epilogue that made me misty-eyed, this is one romance I’ll be slow to forget.

Trigger warnings: death, violence, guns, PTSD, child abuse (mentioned), abduction, suicidal ideation (side character), deadnaming 

Siren Queen by Nghi Vo

It’s no surprise that there is a Nghi Vo novel on here, seeing as they are one of my favorite authors of all time. Through the eyes of a young Chinese American woman seeking fame, Siren Queen explores the dark truth behind the movie industry willing to exploit her soul. Monstrous and oh so alluring, Siren Queen will drag you down into its murky depths, leaving you entirely wrecked. This novel is perfect for fans of historical fiction and The Seven Husbands of Evelyn Hugo, with a fantasy twist to top it off.

Trigger warnings: racism, sexism, homophobia, death 

Cemetery Boys by Aiden Thomas

Aidan Thomas’s Cemetery Boys is an incredible coming-of-age contemporary debut surrounding a young trans boy’s search for acceptance and the accidental ghost he summoned in the process. It’s certainly been at the top of a lot of pride month lists, and for good reason. This story has the perfect balance of heartfelt moments, hilarious banter, and wholesome friend dynamics. With the recent announcement of an upcoming sequel, Cemetery Boys should be at the top of everyone’s tbr.

Trigger warnings: transphobia, death, blood, violence, deadnaming

Tripping Arcadia by Kit Mayquist

Tripping Arcadia is easily one of my favorite debuts of this year by far, altogether poisonous and opulent. This modern gothic novel follows a young med school dropout who becomes embroiled in the lives of her wealthy employers and the harrowing secrets they hide. From the first sentence, Tripping Arcadia had me in its never-ceasing grip, as Lena begins a poisonous gamble that has deadly consequences. If you liked A Dowry of Blood or Mexican Gothic, this intoxicating story may be the perfect next read.

Trigger warnings: drug use, drug abuse, attempted suicide, death, addiction

The Jasmine Throne by Tasha Suri

The Jasmine Throne is the first installment in a new fantasy trilogy, where a captive princess and a maidservant with forbidden power team up to save their empire. Tasha Suri crafts an intricate narrative, with evocative language, an incredible magic system, and a slow-burn romance that completely changed me. This first installment is a triumphant start to The Burning Kingdoms series, which is sure to take the world by storm in the next few years. Highly recommend this to anyone looking to read more fantasy this year.

Trigger warnings:  blood, gore, violence, murder, poisoning, torture, public execution, homophobia, forced drug use, body horror, suicidal thoughts, self-mutilation, abusive family member

This Poison Heart by Kalynn Bayron

When Briseis inherits a rundown estate from an aunt she’s never met before, she and her family leave Brooklyn behind and discover behind its walls a dangerous legacy. Kaylynn Bayron’s sophomore novel has everything I could want in a fantasy story, incredible characters, queer rep, and an atmosphere fraught and deadly. This book was spectacular, and with the next book out this past month, a completed duology. Literally the perfect book for any plant and Greek myth stans.

Trigger warnings: blood, violence, death, murder, grief

I Kissed Shara Wheeler by Casey McQuiston

Casey McQuiston delights with a young adult debut altogether messy and queer. When her longtime academic rival Shara Wheeler kisses her a month out from graduation and then disappears, Chloe Green is drawn into a hunt for her whereabouts between herself and the two other people Shara kissed. A story surrounding home and where we choose to set roots, this debut is spitful, witty, and poignant at its heart. Casey McQuiston writes the queer stories you can’t help but hold close, and this story is an absolute dream.

Trigger warnings: racism, homophobia, bullying, outing of a past character (mentioned)

She Gets the Girl by Rachael Lippincott and Alyson Derrick

The college romance we’ve all been waiting for is finally here. She Gets the Girl, is a poignant slow-burn story between two women struggling to overcome their own obstacles amidst their growing love connection and navigating freshman year of college. Written by two different authors, both characters harnesses such a distinct voice and palpable chemistry that I immediately connected to. Add in a few tropes, and this kept me engaged from start to finish. She Gets the Girl is such a fresh take on college romances and the kind of story I could see be eventually adapted to screen.

Trigger warnings: alcoholism, car crash, parental abandonment

She Drives Me Crazy by Kelly Quindlen

The 80’s romantic comedy gets reinvented in this queer contemporary about a basketball player who fake dates her enemy to get back at her ex. Whenever I’m in search for a queer contemporary echoing some of my favorite tropes, Kelly Quindlen is certainly an author who comes to mind. Not only is this one accompanied by an emotional deep dive into harmful relationships and self-worth, but a call back worthy of dirty dancing and other classics.

Trigger warnings: bullying, homophobia

Well, that’s a wrap folks! I hope you enjoyed reading just a sliver of my queer favorites from the past year or so. June as a whole was definitely a success for me with what I had planned to read, and I hope to continue off of that for the remainder of the year. You can expect to see full reviews for a variety of books that were not initially included in this list later on in the year. Additionally, this month has given me the opportunity to examine my standing tbr, and any additions I would like to get to before the year is out. I’d love to hear about how your pride month reading went or of any books you are looking forward to below!

Review: The Oleander Sword by Tasha Suri

Rating: 5 out of 5.

Declared the rightful empress of Parijatdvipa by the prophecy of the nameless god, Malini embarks on a vengeful path to usurp her brother and lay claim to her throne. Meanwhile, Priya, now an elder of Ahiranya and thrice-born priestess, gambles the extent of her power to eradicate the rot taking hold in her country. Set apart by their respective roles, Priya and Malini’s destinies remain forever entwined, but as Malini’s campaign to depose her brother takes a brutal turn, coming together may be the only option to truly achieve what they both desire. War wages and the deeper Priya reaches into her power to turn the tide, and Malini turns to pent-up rage, the cost of their advance blooms into something truly deadly.

The Oleander Sword is a sequel of such brutal reckoning that I was completely unprepared to venture into. After the astonishing start to the series that was The Jasmine Throne, its sequel quickly lept to the forefront of my anticipated upcoming reads for 2022. An expansive and otherwise ambitious addition to the series, The Oleander Sword stole my heart and destroyed my soul with a slow and delicate grace. Tasha Suri elevates everything previously contended in the first installment, focusing more heavily on battle strategy, and examining the temple of Ahiranya and the Yaska. Everything about this sequel is awe-inspiring, from the intensely romantic and tender moments between Priya and Malini to the gradual undertaking of a stolen empire. Once again, Suri provides a staggering amount of character perspectives to wade through, woven together in an intricate tapestry that renders itself to the overarching themes of power, loyalty, and love. One character that really stood out to me this time around was Bhumika, who carries the weight of what is happening with Ahiranya towards a sacrifice that was absolutely heart-wrenching. Alongside the ongoing war, and the unsettling shift back at Ahiranya’s temple, there was not a moment in this book where I was not caught in its unforgiving clutches. The political tension underpinning the actions of every character, and the divided loyalties threatening to fracture the established alliances only made this sequel all the more disconcerting. Like its former, The Oleander Sword elicits a slow pace, that culminates in an ending that left me thoroughly anguished. Intensely ruthless and brutal at its core, The Oleander Sword is an astonishing sequel that blooms with betrayal, romance, and unintended sacrifice. Tasha Suri’s Burning Kingdoms is an exemplary fantasy series, and I’ll be waiting patiently for its finale in the coming year.

Thank you to NetGalley and the publisher for providing this arc in exchange for an honest review.

Trigger warnings: death, violence, war, suicide

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Review: The Daughter of Doctor Moreau by Silvia Moreno-Garcia

Rating: 5 out of 5.

In a secluded estate far removed from the conflict on Yucatán’s peninsula, Carlota Moreau lives an isolated existence. The only daughter of the venerable scientist Doctor Moreau, she spends her days surrounded by the beauty of the Yaxaktun property and the hybrid creatures held captive by their domineering creator. Backed financially by the wealthy Lizaldes, Doctor Moreau is sent a new overseer, the pensive Montgomery Laughton, to assist in his experiments. Six years pass and the fragile atmosphere at Yaxaktun is altogether upended by the arrival of two unexpected gentlemen, one being Eduardo Lizalde, the son of Moreau’s benevolent benefactor. With the sudden arrival of their unforeseen guests, the problems outside the bounds of the jungle loom ever closer, and as Carlota becomes all the more inquisitive, her father’s secrets threaten to expose a truth far more harrowing.

Silvia Moreno-Garcia astounds with a gothic science fiction historical set against the background of late nineteenth-century Mexico. The Daughter of Doctor Moreau is a fascinating reimagining of H.G Wells’s novel “The Island of Doctor Moreau,” that completely extends upon the original with its themes of colonization, class, and subjugation. Stepping into this novel felt akin to wading into a crystalline pool, as main character Carlota slowly draws together a hazy picture of her world, one that is refined and sharpened as she begins to question her reality and gain agency. Similarly to Mexican Gothic, this novel seizes a quiet pace, bringing forth an enthralling expose into the obsessions of a mad doctor, and just who the real monsters are. Dual narrators Carlota Moreau and Montgomery Laughton are altogether delightful, providing the opposing perspectives necessary to relay the unsettling nature of the entire narrative. Where Carlota is the quiet lonesome voice in the darkness, Montgomery is the brooding moody tone in contrast. While it can be said that both characters captivate, Carlota is beyond a doubt the one who dazzles. Her escape from the clutches of her father’s influence, to uncovering the truth about his creations, and unleashing the monster within was absolutely earth-shattering. Moreno-Garcia interlays a gripping examination of possession, prejudice, and the relationship between creator and subject beneath it all. With an added afterword on the history of the Yucatán region and the caste war, the influence of historical events from the text is all the more apparent. It seems as if every time I find myself reaching for a new book by Silvia Moreno-Garcia, I have to prepare for the fact that it will surpass all of my expectations and leave me completely dumbfounded. Silvia Moreno-Garcia is a powerhouse, and The Daughter of Doctor Moreau is a startling addition, wonderfully romantic and intense in its resistance.

Thank you to Edelweiss for providing the arc.

Trigger warnings: abuse, violence, blood, death, gun violence, suicide

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Review: A Mirror Mended by Alix E. Harrow

Rating: 5 out of 5.

Professional rescuer and part-time substitute Zinnia Gray has spent the last five years traversing the multiverse, saving every damsel in distress that she possibly can. After a dozen or so rescues, weddings, and burned spindles, Zinnia has begun to grow tired of her role in rewriting the narrative, yet duty awaits her hand on the spindle. At an afterparty one rescue later, when Zinnia glances into a mirror, she sees another woman staring back at her, and falls into the last fairytale she ever expected, Snow White. Coming face to face with the fabled Evil Queen, desperate to escape her own fate, Zinnia is tasked once again with saving someone trapped by their story. Eva is convinced that Zinnia is the way out of her predestined ending, and is willing to do anything to change her future, that is if Zinnia can be convinced to save the last person in this world she would want to.

The Fractured Fables novellas draw to a close with A Mirror Mended, a sequel that ups the ante that A Spindle Splintered had previously left to be amended. Alix E. Harrow is back at it, drawing together an adventurous narrative crammed full of meaningful prose, and tied in with an expanded critique on storytelling and their villains. Where A Spindle Splintered previously intersected a conversation surrounding damsels in distress in folklore and their saviors, Harrow turns her attention to the villainization of women in her continuation of the series. More closely, The Evil Queen, a figure that has consistently captivated audiences with her jealousy and enacted rage against her stepdaughter for her supposed beauty. As a huge fan of evil women in the fantasy genre, the examined motivations, and background of a classic fairytale villain intrigued me, to say the least. Eva is a layered character, well-written and trapped by her own situation and predetermined role. Narrative agency is an issue that Zinnia has constantly battled, even from book one, and it was nice to see that transferred over to an iconic villain like the Evil Queen. Eva’s situation is very closely mirrored in Zinnia’s, as they both are trapped by their role in the narrative of their story. The bond that grew between the two characters, as a result, made a lot of sense and was really satisfying to witness (falling for the hot villain was absolutely on-brand for Zinnia). I delighted in Eva and Zinnia’s back and forth snark alongside the deeper moments of multiverse chaos. The added tension from the multiverse fracturing and blending into one another propelled this installment to an entirely new level from the previous one in my mind. Once again I am left awed by Harrow’s storytelling ability and the complex twist in traditional fairytales. A Mirror Mended is a razor-sharp exploration of feminist agency and the weight of the roles we carry.

Thank you to NetGalley and the publisher for providing this arc to review.

Trigger warnings: terminal illness, violence

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Review: Juniper & Thorn by Ava Reid

Rating: 5 out of 5.

Marlinchen is a witch, youngest of three daughters to a cursed wizard, living out her days in a city transforming from magic to industry. Last of the true witches in all of Oblya, she and her sisters cling to their gifts, which are little more than entertainment to the general populace and an asset to their father. Sequestered within the walls of their home, Marlinchen spends much of her free time placating the unending appetites of their authoritative father and utilizing her gifts to discern the truth from her clientele. The evening brings escape, as Marlinchen and her sisters creep into the city to partake in its revels and observe the captivating ballet theatre. These nighttime escapades offer salvation, but when Marlinchen captures the attention of a ballet dancer just as lost and isolated, her visits to the outside world become less uncommon. Entangled between the rage and hunger of her father, and her own desires, Marlinchen is caught in a snare, and the cost of freedom may be far more monstrous than she ever imagined.

When I heard that Ava Reid had written a gothic horror retelling of The Juniper Tree, there was nothing I wouldn’t do to read it at the soonest possible chance. Having absolutely worshiped her adult debut, The Wolf and the Woodsman, this novel promised to ruin me without remorse as much as its precursor. True to the fact, Juniper & Thorn is utterly gruesome, vividly capturing a darkness and horror that lingers down dark halls and underneath floorboards waiting for the prime moment to sink in its teeth. Reid is masterful at their craft, seamlessly blending horror and fantasy together in a story completely grotesque and illustrative of a blooming rose clouded among thorny brambles. Every sentence in this novel is striking, with imagery and prose that threatened to devour me whole. In time with the story, lore and fairytales play an important part in the main narrative, intersecting the vein of Marlinchen’s character development and the understanding of her own situation. These sporadic fairytales were definitely some of my favorite parts of the whole book, getting after the core themes and relationships between the main characters. At this point, Reid’s capability for writing complex relationships is unquestionable, particularly ones that are nuanced and not simply good or bad, yet those you cannot help but love all the more. Three characters that come to mind are Marlinchen and her sisters Undine and Rose, as they endured years of abuse at the hands of their father, and impacted one another in continuously damaging ways. In turn, Marlinchen’s love interest Sevas was entirely endearing and latched on to my heart as the two attempted to escape their situations. A captivating gothic horror with a brutal design, Juniper & Thorn is imbued with memory, an examination of abuse, and survivorhood in all forms.

Thank you to NetGalley and the publisher for providing this arc to review.

Trigger warnings: violence, emotional abuse, gore, blood, death, murder, body horror, cannibalism, eating disorder (bulimia), vomiting (graphic), sexual assault, antisemitism, xenophobia, drug use 

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