Tag: adult

Review: Exes and O’s by Amy Lea

Robin2 Comments

Rating: 5 out of 5.

Romance novel obsessed Tara Chen has had more than her fair share of heartbreak. Ever since her most recent breakup, adding to a long line of men that dumped her because of her supposed clingy tendencies, her love life has grown sour. Tara wants to find love more than anything, but with the growing popularity of dating apps, a modern meet-cute is out of the question. Luckily, an insightful interview gives her an idea: revisit her past exes and reevaluate the relationship in an attempt to earn one of the most time-honored tropes, the second-chance romance. In her quest to reconnect with her past relationships, Tara enlists the help of her standoffish roommate Trevor, who couldn’t be any more against commitment. As the two venture deeper into Tara’s past, the closer they become, and though the disappointments grow even higher, finding the love she’s been looking for may not lie in the past at all, but in the everyday details.

Amy Lea did not hold back with this wholly magnetic and exquisitely tender slow-burn love story. I mean I heard the words “and they were roommates” and immediately dropped whatever I was doing to go and read this. Exes and O’s has a lot going for it, what with its central protagonists, an emotionally unavailable fireman, and a nurse with a tendency to romanticize, falling for one another under the guise of a search for a second-chance romance. Lea quietly constructs a simmering slow burn, with close-the-book level tension and enough going on that I never wanted to stop reading. Plot aside, the strongest part of this novel is its leading characters, Trevor and Tara. Not only was there enough set up to establish an emotional conflict that never became overbearing, but both character arcs intersected and complemented one another in increasingly fascinating ways. Out of the two main leads, Tara has to be my favorite. She’s the romance novel aficionado and book-lover heroine we deserve, and her inner struggle really resonated with me. I know many people appreciate dual POV in romance, but with a slow burn in mind and the characters in question, I loved the fact that we only got Tara’s. It helped make the pining almost unbearable and the undercurrent of the whole will they won’t they vibe. Throughout Tara’s entire emotional arc, Lea illustrates the importance of learning to be yourself wholeheartedly when it comes to love while continuing to hold onto your dreams and ideals. It’s obvious that friends to lovers is one of my all-time favorite tropes and I think this one might be at the top of that list. Exes and O’s is a novel dedicated to all the romance-obsessed daydreamers out there, entirely charming, swoon-worthy, and vulnerable.

Thank you to Edelweiss and the publisher for providing the arc.

Trigger warnings: sexism, gaslighting

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Review: Emily Wilde’s Encyclopaedia of Faeries by Heather Fawcett

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Rating: 5 out of 5.

Emily Wilde is a Cambridge professor of Dryadology who surrounds herself with her books, her work, and the faeries she has built a life around studying. Deep in research for her first encyclopedia of faeries, Emily journeys to the remote village of Hrafnsvik, Scandinavia to learn about the local faerie lore and endeavor to uncover an age-old mystery. The last thing she expects when she arrives is having to win over the numerous townsfolk and appease unfriendly attitudes. Incidentally, her arrogant and charming colleague Wendell Bambleby has taken it upon himself to hijack her research and charm the very townsfolk who have given her the cold shoulder. Someone is abducting villagers in the night, and despite everything, Emily wants to find out why. Bambleby undoubtedly knows more than is letting on, and as they journey into the wilderness for answers, their combined knowledge may be what saves them both, and could possibly be what opens her heart for good.

Emily Wilde’s Encyclopaedia of Faeries surprised me with its cozy atmosphere and scholarly inquiry into the world of the fae. Combining fantasy, mystery, history, and romance elements, this is a one-of-a-kind story, unlike anything I’ve read concerning faerie so far. Written retrospectively through the form of an open diary, we journey into the strange corners of the Hrafnsvik wilderness as Emily conducts her research and befriends the fae folk both friend and foe. Settling into the story, the narrative structure takes some getting used to at the onset, but it’s ultimately an inventive way to visualize the world and portray character point of view. It’s unique to be able to read character reflection on a situation and see that situation being dictated all at the same time, and Fawcett delivers this flawlessly, interspersed with fae lore and the occasional Wendell journal entry. In town, Emily battles a much closer adversary, the wary townsfolk that deeply fear the fae on their borders. This core struggle joins with the slow build of the narrative, weaving in layers of whimsy and adventure as Emily’s reluctance to open up and make connections begins to thaw. Shifting between her fieldwork and time in the town seizes the humanity at the heart of academic research and the relationships we can close ourselves off to when we try to protect our hearts and peace above all else. The slow-burn romance between Emily and Wendell was on the lighter side, but much like the novel, it’s a quieter romance that takes hold like some kind of faerie spell. I really loved their romantic arc, which was obviously complete and utter chaos with a side of banter that was the epitome of sassy. Witty and delightful, I can only pray for more Emily Wilde, Wendell, and the fae world in the upcoming sequel. Fawcett debuts a delightful academic fantasy that bridges boundaries and leaves behind a yearning for love and an appreciation for the ostensibly insignificant details of the everyday.

Thank you to Edelweiss and the publisher for providing this review copy

Trigger warnings: blood, injury, self-inflicted amputation, murder, death, violence

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Review: The Last Tale of the Flower Bride by Roshani Chokshi

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Rating: 5 out of 5.

They had a seemingly happy marriage: he, a scholar of fantastical stories, and she, Indigo Maxwell-Casteñada, a wealthy heiress with a mysterious past. Despite their differences, the couple found solace with one another, and soon a bargain was struck in exchange for love – that the scholar could have her heart, provided he never inquire into her past. For a time, there was harmony, but when Indigo learns that her estranged aunt is on her deathbed, the couple return to the place where her story began, the House of Dreams. Within the manors walls, winding staircases, and dusty rooms, lie plenty of secrets far too seductive for the bridegroom to resist. As the house reveals the past of another girl, Azure, Indigo’s childhood friend long gone, he is willing to search between both reality and fantasy to learn the truth about his bride’s past, even at the expense of their binding promise.

The Last Tale of the Flower Bride is a luscious gothic feast, interlaced with fairytales, myth, and the treacherous secrets of a marriage. Wandering the halls of the crumbling House of Dreams, Chokshi spins her tale, interweaving fairy tales into the central narrative amidst broken promises and childhood dreams. Testament to everything I love about the gothic, this novel delivers a startling atmosphere, set around a crumbling manor and its ability to suspend the past. Chokshi absolutely dazzles, with poetic prose and the kind of fairytale spinning only she could bring to fruition. Everything inside me yearned to read this exquisite gothic debut from the moment it was announced, to step inside the House of Dreams and deconstruct the secrets hidden within its winding halls. The experience reading this was all the more mesmerizing, as I fell into Chokshi’s labyrinth of mystery, led deeper between the past of the house by Azure’s perspective, and the present day, with the bridegroom’s suspicions. There was quite the unsettling back and forth with these two, aided by the different tones employed – the shift from Azure’s childhood wonder, to the unfortunate realization that happened on both sides. I still can’t wrap my head around how beautifully written this novel is. Lush, dreamy writing is undoubtedly in Roshani’s wheelhouse, and this is my favorite of hers thus far. This book twisted my expectations up in knots until right at the very end, and each betrayal and exposed truth scored a little deeper. Infused with a kernel of romance, Roshani Chokshi breathes life into this resplendent and tragic gothic story. The Last Tale of the Flower Bride is everything I could possibly wish for in a gothic novel, and the way it slowly approaches the final act will leave you breathless in its downfall.

Thank you to NetGalley and the publisher for providing this arc in exchange for an honest review.

Trigger warnings: blood, death, violence, murder

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Review: Astrid Parker Doesn’t Fail by Ashley Herring Blake

Robin3 Comments

Rating: 5 out of 5.

For interior designer and impeccably put-together Astrid Parker, failure is out of the question. After her botched engagement over a year ago, Astrid has held tight to the reins of her life lest her world crash and burn around her. When the opportunity to design the renovation of Bright Falls Everwood Inn appears in front of her, Astrid soars. Since the renovation will be televised on a popular home improvement show, it may just be what she needs to put herself back on the map. What Astrid doesn’t intend is to butt heads with lead carpenter Jordan Everwood, who despises the plans that Astrid has for renovating her family home. Tension sells better than anything, and when the producers of Innside America ask them to up the ante, Jordan and Astrid clash until their deep dislike for one another is threatened. All Astrid has ever done is what is expected of her, yet there is a chance for her to live the life she truly desires if only she can let go of the rigid control that she has clung to for so long.

Ashley Herring Blake pens another queer romance reminiscent of Schitt’s Creek and the romantic comedy, with lovable characters, emotional depth, and classic small-town charm. Astrid Parker delighted in the first installment of the Bright Falls series and I was elated when I heard the sequel would center around her own love story. Astrid Parker Doesn’t Fail completely outsells, elevating her character and developing an enthralling rivals-to-lovers romance at its center. If there is one thing I have come to expect from Herring Blake, it’s the unique situations that she crafts for her characters. This secondary romance is no different, concentrating on a home-improvement show and the antics between interior designer Astrid and lead carpenter Jordan Everwood. Oftentimes I find it difficult to engage with the rivalry trope, especially if the set-up isn’t there or the rivalry isn’t founded on anything concrete, but that was not an issue here. The first chapter establishes an exquisite antagonism with a coffee spill gone wrong and a vengeful Astrid caught in the crossfire. This led to some of the most glorious romantic tension and palpable on-page chemistry as the story unfolded. There is nothing more telling I can say about this other than it completely ruined me. Astrid Parker’s story is about the trials surrounding creating the life you truly want for yourself, against a world pulling you in an entirely different direction – how the people in our lives can sometimes show up right when they’re needed, even if it doesn’t make sense at first. By way of this, Ashley Herring Blake has given voice to a pervasive fear of failure, and just what it means to figure out your sexuality later in life. Astrid Parker Doesn’t Fail is a sensational follow-up romance to Delilah Green Doesn’t Care, and is shaping up an incredible continuation for the Bright Falls series.

Thank you to Edelweiss and the publisher for providing the arc.

Trigger warnings: death, depression

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Review: Stone Blind by Natalie Haynes

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Rating: 5 out of 5.

As the only mortal of the Gorgons, Medusa knows true weakness. Residing with her sisters in their windswept cave by the sea, she and the Gorgons are fully at the mercy of the whims and desires of the gods. When the sea god Poseidon enacts a violence against her in the Temple of Athene, Athene takes her revenge, transforming Medusa from a young woman into a monster. Armed with a head full of snakes and a piercing gaze that can turn any viewer to stone, Medusa becomes a proper Gorgon. Resigned to never harm a living thing, she retreats to a life of solitude, until a quest blinded by arrogance places the hero Perseus on her shores. With quests and complicated deals at play, limiting the scope of her power may be impossible when divine intervention reigns supreme and women are mere tools for the beings above.

Natalie Haynes transforms the Medusa story we’ve been fed into a layered history of the women at its center and the monster we’ve all been taught to fear. Stone Blind delivers exactly the kind of retelling I have been craving, inexplicably rich, lyrical, and wound up in tragedy. Distinctive with this one is the emphasis on the intersection of time and place, with all characters that coalesce in the Medusa myth. There is not a singular focus on the figure of Medusa, as Haynes grasps at the threads binding the story together, fashioning an elaborate tapestry that rivals that of Athene. I was pulled into the story almost immediately with Medusa’s golden childhood by the sea, completely torn asunder by the acts of violence against her by Poseidon and Athene. Like the tide returns to the sea and back again, there is a constant give and take in Haynes’s narrative, with seemingly insignificant events that take shape, strike, and then fade into the background. Every action leaves behind an echo that lingers, leaving an imprint on every event that takes place further on. There are a broad range of voices present, from godly beings to nymphs, and even animals lending their eyes to the narrative voice. With every delicate line and merciless moment, Haynes dismantles the complex relationships and powerful forces at play within the Medusa myth, creating a wholly authentic view of the monster and existing as a woman within the sphere of the gods. As the focus shifts back to Perseus, it’s clear that existing in spite of these overtly monstrous qualities can equate to a loss of agency in the wrong hands. Stone Blind is the kind of story that will forever be imprinted upon me, long after I have managed to look away from its pages. Natalie Haynes crafts a Medusa retelling that will withstand the test of time, bringing new meaning to the Medusa figure and every woman held within the confines of her myth.

Thank you to NetGalley and the publisher for providing this arc to review.

Trigger Warnings: rape, death, sexual assault, violence

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Review: House of Hunger by Alexis Henderson

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Rating: 4.5 out of 5.

The advertisement in the paper seems almost written in blood. It comes on behalf of the illustrious houses of the far north, where wealthy nobles live for the finer pleasures of human blood, relying on young women known as bloodmaids to supply it. Happening upon this strange advert is Marion Shaw, a young woman desperate to leave her current circumstances, yet with no hopes of doing so – until now. When a taster deems her blood an exquisite and rare taste, Marion is taken north to be presented as a potential new bloodmaid, where she finds herself the newest member of the notorious House of Hunger. Drawn into the dark world of which Countess Lisavet rules, Marion is quickly swept up in her allure and a hopeless desire to please her. The walls of the house cannot hide everything, and when an expulsion of the head bloodmaid reveals a pattern of past bloodmaids gone missing, Marion learns that deep within the house, lies something truly wretched.

House of Hunger is the unforgiving gothic horror of my dreams, soaked in blood and depravity. One look at its premise, and I could feel in my soul that this was going to be an instant favorite. With vivid descriptions and luscious prose, Alexis Henderson paints an alluring picture of a desolate house set on a sprawling estate and the noble families for whom the taste of blood still holds sway. Where desperate young women plucked from poverty are traded comfort in exchange for the endless supply of blood they can provide. Right from the get-go, this novel scorched a direct path to my heart, assisted by a devastating gothic atmosphere that slowly captured an essence of disquiet, building like a horrific symphony I could not look away from. Of course, no gothic horror is complete without its resilient leading lady, and Marion Shaw is certainly that, a sensational protagonist to follow as the truth behind the house of hunger is unveiled. Entangled in a hypnotic seduction with Countess Lisavet and set off by an unsettling discovery, Marion’s journey was everything I could have possibly asked for, fraught with disillusion and a descent from unwavering devotion into violence. Henderson did an amazing job balancing why someone in Marion’s position would be willing to enter into a bloodmaid contract, and how the wealthy took advantage of these women, that in their eyes, were easily expendable. Coupled with intensifying house politics, the claustrophobic feel of the narrative, and the revelation to the inner workings of the houses, this story takes a depraved and horrifying final bow. House of Hunger is everything I could possibly want in a horror novel, a fearsomely dark tale with a corrupted center.

Thank you to Edelweiss and the publisher for providing this arc.

Trigger warnings: blood, death, violence, gore, murder

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Review: Carrie Soto is Back by Taylor Jenkins Reid

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Rating: 4 out of 5.

Renowned athlete Carrie Soto quickly surpassed the masses to become one of the world’s most legendary tennis players. Aided by her cutthroat attitude, her passionate coach of a father, and her willingness to win no matter the cost, she broke nearly every record and managed to collect twenty Grand Slam titles in her time. Six years after her retirement from tennis, an upfront spot in the stands at the 1994 U.S open to her record’s demise compels Carrie to come out of retirement and reclaim what was taken. This tremendous decision will have Carrie relying on her father to coach her again and pair her up with the very person to whom she almost gave her heart. One final season to win or lose, and make her mark on the world for a final time.

Author Taylor Jenkins Reid returns with Carrie Soto is Back, a relentless and immersive portrayal of a female athlete’s legendary tennis career. First introduced to Carrie Soto back in Malibu Rising, I could not imagine Reid’s next book would center around her, yet I was all the more excited having learned so. Carrie Soto is the high-stakes entertaining read I needed for the summer, full of all the twists and intricate relationships I’ve come to expect from its author. Not only is this novel comprised of all things tennis, but a touching father-daughter relationship over the years, and an assessment of the media’s treatment of women in sports. Carrie herself is an easy character to fall in love with, wonderfully vicious, and determined to claim every victory. Her journey took hold of me right at the beginning, with the decisive introductory chapter of a retired Carrie witnessing the downfall of her legacy and deciding to take action. From that moment on, I was here for every upswing and countermove on her path to reclaiming her title. In standard fashion, Reid has created a heroine that is uncompromising, but in different ways from those of her previous novels. I really appreciated reading about Carrie’s dedication to succeed and the sacrifices required in order to make it to the top as a world champion. Reid does an incredible job with the setup and payoff here, especially regarding the initial and final chapters of the story. The mirroring of those two moments was equally gratifying as it was vindicating on my part of having called it from the very start. Tennis may not be my forte, but this novel certainly makes you feel a part of the game. Taylor Jenkins Reid has become a staple author for many, and Carrie Soto is Back is her next unapologetically fierce read to devour.

Thank you to NetGalley and the publisher for providing this arc to review.

Trigger warnings: death, grief, injury

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Review: The Oleander Sword by Tasha Suri

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Rating: 5 out of 5.

Declared the rightful empress of Parijatdvipa by the prophecy of the nameless god, Malini embarks on a vengeful path to usurp her brother and lay claim to her throne. Meanwhile, Priya, now an elder of Ahiranya and thrice-born priestess, gambles the extent of her power to eradicate the rot taking hold in her country. Set apart by their respective roles, Priya and Malini’s destinies remain forever entwined, but as Malini’s campaign to depose her brother takes a brutal turn, coming together may be the only option to truly achieve what they both desire. War wages and the deeper Priya reaches into her power to turn the tide, and Malini turns to pent-up rage, the cost of their advance blooms into something truly deadly.

The Oleander Sword is a sequel of such brutal reckoning that I was completely unprepared to venture into. After the astonishing start to the series that was The Jasmine Throne, its sequel quickly lept to the forefront of my anticipated upcoming reads for 2022. An expansive and otherwise ambitious addition to the series, The Oleander Sword stole my heart and destroyed my soul with a slow and delicate grace. Tasha Suri elevates everything previously contended in the first installment, focusing more heavily on battle strategy, and examining the temple of Ahiranya and the Yaska. Everything about this sequel is awe-inspiring, from the intensely romantic and tender moments between Priya and Malini to the gradual undertaking of a stolen empire. Once again, Suri provides a staggering amount of character perspectives to wade through, woven together in an intricate tapestry that renders itself to the overarching themes of power, loyalty, and love. One character that really stood out to me this time around was Bhumika, who carries the weight of what is happening with Ahiranya towards a sacrifice that was absolutely heart-wrenching. Alongside the ongoing war, and the unsettling shift back at Ahiranya’s temple, there was not a moment in this book where I was not caught in its unforgiving clutches. The political tension underpinning the actions of every character, and the divided loyalties threatening to fracture the established alliances only made this sequel all the more disconcerting. Like its former, The Oleander Sword elicits a slow pace, that culminates in an ending that left me thoroughly anguished. Intensely ruthless and brutal at its core, The Oleander Sword is an astonishing sequel that blooms with betrayal, romance, and unintended sacrifice. Tasha Suri’s Burning Kingdoms is an exemplary fantasy series, and I’ll be waiting patiently for its finale in the coming year.

Thank you to NetGalley and the publisher for providing this arc in exchange for an honest review.

Trigger warnings: death, violence, war, suicide

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Review: A Mirror Mended by Alix E. Harrow

Robin2 Comments

Rating: 5 out of 5.

Professional rescuer and part-time substitute Zinnia Gray has spent the last five years traversing the multiverse, saving every damsel in distress that she possibly can. After a dozen or so rescues, weddings, and burned spindles, Zinnia has begun to grow tired of her role in rewriting the narrative, yet duty awaits her hand on the spindle. At an afterparty one rescue later, when Zinnia glances into a mirror, she sees another woman staring back at her, and falls into the last fairytale she ever expected, Snow White. Coming face to face with the fabled Evil Queen, desperate to escape her own fate, Zinnia is tasked once again with saving someone trapped by their story. Eva is convinced that Zinnia is the way out of her predestined ending, and is willing to do anything to change her future, that is if Zinnia can be convinced to save the last person in this world she would want to.

The Fractured Fables novellas draw to a close with A Mirror Mended, a sequel that ups the ante that A Spindle Splintered had previously left to be amended. Alix E. Harrow is back at it, drawing together an adventurous narrative crammed full of meaningful prose, and tied in with an expanded critique on storytelling and their villains. Where A Spindle Splintered previously intersected a conversation surrounding damsels in distress in folklore and their saviors, Harrow turns her attention to the villainization of women in her continuation of the series. More closely, The Evil Queen, a figure that has consistently captivated audiences with her jealousy and enacted rage against her stepdaughter for her supposed beauty. As a huge fan of evil women in the fantasy genre, the examined motivations, and background of a classic fairytale villain intrigued me, to say the least. Eva is a layered character, well-written and trapped by her own situation and predetermined role. Narrative agency is an issue that Zinnia has constantly battled, even from book one, and it was nice to see that transferred over to an iconic villain like the Evil Queen. Eva’s situation is very closely mirrored in Zinnia’s, as they both are trapped by their role in the narrative of their story. The bond that grew between the two characters, as a result, made a lot of sense and was really satisfying to witness (falling for the hot villain was absolutely on-brand for Zinnia). I delighted in Eva and Zinnia’s back and forth snark alongside the deeper moments of multiverse chaos. The added tension from the multiverse fracturing and blending into one another propelled this installment to an entirely new level from the previous one in my mind. Once again I am left awed by Harrow’s storytelling ability and the complex twist in traditional fairytales. A Mirror Mended is a razor-sharp exploration of feminist agency and the weight of the roles we carry.

Thank you to NetGalley and the publisher for providing this arc to review.

Trigger warnings: terminal illness, violence

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Review: Juniper & Thorn by Ava Reid

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Rating: 5 out of 5.

Marlinchen is a witch, youngest of three daughters to a cursed wizard, living out her days in a city transforming from magic to industry. Last of the true witches in all of Oblya, she and her sisters cling to their gifts, which are little more than entertainment to the general populace and an asset to their father. Sequestered within the walls of their home, Marlinchen spends much of her free time placating the unending appetites of their authoritative father and utilizing her gifts to discern the truth from her clientele. The evening brings escape, as Marlinchen and her sisters creep into the city to partake in its revels and observe the captivating ballet theatre. These nighttime escapades offer salvation, but when Marlinchen captures the attention of a ballet dancer just as lost and isolated, her visits to the outside world become less uncommon. Entangled between the rage and hunger of her father, and her own desires, Marlinchen is caught in a snare, and the cost of freedom may be far more monstrous than she ever imagined.

When I heard that Ava Reid had written a gothic horror retelling of The Juniper Tree, there was nothing I wouldn’t do to read it at the soonest possible chance. Having absolutely worshiped her adult debut, The Wolf and the Woodsman, this novel promised to ruin me without remorse as much as its precursor. True to the fact, Juniper & Thorn is utterly gruesome, vividly capturing a darkness and horror that lingers down dark halls and underneath floorboards waiting for the prime moment to sink in its teeth. Reid is masterful at their craft, seamlessly blending horror and fantasy together in a story completely grotesque and illustrative of a blooming rose clouded among thorny brambles. Every sentence in this novel is striking, with imagery and prose that threatened to devour me whole. In time with the story, lore and fairytales play an important part in the main narrative, intersecting the vein of Marlinchen’s character development and the understanding of her own situation. These sporadic fairytales were definitely some of my favorite parts of the whole book, getting after the core themes and relationships between the main characters. At this point, Reid’s capability for writing complex relationships is unquestionable, particularly ones that are nuanced and not simply good or bad, yet those you cannot help but love all the more. Three characters that come to mind are Marlinchen and her sisters Undine and Rose, as they endured years of abuse at the hands of their father, and impacted one another in continuously damaging ways. In turn, Marlinchen’s love interest Sevas was entirely endearing and latched on to my heart as the two attempted to escape their situations. A captivating gothic horror with a brutal design, Juniper & Thorn is imbued with memory, an examination of abuse, and survivorhood in all forms.

Thank you to NetGalley and the publisher for providing this arc to review.

Trigger warnings: violence, emotional abuse, gore, blood, death, murder, body horror, cannibalism, eating disorder (bulimia), vomiting (graphic), sexual assault, antisemitism, xenophobia, drug use 

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