Review: Stone Blind by Natalie Haynes

Rating: 5 out of 5.

As the only mortal of the Gorgons, Medusa knows true weakness. Residing with her sisters in their windswept cave by the sea, she and the Gorgons are fully at the mercy of the whims and desires of the gods. When the sea god Poseidon enacts a violence against her in the Temple of Athene, Athene takes her revenge, transforming Medusa from a young woman into a monster. Armed with a head full of snakes and a piercing gaze that can turn any viewer to stone, Medusa becomes a proper Gorgon. Resigned to never harm a living thing, she retreats to a life of solitude, until a quest blinded by arrogance places the hero Perseus on her shores. With quests and complicated deals at play, limiting the scope of her power may be impossible when divine intervention reigns supreme and women are mere tools for the beings above.

Natalie Haynes transforms the Medusa story we’ve been fed into a layered history of the women at its center and the monster we’ve all been taught to fear. Stone Blind delivers exactly the kind of retelling I have been craving, inexplicably rich, lyrical, and wound up in tragedy. Distinctive with this one is the emphasis on the intersection of time and place, with all characters that coalesce in the Medusa myth. There is not a singular focus on the figure of Medusa, as Haynes grasps at the threads binding the story together, fashioning an elaborate tapestry that rivals that of Athene. I was pulled into the story almost immediately with Medusa’s golden childhood by the sea, completely torn asunder by the acts of violence against her by Poseidon and Athene. Like the tide returns to the sea and back again, there is a constant give and take in Haynes’s narrative, with seemingly insignificant events that take shape, strike, and then fade into the background. Every action leaves behind an echo that lingers, leaving an imprint on every event that takes place further on. There are a broad range of voices present, from godly beings to nymphs, and even animals lending their eyes to the narrative voice. With every delicate line and merciless moment, Haynes dismantles the complex relationships and powerful forces at play within the Medusa myth, creating a wholly authentic view of the monster and existing as a woman within the sphere of the gods. As the focus shifts back to Perseus, it’s clear that existing in spite of these overtly monstrous qualities can equate to a loss of agency in the wrong hands. Stone Blind is the kind of story that will forever be imprinted upon me, long after I have managed to look away from its pages. Natalie Haynes crafts a Medusa retelling that will withstand the test of time, bringing new meaning to the Medusa figure and every woman held within the confines of her myth.

Thank you to NetGalley and the publisher for providing this arc to review.

Trigger Warnings: rape, death, sexual assault, violence

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Review: House of Hunger by Alexis Henderson

Rating: 4.5 out of 5.

The advertisement in the paper seems almost written in blood. It comes on behalf of the illustrious houses of the far north, where wealthy nobles live for the finer pleasures of human blood, relying on young women known as bloodmaids to supply it. Happening upon this strange advert is Marion Shaw, a young woman desperate to leave her current circumstances, yet with no hopes of doing so – until now. When a taster deems her blood an exquisite and rare taste, Marion is taken north to be presented as a potential new bloodmaid, where she finds herself the newest member of the notorious House of Hunger. Drawn into the dark world of which Countess Lisavet rules, Marion is quickly swept up in her allure and a hopeless desire to please her. The walls of the house cannot hide everything, and when an expulsion of the head bloodmaid reveals a pattern of past bloodmaids gone missing, Marion learns that deep within the house, lies something truly wretched.

House of Hunger is the unforgiving gothic horror of my dreams, soaked in blood and depravity. One look at its premise, and I could feel in my soul that this was going to be an instant favorite. With vivid descriptions and luscious prose, Alexis Henderson paints an alluring picture of a desolate house set on a sprawling estate and the noble families for whom the taste of blood still holds sway. Where desperate young women plucked from poverty are traded comfort in exchange for the endless supply of blood they can provide. Right from the get-go, this novel scorched a direct path to my heart, assisted by a devastating gothic atmosphere that slowly captured an essence of disquiet, building like a horrific symphony I could not look away from. Of course, no gothic horror is complete without its resilient leading lady, and Marion Shaw is certainly that, a sensational protagonist to follow as the truth behind the house of hunger is unveiled. Entangled in a hypnotic seduction with Countess Lisavet and set off by an unsettling discovery, Marion’s journey was everything I could have possibly asked for, fraught with disillusion and a descent from unwavering devotion into violence. Henderson did an amazing job balancing why someone in Marion’s position would be willing to enter into a bloodmaid contract, and how the wealthy took advantage of these women, that in their eyes, were easily expendable. Coupled with intensifying house politics, the claustrophobic feel of the narrative, and the revelation to the inner workings of the houses, this story takes a depraved and horrifying final bow. House of Hunger is everything I could possibly want in a horror novel, a fearsomely dark tale with a corrupted center.

Thank you to Edelweiss and the publisher for providing this arc.

Trigger warnings: blood, death, violence, gore, murder

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Review: Carrie Soto is Back by Taylor Jenkins Reid

Rating: 4 out of 5.

Renowned athlete Carrie Soto quickly surpassed the masses to become one of the world’s most legendary tennis players. Aided by her cutthroat attitude, her passionate coach of a father, and her willingness to win no matter the cost, she broke nearly every record and managed to collect twenty Grand Slam titles in her time. Six years after her retirement from tennis, an upfront spot in the stands at the 1994 U.S open to her record’s demise compels Carrie to come out of retirement and reclaim what was taken. This tremendous decision will have Carrie relying on her father to coach her again and pair her up with the very person to whom she almost gave her heart. One final season to win or lose, and make her mark on the world for a final time.

Author Taylor Jenkins Reid returns with Carrie Soto is Back, a relentless and immersive portrayal of a female athlete’s legendary tennis career. First introduced to Carrie Soto back in Malibu Rising, I could not imagine Reid’s next book would center around her, yet I was all the more excited having learned so. Carrie Soto is the high-stakes entertaining read I needed for the summer, full of all the twists and intricate relationships I’ve come to expect from its author. Not only is this novel comprised of all things tennis, but a touching father-daughter relationship over the years, and an assessment of the media’s treatment of women in sports. Carrie herself is an easy character to fall in love with, wonderfully vicious, and determined to claim every victory. Her journey took hold of me right at the beginning, with the decisive introductory chapter of a retired Carrie witnessing the downfall of her legacy and deciding to take action. From that moment on, I was here for every upswing and countermove on her path to reclaiming her title. In standard fashion, Reid has created a heroine that is uncompromising, but in different ways from those of her previous novels. I really appreciated reading about Carrie’s dedication to succeed and the sacrifices required in order to make it to the top as a world champion. Reid does an incredible job with the setup and payoff here, especially regarding the initial and final chapters of the story. The mirroring of those two moments was equally gratifying as it was vindicating on my part of having called it from the very start. Tennis may not be my forte, but this novel certainly makes you feel a part of the game. Taylor Jenkins Reid has become a staple author for many, and Carrie Soto is Back is her next unapologetically fierce read to devour.

Thank you to NetGalley and the publisher for providing this arc to review.

Trigger warnings: death, grief, injury

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Review: The Oleander Sword by Tasha Suri

Rating: 5 out of 5.

Declared the rightful empress of Parijatdvipa by the prophecy of the nameless god, Malini embarks on a vengeful path to usurp her brother and lay claim to her throne. Meanwhile, Priya, now an elder of Ahiranya and thrice-born priestess, gambles the extent of her power to eradicate the rot taking hold in her country. Set apart by their respective roles, Priya and Malini’s destinies remain forever entwined, but as Malini’s campaign to depose her brother takes a brutal turn, coming together may be the only option to truly achieve what they both desire. War wages and the deeper Priya reaches into her power to turn the tide, and Malini turns to pent-up rage, the cost of their advance blooms into something truly deadly.

The Oleander Sword is a sequel of such brutal reckoning that I was completely unprepared to venture into. After the astonishing start to the series that was The Jasmine Throne, its sequel quickly lept to the forefront of my anticipated upcoming reads for 2022. An expansive and otherwise ambitious addition to the series, The Oleander Sword stole my heart and destroyed my soul with a slow and delicate grace. Tasha Suri elevates everything previously contended in the first installment, focusing more heavily on battle strategy, and examining the temple of Ahiranya and the Yaska. Everything about this sequel is awe-inspiring, from the intensely romantic and tender moments between Priya and Malini to the gradual undertaking of a stolen empire. Once again, Suri provides a staggering amount of character perspectives to wade through, woven together in an intricate tapestry that renders itself to the overarching themes of power, loyalty, and love. One character that really stood out to me this time around was Bhumika, who carries the weight of what is happening with Ahiranya towards a sacrifice that was absolutely heart-wrenching. Alongside the ongoing war, and the unsettling shift back at Ahiranya’s temple, there was not a moment in this book where I was not caught in its unforgiving clutches. The political tension underpinning the actions of every character, and the divided loyalties threatening to fracture the established alliances only made this sequel all the more disconcerting. Like its former, The Oleander Sword elicits a slow pace, that culminates in an ending that left me thoroughly anguished. Intensely ruthless and brutal at its core, The Oleander Sword is an astonishing sequel that blooms with betrayal, romance, and unintended sacrifice. Tasha Suri’s Burning Kingdoms is an exemplary fantasy series, and I’ll be waiting patiently for its finale in the coming year.

Thank you to NetGalley and the publisher for providing this arc in exchange for an honest review.

Trigger warnings: death, violence, war, suicide

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Review: A Mirror Mended by Alix E. Harrow

Rating: 5 out of 5.

Professional rescuer and part-time substitute Zinnia Gray has spent the last five years traversing the multiverse, saving every damsel in distress that she possibly can. After a dozen or so rescues, weddings, and burned spindles, Zinnia has begun to grow tired of her role in rewriting the narrative, yet duty awaits her hand on the spindle. At an afterparty one rescue later, when Zinnia glances into a mirror, she sees another woman staring back at her, and falls into the last fairytale she ever expected, Snow White. Coming face to face with the fabled Evil Queen, desperate to escape her own fate, Zinnia is tasked once again with saving someone trapped by their story. Eva is convinced that Zinnia is the way out of her predestined ending, and is willing to do anything to change her future, that is if Zinnia can be convinced to save the last person in this world she would want to.

The Fractured Fables novellas draw to a close with A Mirror Mended, a sequel that ups the ante that A Spindle Splintered had previously left to be amended. Alix E. Harrow is back at it, drawing together an adventurous narrative crammed full of meaningful prose, and tied in with an expanded critique on storytelling and their villains. Where A Spindle Splintered previously intersected a conversation surrounding damsels in distress in folklore and their saviors, Harrow turns her attention to the villainization of women in her continuation of the series. More closely, The Evil Queen, a figure that has consistently captivated audiences with her jealousy and enacted rage against her stepdaughter for her supposed beauty. As a huge fan of evil women in the fantasy genre, the examined motivations, and background of a classic fairytale villain intrigued me, to say the least. Eva is a layered character, well-written and trapped by her own situation and predetermined role. Narrative agency is an issue that Zinnia has constantly battled, even from book one, and it was nice to see that transferred over to an iconic villain like the Evil Queen. Eva’s situation is very closely mirrored in Zinnia’s, as they both are trapped by their role in the narrative of their story. The bond that grew between the two characters, as a result, made a lot of sense and was really satisfying to witness (falling for the hot villain was absolutely on-brand for Zinnia). I delighted in Eva and Zinnia’s back and forth snark alongside the deeper moments of multiverse chaos. The added tension from the multiverse fracturing and blending into one another propelled this installment to an entirely new level from the previous one in my mind. Once again I am left awed by Harrow’s storytelling ability and the complex twist in traditional fairytales. A Mirror Mended is a razor-sharp exploration of feminist agency and the weight of the roles we carry.

Thank you to NetGalley and the publisher for providing this arc to review.

Trigger warnings: terminal illness, violence

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Review: Juniper & Thorn by Ava Reid

Rating: 5 out of 5.

Marlinchen is a witch, youngest of three daughters to a cursed wizard, living out her days in a city transforming from magic to industry. Last of the true witches in all of Oblya, she and her sisters cling to their gifts, which are little more than entertainment to the general populace and an asset to their father. Sequestered within the walls of their home, Marlinchen spends much of her free time placating the unending appetites of their authoritative father and utilizing her gifts to discern the truth from her clientele. The evening brings escape, as Marlinchen and her sisters creep into the city to partake in its revels and observe the captivating ballet theatre. These nighttime escapades offer salvation, but when Marlinchen captures the attention of a ballet dancer just as lost and isolated, her visits to the outside world become less uncommon. Entangled between the rage and hunger of her father, and her own desires, Marlinchen is caught in a snare, and the cost of freedom may be far more monstrous than she ever imagined.

When I heard that Ava Reid had written a gothic horror retelling of The Juniper Tree, there was nothing I wouldn’t do to read it at the soonest possible chance. Having absolutely worshiped her adult debut, The Wolf and the Woodsman, this novel promised to ruin me without remorse as much as its precursor. True to the fact, Juniper & Thorn is utterly gruesome, vividly capturing a darkness and horror that lingers down dark halls and underneath floorboards waiting for the prime moment to sink in its teeth. Reid is masterful at their craft, seamlessly blending horror and fantasy together in a story completely grotesque and illustrative of a blooming rose clouded among thorny brambles. Every sentence in this novel is striking, with imagery and prose that threatened to devour me whole. In time with the story, lore and fairytales play an important part in the main narrative, intersecting the vein of Marlinchen’s character development and the understanding of her own situation. These sporadic fairytales were definitely some of my favorite parts of the whole book, getting after the core themes and relationships between the main characters. At this point, Reid’s capability for writing complex relationships is unquestionable, particularly ones that are nuanced and not simply good or bad, yet those you cannot help but love all the more. Three characters that come to mind are Marlinchen and her sisters Undine and Rose, as they endured years of abuse at the hands of their father, and impacted one another in continuously damaging ways. In turn, Marlinchen’s love interest Sevas was entirely endearing and latched on to my heart as the two attempted to escape their situations. A captivating gothic horror with a brutal design, Juniper & Thorn is imbued with memory, an examination of abuse, and survivorhood in all forms.

Thank you to NetGalley and the publisher for providing this arc to review.

Trigger warnings: violence, emotional abuse, gore, blood, death, murder, body horror, cannibalism, eating disorder (bulimia), vomiting (graphic), sexual assault, antisemitism, xenophobia, drug use 

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Review: A Lady for a Duke by Alexis Hall

Rating: 4 out of 5.

After being presumed dead at Waterloo, Lady Viola Caroll decided to let the world go on thinking that and begin to live for herself. Sundering the past, Viola does not regret much. The loss of her wealth and title are trivial against the greater loss of her friend and closest companion, Justin de Vere, the Duke of Gracewood. For several years, Viola has kept her distance, believing that grief has given way to peace of some kind, yet when their families reconnect again she finds that it is actually the opposite. Gracewood is a shadow of the man she once knew, withdrawn so far into his grief that he is completely unrecognizable. Striving to somehow bring him back to his former self, Viola is drawn closer to her former friend, and desires she could never name before are brought to the surface. Denial is useless, and as Viola and Gracewood grow closer these feelings become harder to ignore, prompting a necessary reconciliation against loss and the impossibility of the future. 

A Lady for a Duke could not have come at a more perfect time for me, fresh off the historical romance binge and having just watched the latest season of Bridgerton. Looking for a romance teeming with emotion, this novel gave me everything I needed and then some. In his altogether masterful historical romance, Alexis Hall draws together a complex past between his main leads, with an evocative center of loss, memory, and intimacy driving the story forward. Our main heroine Viola is one of the more well-written queer characters in historical romance that I have read recently, giving voice to dysphoria and the trans experience in a way unforeseen previously by me in the genre. As for the other main lead, Justin De Vere, he provided quite the emotional conversation surrounding grief and the lingering trauma arising from war. Even with all of this tense subject matter, the entire story overflows with longing and an underlying comfort that disperses throughout every aspect of the novel. This is definitely not a tragic story, yes we have a trans heroine and a disabled hero living in this time period, but it doesn’t bear the narrative down into tragedy like I’ve seen other period pieces do. Instead, what emerges is a tender second chance romance about two people defined by their circumstances finding love against the odds. I would also be remiss not to mention the wonderful side characters in this novel, who radiate just as much as the two main leads. With a mix of queer and playful characters, Hall really creates a wholesome cast of supporting characters for the novel. The side plots intervening in the central storyline had the most fabulous banter and made me fall even more in love with the story overall. A Lady for a Duke is honestly one of the most beautiful and exemplary historical romances I have read in quite a long time. The epilogue especially, really brought the emotion to the surface, exemplifying love found and a future once deemed unlikely.

Thank you to NetGalley and the publisher for providing this arc to review.

Trigger warnings: death, violence, guns, PTSD, child abuse (mentioned), abduction, suicidal ideation (side character), deadnaming 

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Review: Portrait of a Thief by Grace D. Li

Rating: 4 out of 5.

A mysterious art theft strikes a match when the thieves leave behind their card for Harvard Senior Will Chen, an art history student working part-time at the Sackler Museum. The perfect student, artist, and son, Will has always strived to curate every aspect of his life, yet the mask begins to slip when he finds himself entangled in an impossible plot. At the behest of his mysterious benefactor, Will becomes the leader of a grand heist to steal back five Chinese artifacts stolen from Bejing centuries ago, scattered around the world. With fifty million dollars on the line, Will assembles a crew of his closest friends, all with something to gain if they should succeed and lose should they fail. As each of the crew members wrestle with their own complicated relationship with China, the chance to take back a piece of what was stolen long ago is too great to pass up. Willing to risk it all, they may just find a missing part of themselves in the process.

Portrait of a Thief is a book that really stole the show with what it was trying to impart to its readers. Debut author Grace D. Li writes effortlessly, baring the deepest parts of her soul to all those experiencing the long-term effects of colonialism and the diaspora. Through an impossible heist with stakes beyond imagine, Li illuminates the complexity of Chinese identity against a profound yearning that lives inside those that have had to surrender a part of themselves in growing up elsewhere. With a catching comparison to Ocean’s Eleven, Portrait of a Thief brings the action up close and center, alongside an unlikely group of friends deciding to take something back for themselves. Out of all the aspects of this debut, one of the most poignant parts is the multitude of identities that are explored within. Although all of the heist members are Chinese American, their views on the mission were incredibly divided as they had all found their identity in different ways. Each of the characters had their own complex relationship with China, which was drawn out with each heist and created an interesting conflict between the group. These relationships were a stark contrast to the conversation happening around the heist and colonization, which I really appreciated as a reader. The diaspora affects all people differently, and that was really evident through the individual relationships and unique connections with China. Rather than have the crew get along, I liked that there was some conflict, both on an identity level and the heist itself. Also the little rivals to lovers storyline we were given made my heart soar. With her debut, Grace D. Li has created a novel equal parts thrilling, and critical. Portrait of a Thief examines the diverse parts of Chinese identity, diaspora, and the ways in which an identity can be in conflict, through a group of people determined to leave their mark on a flawed world.

Thank you to NetGalley and the publisher for providing this arc to review.

Trigger warnings: death, alcoholism, grief, racism

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Review: Siren Queen by Nghi Vo

Rating: 5 out of 5.

Enter the glittering world of Old Hollywood, where the very fabric of stardom is rife with dark bargains and sacrifice. To those that dare attempt fame, they must navigate a complicated system, competing for the limelight, and inevitably paying the ultimate price. For Luli Wei, a young Chinese American coming of age in this tumultuous time and desperately seeking stardom, the dark truth to the movie industry is inconsequential. She is more than willing to offer up her soul for the chance to shine and burn, even if it means becoming someone else entirely. In a system where the studio heads have all the power, and blood and ancient ritual is second nature, to yield is to begin. The silver screen beckons her forth, and to succeed in an industry determined to push her to the sidelines she may have to take on the role of the monster itself.

Siren Queen is an alluring novel, laced with a ferocity that reverberates throughout every page. In typical fashion Nghi Vo creates a vivid picture, ingeniously depicting the glamorous world of Old Hollywood and its frightening underbelly. Through the eyes of a young woman looking back upon her journey to the limelight, this golden age of Hollywood is given new voice – one that dwells in the bottomless deep, luring you from the shore before dragging you down into its murky undertow. It’s been awhile since I read a book that left me as epically stranded and desperate as this one and I’m sure I won’t find anything like it again. Throughout the narrative, there is a luminosity that shines through even the darkest moments. Existing as a queer, Chinese American woman during the time of pre-code Hollywood is a poignant center for the entirety of Luli’s story. This landscape breeds a unique sort of desperation and a drive to break free from the predetermined roles set by these studios and the world at large. Luli Wei is such an incredible representation of that and a person willing to be flawed to get where she wanted. Knowing that Siren Queen was also giving a slice of Evelyn Hugo energy only led me further into the deep end of this novel. While I would have liked more with Luli and her future partner, there is a staggering beauty in this narrative being a kind of open letter penned to her past self and future relationships. For those looking for something in the vein of Evelyn Hugo, this is right up there thematically, but don’t expect an exact comparison between the two. In her sophomore novel, Nghi Vo explores the realities of fame, what it means to pursue it on your own terms, and who you have to become in order to succeed. With razor-sharp teeth, Siren Queen shines like a beacon in the storm, bringing to light a truth far deadlier when realized.

Thank you to NetGalley and the publisher for providing this arc in exchange for an honest review.

Trigger warnings: racism, sexism, homophobia, death, domestic abuse

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Review: Count Your Lucky Stars by Alexandria Bellefleur

Rating: 5 out of 5.

It’s been ten years since Margot put her heart on the line with her best friend Olivia one fateful spring break – a week that transformed their relationship and forever shaped her outlook on love. In the fallout from their teenage romance, Margot has adopted a strict “no relationship” policy, convinced that they aren’t her style. Life doesn’t wait around, however, and now that all of her friends are in long-term committed relationships, Margot is second-guessing her stance. Fate offers up a chance when she runs into Olivia while touring a potential wedding venue with her engaged friends. Since they fell out with one another a decade ago, Olivia hasn’t exactly led the life she planned, but her new job as a wedding planner in Seattle offers a promising start. When an unexpected event leads her without a place to stay, Margot offers up the spare room in her apartment. Even though they haven’t talked in years, history bears repeating, and their chance encounter may lead them to rediscover the love that they’ve been looking for.

Count Your Lucky Stars is the book that has solidified Alexandria Bellefleur as a romance god in my mind. Truly no one else could have me laughing out loud and screaming in sheer frustration all at the same time. Having read the other two previous books in the series, I was thrilled to hear that its conclusion would center around Margot, a character who always gravitated attention from the sidelines. Given that this third installment features tropes that I would sell my soul for: mutual pining, forced proximity, and childhood friends to lovers, it was high up on my list of anticipated releases. Bellefleur has always had a knack for creating compelling characters and I have to say that Margot and Olivia are her best to date. The banter between them was so amusing and refreshing to read and I loved witnessing the complicated history between them unravel. Second-chance romances have always been an underrated trope in my opinion, and this one had me by the throat like no other. The chemistry with Olivia and Margot was already there to explore, along with years of miscommunication and unresolved feelings. This led to so much angst and pining on both sides that was incredibly entertaining to read. As this incorporates characters from the previous books there were so many little moments between the friend group and past couples. It was so touching to see where everyone ended up, even more, to see Olivia as a new character fall entirely into place with that. The backdrop of Seattle continues to dazzle here, with new locations and meaningful moments interspersed throughout the city. Count Your Lucky Stars may be a conclusion, but it is no less impactful or delightful than the first two books in the series. For as long as Alexandria Bellefleur keeps writing the queer romances of my dreams, I will be there championing them forward. 

Thank you to NetGalley and the publisher for providing this arc in exchange for an honest review

Trigger Warnings: infidelity, death of a parent, alcohol consumption

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