Please note this review contains spoilers for the former book in this series, Servant of Earth, and contains references to some of the events in this sequel. Read with caution.
Put forth to be executed, betrayed by the man she thought she trusted, Kenna Heron expected to die by the magical shards that grant the fae their immortality. Instead a balance was righted for the destruction of Mistei’s Sixth House half a millenia ago, and Kenna, formerly human, is granted the mantle of princess to the once decimated Blood House reborn. Awakening to her new circumstances in the middle of a violent takeover, Kenna manages to kill Mistei’s corrupt ruler, King Osric, yet the power vacuum in the aftermath of his death only threatens further unrest. With her former lover and Void House’s heir aiming for the throne, Kenna knows not who to trust—except Lara, her exiled mistress and Kallen, the former King’s Vengeance. Kenna holds the deciding vote in who should rule Mistei but has reached a stalemate, while the six houses are fracturing against divided loyalties, and a distant cousin of King Osric is vying for the throne. All she ever wanted was to survive the cruel land of the fae, but in the footsteps of her death and rebirth, it’s no longer just about her own survival. With a deadly assassin haunting her steps, and Mistei teetering on the edge of civil war, Kenna will prove once and for all if she can bring balance to Mistei, or fall into darkness like those of a long forgotten house.
Sarah Hawley’s, Shards of Magic entraps six opposing fae houses beneath the earth to grasp at power and immortality while prey to the machinations of a merciless king. This series put down precarious roots in Servant of Earth, when Kenna Heron, a young woman, braved the treacherous bogs to cross into the fae lands, becoming servant and spy to the ignoble Earth House. Princess of Blood returns us to a world reeling in the aftermath of a bloody uprising and hinging on a civil war as loyalties sunder and forbidden love takes root within the cavernous underearth. With few weapons in her arsenal Kenna, newly turned fae, stands alone as princess of the broken Blood House. Armed with Caedo, a shapeshifting talking dagger with a thirst for blood, and two unlikely allies—an excommunicated Earth Fae rendered powerless, and a murderous Void Fae and executioner, Kenna will confront her new charge in a world seeking her destruction. I already knew the Shards of Magic series was doing something special back in book one, delicately connecting tropes and story cornerstones to deliver a unique fae touched tale of rebellion and survival. Princess of Blood is where my heart latched onto this series for good. Sarah Hawley brings a sequel into being that is bloody and unapologetic, equal parts brutal as it is a hopeful beacon for change.
Princess of Blood opens on the edge of Mistei’s uprising, as Kenna, formerly a servant of Earth House is irrevocably changed into a fae and must lead a once annihilated house out of the shadows. Where book one was entirely concerned with her survival, the overarching theme for this sequel is just as transformed—the characters left to fend for themselves within the shadows being thrust into the light, to change for the better or die trying. Sarah Hawley’s character work is at its prime in Princess of Blood as those broken against a cruel crown fight to create a better world. At the center of this is Kenna, whose startling persistence and narrative voice ensorcelled me from this series’ very beginnings, but who takes to newfound heights here in this sequel. Confronting betrayal, death, and now rebirth, Kenna walks the knife’s edge between success or failure for most of this novel, and like the knife itself steels herself against the violence that comes with her position. Kenna’s force of will is impenetrable even as she dodges assassination attempts and hedges her bets to reestablish a broken house. Princess of Blood challenges Kenna’s identity and personal loyalties at every turn, amidst a poignant query into leadership and the personal costs of rebellion.
Princess of Blood is exactly the kind of follow up I love, all about characters who concentrated on surviving for so long confronting a tumultuous future side by side. This sequel concerns all kinds of unconventional alliances, but none is more unexpected than that between Kenna and Kallen, an enigmatic void fae and weapon to a fallen king. Prior to this novel, the interactions between these two were few and far between, yet they were charged with something I couldn’t quite name. Kallen and Kenna have always been predisposed to be something more, and nothing, and I mean nothing, made that more evident than his awe at her coming into her power and murdering Mistei’s king, Osric. Their relationship may have begun with a wee bit of blackmail and cynical chats, but Princess of Blood elevates them to equal standing. Reeling from her new circumstances, cut off from the man who made his life, both Kenna and Kallen are a bit out of their depths with the current state of things. And god do I love how these two are entirely stripped bare of the roles they occupied prior to the events in this novel because that is where the real magic happens.
Now we all love a mysterious fae man with shadow magic, and Hawley provides this with Kallen, a man who has made the shadows his home for so long they are all he knows. More than a bit lonely, wishing for something he can never have, Kallen is the pinnacle of the tortured romance lead. His hidden depths gave this sequel a necessary anchoring, while slightly twisting the archetype of the brooding fae love interest. Despite the blackmail of it all, Kenna and Kallen’s relationship dynamic in Servant of Earth was deeply intriguing to me (maybe because of the blackmail if I’m being honest). Yet, it wasn’t until Princess of Blood that I unequivocally fell in love with his character. He was the breath of fresh air this book needed, getting oddly excited to spy on people in the catacombs, sparring with Kenna, and just giving her the support she needs as she faces her new situation. Kenna is entirely in control of her choices, but Kallen is someone she can rely on who gives her the space to breathe and say the things she often keeps inside. United in the loneliness of their stations and their call to bring about a better future for Mistei, Kenna and Kallen find solace in one another, and their ensuing romance is just as intimate.
The contrast Hawley draws between Kallen, a man born to be a weapon, and Kenna, a woman who had no choice in wielding the power she was given is a compelling center to the eventual romance. At the mercy of a violent king, Kenna experienced first hand the impacts of Mistei’s tyrannical regime and in Princess of Blood, sets about reckoning centuries of abuse. Kallen has always been hiding. From his father’s brutality, a king’s abuse, and his brother’s secret, all he has ever known is secrets and shadows in a world where to care about anyone is a weakness. This extends into his relationship with Kenna, who in his mind is someone who could be wielded against him if he allows people to see the depth of his feelings for her. Just as Kenna confronts her place as Blood House’s leader, Kallen confronts if he can ever leave his shadows behind to be more than just a weapon to be wielded. Love as its own kind of weapon is the vehicle for most of the conflict between Kenna and Kallen and I was eating up the tension like water in a desert. I am nothing if not predictable, but these two brought a different name to romantic yearning. I was enraptured by the dances, the heavy gazes, and the sexual tension teeming beneath the surface of their interactions. This sequel is for the real yearners because Sarah Hawley knows the hottest thing in the world is a man undone, and that man is Kallen.
Princess of Blood is a calculated dance of moves and countermoves, building to a blood soaked showdown not unlike its predecessor, but singular in its torment. I have this thing where if characters are getting overly optimistic about the future I start to hear alarm bells ringing and that was happening at several points in the final act of this novel. I went into the last few chapters with eyes half closed because I knew Hawley was going to pull something along the lines of the Servant of Earth ending—and I was right to. Currently seeking financial compensation for the emotional damages incurred (Sarah Hawley will pay for her crimes). Even knowing this, Princess of Blood is an all around phenomenal sequel. We get to see these characters challenged by their traumas, surmount difficulties, and ultimately be transformed by its ending. The Shards of Magic series is for the feral woman tearing down a flawed world to build a better one, while being loved for all that they are. In Princess of Blood, Sarah Hawley interrogates the complex morality of immortals and what we owe to those who suffered under the abuses of a crown. With a determined heroine and her bloodthirsty dagger on the scene, Princess of Blood is a chaotic continuation of The Shards of Magic series and will no doubt leave many on the edge as it certainly left me reeling in its wake.
Thank you to Netgalley and the publisher for providing this advance review copy.
Trigger warnings: blood, death, violence, murder, decapitation, torture, alcoholism,
Literaryrobin 