At the dawn of every new year for twelve days the veil between worlds thins, and the city of Chernograd is beset by monsters. As a witch residing within the walled city, Kosara uses her talents and magical abilities against the monsters that plague the town. After she fled from her ex, the Zmey, or the Tsar of Monsters, Kosara knew she would spend the rest of her life outsmarting him. When she is betrayed on the eve of the foul days, Kosara is provided a way out by a mysterious card player who can get her over the wall for a price: her shadow. A witch’s shadow is a powerful thing, without it witches slowly succumb to the shadow sickness and become little more than shadows themselves. Kosara agrees and finds herself on the other side of the wall, free of monsters and bereft of her shadow. Kosara grows ill and when rumors of an individual collecting witch’s shadows reach her ears she plans to steal hers back. But she’ll need the help of Asen, a Belogradean detective to uncover a plot that runs deeper than a simple bargain between card players. The past and the history of the wall converge, and Kosara discovers a link to an enemy who could be brought down for good.
Witchery and card tricks go awry in Genoveva Dimova’s, Foul Days, a book that brings Slavik folklore and monsters crashing together with one witch’s search for agency. Foul Days is like a giant melting pot of all my favorite kinds of characters, tropes, and types of fantasy stories, wonderfully interspersed over one novel. We have monster hunts, dead bodies cropping up, Baba Yagas’s hut wandering around, and even an ongoing heist. Genoveva Dimova supplants readers into the walled town of Chernograd one night before monsters descend on the city.
Dimova contrasts two cities, one free of monsters, the other trapped by a magical barrier. I was immediately caught by the vibrancy of Chernograd, the snow-banked streets, and derelict spires rising out of the magic-infused plumes of smoke. And the characters, worn in from their surroundings but tenacious all the same. Even the monsters in Foul Days become characters of their own. Readers that enjoy their books heavy on the characters and dynamics will rejoice in this debut. Kosara is a flawed and stubborn protagonist who comes face to face with the consequences of her past and her personal limitations. Cheating at cards spells her doom and sets off a chain of events that lead to the loss of her shadow, a physical manifestation of her power. Kosara’s loss details the further impacts of abuse and one victim’s search for a reclamation of herself. Mystery and murder flourish as Kosara seeks to cement her identity after an abusive relationship and ultimately decide who, or what, she wants to be. Foul Days is not without a wry, self-depreciating humor that emerges out of the dark moments and rounds out this immersive story. With snarky dialogue between Kosara and Asen and bureaucratic nonsense like the Witch and Warlock Association pamphlet, Foul Days has an underlying humor that I wholeheartedly enjoyed. Romance slivers in between a hunt for clues as two reluctant allies find commonalities despite their stations and livelihoods. Asen is seriously the cutest and Kosara eventually sets aside her untrusting nature with him. The Witch’s Compendium of Monsters Duology delivers on so many fronts and it’s one of my new favorite duologies. Abound with Slavik folklore and magic, Foul Days bridges a dark fairy tale with an intriguing mystery as an unconventional duo, a witch and a determined detective join forces to uncover a conspiracy that runs deep into the history of their respective cities and the monsters that run rampant. Foul Days promises messy protagonists fighting to find their place, entrenched with magic, mayhem, and monsters galore.
Thank you to Edelweiss and the publisher for providing this arc in exchange for an honest review.
Trigger warnings: partner abuse, murder
Literaryrobin 