It’s my first fantasy roundup of the new year *gasp* and I am so excited to share all of the speculative fiction I have enjoyed in this first quarter of 2025. Fantasy has come second to romance these past few months but the ones I have read have really stuck with me. I have continued the trend of moving through my backlist of advance copies while interspersing some rereads to keep me out of the dreaded reading slump. On the reread front, I reread Shardless and the Jasad Heir ahead of their sequels publishing this summer. There are so many new books out this year and it’s so hard to keep up with all of them so I am committed to checking in every few months on here just to move through my favorites. So let’s get to it here with a chaotic fantasy debut, THE best friends to lovers fae fantasy of all time (I’m serious), a romantic fantasy novel brimming with unhinged yearning, an epic fantasy debut involving the powers of the ancestors, and a gay murder mystery fantasy mashup.
The Prince Without Sorrow by Maithree Wijesekara

If you like your fantasy heavy on the chaos and the vengeance, then Maithree Wijesekara’s, The Prince Without Sorrow is the perfect book. A young prince destined to inherit a legacy of tyranny and violence, and a mayakari witch outcasted for her magic become entangled after a curse gone wrong kills the reigning emperor. Now The Prince Without Sorrow is pure chaos. Love me a book where the characters have no coherent plan and are just rolling with the punches and coming up with ideas on a complete whim and that was the essence of this debut in the best possible way. Wijesekara plays with the paths, chosen and inherited and the notion of legacy across her debut with such skill. I loved seeing these characters grapple with their morality as they endeavour to right the past and be different from their predecessors. Shakti in particular struggles with the pacifism of the Mayakari and the consequences of breaking their rules to curse Emperor Adil and enact her revenge, while Ashoka is determined to honor his commitment to nonviolence. Having a dead emperor offering you his unsolicited advice because you are now bound to his spirit is a specific kind of problem only Shakti could handle. She truly lept into this with flying colors and I was so here for her tendency to act on impulse. The Prince Without Sorrow fascinated me with its intricate politics, queer romance, and characters just trying to do the right thing but ultimately going down a path they always feared. There are so many threads present in this debut and I am hanging on to every single one as I await the next installment.
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The Mask of Mirrors by M.A. Carrick
In the city of Nadežra one can be reborn. After fleeing the city and a life in its criminal underbelly with her sister Tess, Ren returns for the con of a lifetime. Masquerading as the lost cousin of House Traementis, Ren hopes to instill herself in the family, securing wealth and prospects. What she doesn’t expect is how deep the con will take her, the bonds she will make with her pseudo-family, and the dark magic transforming the city into a waking nightmare. When I started The Mask of Mirrors I was confronted with a plethora of rich detail that at first is difficult to surmount. The elaborate backdrop of a city split between two banks, upper and lower, and the island in between, plus the ruling families with complex alliances, and the magic system make for a riveting read if you can absorb its wealth of information. Interwound with the house politics, a variety of perspectives, and a vigilante stalking the shadows known as the Rook, The Mask of Mirrors is certainly one of the most intensely layered fantasy trilogies I have ever read. There is a deep heart of mystery M.A. Carrick taps into to construct the beginnings of this trilogy. With so many masks worn not just by our main character, Ren, Carrick questions who one can trust when confronting larger constructs tied up in wealth and power—and the ties we hold to our cultures and families. The emergence of children lost to dreams proves the deception runs deep, and uncovering the mystery will rely on Ren taking on a third and final identity. The Mask of Mirrors is a puzzling dream that one cannot begin to untangle with just one read. This is the kind of book that requires time invested, but earned back through its memorable characters and intricate political landscape.
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The Rebel Witch by Kristen Ciccarelli

Rune Winters has been a witch in hiding even before her identity was unveiled by the man she loved and she was delivered to her enemies. Now Cressida Roseblood, a witch long thought dead has returned and she has a plan to restore a world where witches reigned. To aid her Rune will have to excise the part of herself that still cares for Gideon Sharpe, the witch hunter, lest she see the rest of her kind destroyed for good. The Rebel Witch initiates the long awaited conclusion to Kristen Ciccarelli’s Crimson Moth duology. This sequel elevates the tension between our witch and witch hunter through an entertaining game of cat and mouse that sees entirely new stakes emerge now that Rune’s witch identity has been revealed. The chemistry between Rune and Gideon is even more palpable as they reluctantly become allies while retreating back into the roles they used to occupy. Ciccarelli interrogates the crux of enemies to lovers—the conflicting worldviews, how these characters have been socialized to see one another as the enemy, and if love and hate can truly coexist. Gideon is at the forefront of this conflict as he has centered his life around hunting witches outside his experiences at the hands of the series villain, Cressida Roseblood. Gideon’s feelings towards Cressida are deeply personal, but enacting his revenge could destroy his relationship with Rune and his ability to let go of the rhetoric that has fueled so much of his life. The Rebel Witch makes clear the cost of othering one group in defense of another and the difficulties in disentangling oneself from the propaganda and rhetoric fueling such hatred. This conclusion is romantic and action packed, earning its place in one of my favorite duologies of the past few years.
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Shardless by Stephanie Fisher
On the island of Tempris the immortal magic wielding fae hold status above all others. Humans, or shardless, possess no magic and are treated as lesser citizens. When she was discovered in the ashes of her family home as a child, with no memory of her past, Taly Caro was adopted by a fey noble and his family, who became her family themselves. But after experiencing magic—premonitions of the future seconds before they happen, Taly knows she is in danger, for this kind of magic hasn’t been seen in an age, and she will be hunted like those who came before. When I say this book is my favorite romantic fantasy I am deadly serious. I first read Shardless back in 2020 and since then I’ve reread it four other times, each one only serving to deepen my love and appreciation for this brilliant fantasy novel. Every part of this story is well thought out, from the prologue detailing a glimpse at Taly’s beginnings, the epigraphs of letters and portions of Tempris’ history, and the engaging plot at its center involving Taly confronting her magic and the mystery of her past. Fisher deepens this with a stunning friends to lovers arc between Taly and Skylen Emrys, which was serving that delicious delicious angst only intensified by the secrets Taly refuses to give up. Every part of this world is epic in scope, but it is the gateways sundered in the schism that locked away entire worlds and trapped much of Tempris’ population in one place, that renders this novel its post-cataclysm feel. Adding the intersection of fae magic with modern weaponry places Shardless decidedly in the category of steampunk-esque. I could really wax poetic about this incredible book for a life age. But just trust in me for your next obsession because it is this novel.
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Immortal by Sue Lynn Tan

Liyen, heir to Tianxia, ascends to the throne after the passing of her grandfather who risked everything for her survival—securing a magical lotus flower belonging to the immortals that helped her recover from a deadly poison at the cost of his life. The relationship between the kingdom of Tianxia and the immortal realm has long been strained, but the loss of the lotus flower spells even more trouble for their alliance. Liyen travels to the Immortal Realm where she comes face to face with Zhangwei, the legendary God of War. As their respective worlds deem they work together, Zhangwei and Liyen push past their ire, confronting an unexpected connection and worse, an impossible love. Immortal is a novel I consider to be the height of romantic fantasy. Sue Lynn Tan poured her entire heart and soul into this mesmerizing tale of redemption and transcendent love. Ruthless betrayals, immortal bargains, and secrets are just the surface of this epic love story. There’s the tenuous relationship between the immortals and mortal realms, and an evil preying on the mortal lands connected to the Netherworld and our main duo. The breadth of the Celestial Kingdoms from Sue Lynn Tan’s former duology expands, providing a fabled sort of setting around which the entire love story is conducted. I’m afraid I have never seen yearning portrayed in the way the character Zhangwei yearns for Liyen and all of that is due to the layered relationship building Sue Lynn Tan imparts from start to finish. Immortal is surely the romantic fantasy of the year. Prepare to see a God of War down bad for his love interest as he suffers bouts of unshakable yearning and longs for a love he cannot get back.
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The Bitter Twins by Jen Williams
In a moment of desperation, Tormalin the Oathless and Noon, a fell-witch of extraordinary power brought forth the Ninth Rain after many years of silence. Now these war beasts of legend, brought to life through the tree of Ygseril, have no memory of their pasts. Tormalin and Noon must figure out how to mobilize them, or see Sarn fall to the Jure’lia, their enemy of old. The Bitter Twins is the expansive follow up to Jen Williams the Ninth Rain where Williams returns to the Eboran empire after an intense battle with the Jure’lia who are once again intent on conquering all of Sarn. The characters Williams brings together remain the highlight of her Winnowing Flames trilogy. Vincent, a peculiar lesbian explorer obsessed with exploring ancient ruins and the dangerous wild, Tormalin, her hired immortal who thirsts for answers as he clings to the past, and Noon, an imprisoned witch who will do anything to retain her freedom. Brought together by less than typical circumstances, this sequel deepens the relationships inside and outside our trio while introducing the temperamental war beasts now bonded to them. The Bitter Twins envisions a cycle interrupted and what happens when the cycle that has stalled for many years all of a sudden begins anew. At the forefront of this are those who have resigned themselves to a particular fate given the chance to step out from the shadows and fight back. Williams’ layered characterizations, involved histories and peoples, and intriguing legend make for an all-encompassing fantasy world and a wild journey from start to finish.
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A Song of Legends Lost by M.H. Ayinde

Across the Kingdom of Nine Lands the ability to invoke the spirits of ancestors in battle is a coveted power granted only to those of noble birth. After a strange interaction leaves her bound to a mysterious spirit who grants her impossible power, Temi, a commoner, becomes embroiled in a plot connected to the ancestral realm and the truth to her kingdom’s history. A Song of Legends Lost debuts a gripping tale of ancestral power, histories lost, and revenge interwound with a quintet of characters confronting the legacy of their kingdom and the lies hidden at its heart. M.H. Ayinde constructs a unique fantasy world where advanced technology collides with legend. Both have power over the noble families fighting against the threat of Greybloods—mysterious beings of matter and techwork that are pushing into the lands, and these populations at large. A civilization long ago destroyed is remembered through forbidden techwork technology, a source of class tension that sees information suppressed from the top down. There’s power in storytelling and the histories that are passed down through generations, and Ayinde interrogates this at the center of her debut. Long ago civilizations and wars no one can remember are given context by the kingdom itself, an entity with its own agenda and a violent past. A Song of Legends Lost spans unique cultures, perspectives, and history, all given their time on the page through her organization of perspective. Ayinde skillfully submerges readers in her story and builds to an epic confrontation at its final act. A Song of Legend is the height of epic fantasy, confronting the legacy of colonization and the weaponization of history. I’m calling this as the best fantasy debut of the year and am imploring everyone to experience it for themselves.
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The Gentleman and His Vowsmith by Rebecca Ide
Lord Nicholas Monterris has never been free to make his own choices. As the Monterris heir, Nicholas holds his family’s hopes in restoring their fortune through his arranged marriage to the daughter of his fathers greatest rival, Lady Leaf Serral. Combining the magic of two families is a delicate process, requiring a vowsmith to craft the marriage contract while the families are confined to the manor. When someone dies on the first night, Nicholas realizes someone wants to impede this marriage, and they are willing to kill for it. Locked in the manor with a killer, Nicholas relies on his intuition and unlikely companions—his fiance, Leaf, and former love, Dashiell sa Vare, to uncover the truth before the killer strikes again and his family is truly left beyond saving. The Gentleman and His Vowsmith sees historical fantasy meet arcane magic, a locked manor murder mystery, and a second chance romance. In this incomparable historical fantasy novel, two former flames reunite in a decaying manor where murder abounds and an impending marriage constrains any chance of their happily ever after. It should come at no shock to anyone that historical romance is one of my favorite genres. I’m a fan of anything blending genre and subverting conventions and tropes within this space, which this novel does wonderfully. Rebecca Ide delivers a queer romance with such intense longing and characters you can’t help but root for amidst the murder plot. Ide writes for anyone wanting the labyrinthine locked room mystery plot to come with a side of gay yearning and a dash of magic and The Gentleman and His Vowsmith delivers on all three fronts.
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This Monster of Mine by Shalini Abeysekara

Four years ago, Sarai was discovered broken and brutalized beneath Sidran tower. Against all odds she was put back together, though the physical and emotional scars have forever lingered. Pursuing the justice she never received, Sarai finds a way back to the capitol as a petitor, a prosecutor with the ability to detect lies. Taking on the mantle of petitor, Sarai is assigned to work alongside Tetrarch Kadra, the only figure she can remember from her fall off the tower, whom she thinks committed the crime. This Monster of Mine initiates an extensive quest for vengeance that questions the ability of achieving justice through a judicial system and the costs of striking out alone. Set in a fantasy world inspired by ancient Rome, Abeysekara builds out a series of tetrarchs with competing notions and dynamics of power, and a flawed justice system. Sarai, a victim of brutal violence saw no justice from the tetrarchs, necessitating her quest for revenge that reveals an intentional plot within this hierarchy. This Monster of Mine uncovers a larger exploitation at the heart of the city and the individuals more than comfortable upholding these injustices for personal gain. Alongside this, Abeysekara examines a society’s tendency to mythologize a person and their situation rather than fight for truth and justice. Sarai is hiding in plain sight, but her story as the “Sidran Tower Girl” has been local legend as long as she has sought the truth. This Monster of Mine attempts several threads of mystery, romance, and magic, and all of them have a strong connection within this story. I love a good revenge narrative and this one handles the nuances of such an arc with a mix of grace, heartbreak and “good for her.”
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Greenteeth by Molly O’Neill
For hundreds of years Jenny Greenteeth has made her home beneath the lake, where she devours her unwilling prey and witnesses the years pass on. In all her time beneath its waters, Jenny has never met a human, but that is quick to change when a young woman is bound hand and foot and thrown into the lake. Accused of witchcraft in the surrounding village, Temperance would have drowned if not for her rescue at the hands of the resident lake monster. Jenny and Temperance are nothing alike but this newfound fear of magic does not just threaten Temperance’s community, but Jenny’s home as well. Leaving behind the safety of her lake, Jenny and Temperance embark on a dangerous quest for fae magic to unravel the darkness before it consumes their respective homes and all they hold dear. Greenteeth wickedly ensnares folklore, magic, and Arthurian legend together in one adventurous fantasy standalone. Following the Jenny Greenteeth of tale and legend, O’Neill basks in uncovering her peculiar nature, the conflicting states of being between teeth barred and someone seeking connection. Monsters aren’t all as they appear in Greenteeth and O’Neill reveals the depths hidden beneath the murky surface of her charming cast of characters—a witch, a lake monster, and a spirited goblin. Found family never fails to get to me and Greenteeth achieves that along the road to adventure. Despite their oftentimes clashing perspectives, Jenny and Temperance find solid ground. I liked seeing how they connected over roles in motherhood, and their innate desire to protect others (even if you eat things sometimes). Greenteeth brings us to a Britain on the outset of legend, where the greatest power held is in memory and the legends themselves.
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Upon a Starlit Tide by Kell Woods

Lucinde Léon has always felt an affinity to the sea. Raised at the side of her adoptive father, a wealthy French shipowner, Lucinde has been granted every comfort, but the surrounding walls of Saint-Malo only serve to block her from the waves that call to her beyond. In secret, Luce spends her days on the water, learning to sail alongside her friend and closest confidant, Samuel. But in the aftermath of a storm, a shipwreck washes up on shore, and Luce rescues its only survivor—setting off a chain of events that will reveal the truth to her heritage, her father’s legacy, and why she finds power in the treacherous deep. Upon a Starlit Tide strikes a delicate balance between historical fiction and fantasy, and retelling the Cinderella and The Little Mermaid fairy tales, finding a unique footing in the spaces between these genres and the folktales themselves. Subverting various touchstones for these stories and centering eighteenth century Brittany as her backdrop, Woods crafts a glimmering tale of betrayal, tragedy, and forbidden love. This has exactly my kind of romance, connecting to those siren and selkie tales of old, and the longing of awaiting your love to return. Upon a Starlit Tide has a bit more of a slow build, with the political and romance elements percolating to an intense confrontation in the final act. As Luce finds her power, Upon a Starlit Tide uncovers the deliberate violence orchestrated over her lifetime. Woods connecting this back to a certain figure in Luce’s life and their choices is timely, as was Luce coming into her abilities and choosing herself. Upon a Starlit Tide is a heady mix of history and folktales made real and I was mercilessly swept up in its tumultuous undertow like a ship wrecked upon its shore.
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The Jasad Heir by Sara Hashem
All Sylvia remembers about her past is the fire and destruction that ripped her away from her family and the kingdom she loved. In the aftermath, the kingdom of Jasad was pillaged and its remaining citizens scattered, later rounded up and executed simply for the magic they wield. As the lost Jasad heir, Sylvia has hidden herself away in a small village, suppressing her limited magic so as not to alert anyone to her survival. After a slipup involving an inquisitive guard and her beloved sesame candies Sylvia comes face to face with Arin, the Nizahl heir. Caught between the heir and survival, Sylvia makes a bargain with Arin, she’ll help him track a group of Jasadi rebels in exchange for her walking free. But the closer she gets to Nizahl and its pesky heir, the more Sylvia confronts the legacy of the Jasad crown and if she can truly leave the past behind to be left as nothing more than a legend. Egyptian inspired high fantasy involving ill-placed bargains, trials, and an enemies to lovers arc was enough for me to first pick up The Jasad Heir two years ago and it still holds up today. Sara Hashem’s debut is a piercing blade that expertly dissects the legacy of a kingdom lost to violence and the conflicting path to survival in a world seeking to eradicate all that you are. Sylvia is the beating heart of this story, caught in an impossible situation as she leverages her abilities to survive, but makes a choice that could see more of her kind captured and killed. She’s conflicted, yet uncompromising in protecting those she loves and safeguarding her future. Lost heirs returning is a niche kind of story I just adore and god is this one of the best I’ve read in years. That final chapter is nothing short of masterful, the masks come off in the best way as Sylvia chooses her fate over Jasad and her rightful crown.
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