Kowloon is a city of ghosts. For a girl with no memories washed up upon the shore, it presents an opportunity for a rebirth. Mercy Chan has a unique ability: not only can she see ghosts, she can commune with the dead and allow them to move towards the afterlife—a rare talent coveted by those who make Kowloon Walled City their home. For decades Mercy has worked as a ghost talker of sorts in connection with the Kowloon triad. She spends her days communicating with the ghosts who linger, usually the angry and wronged, bringing justice to their afterlife and to the city itself. But something darker lurks in the shadowed spaces, luring citizens to their watery deaths and speaking to Mercy through the bodies of the departed. With a proposal to demolish Kowloon up next on the docket, a serial killing spree could be what allows the legislation to pass. Even more sinister, this killer appears to have a personal connection to Mercy and is intent on drawing her close to their crimes almost as if in retaliation for something. The answer lies deep in the past in memories Mercy is unable to access. As Mercy follows closer and closer to this ghost, the less she can deny that the vicious spirit is on a quest for revenge and the object of its ire: Mercy herself.
A ghost-talker confronts her missing past and the ghosts that linger in Sunyi Dean’s historical gothic feat, The Girl with a Thousand Faces. It feels like eons since I first discovered Sunyi Dean and drifting back into her work feels as languorous as a cat taking a long stretch in the sun—entirely out of sorts with the actual tone of Dean’s sophomore novel: a historical gothic fantasy all about ghosts and the cycles we perpetuate. The Girl with a Thousand Faces is as cutthroat as the ghosts left to steep in sadness, anger, and regret. At the helm, Mercy Chan, a fifty something ghost talker with a mysterious past facing down a ghostly killer intent on forcing her to confront her own forgotten ghosts. The Girl with a Thousand Faces makes the reader into a kind of specter, wandering Kowloon Walled City alongside Mercy as she unravels the past. Dragged down deep into waters ancient and strange, Sunyi Dean weaves a startling narrative that will have you questioning the true villains, be they paranormal or man made. Vindictive ghosts are one thing, but Dean’s true talent lies in her glimpse into the real horror beneath, the devastations of war, grief, and generational traumas—with everything a cost of ignoring that pain. Brave this strange ghostly saga and whatever you do don’t look down.
The Girl with a Thousand Faces is a bit of a genre-bend, equal parts historical, fantasy, and gothic that begins to take shape through the unique setting of Kowloon Walled City. Setting is everything within a gothic novel and Kowloon, a city of ghosts (both human and paranormal), could not be more perfect for the story Dean constructs. Right away you can feel the claustrophobic nature of this densely packed city, a community of humans and ghosts that is home despite efforts to demolish it post-war. Kowloon is very much a city that reflects the pain that cannot be buried, of real people attempting to make a living after enduring the horror of the second World War. It makes sense then that ghosts have congregated within its boundaries and have continued to flourish even in the decades following. In a city rife with ghosts, Sunyi Dean questions what are the real ghosts—are they the literal phantoms and wraiths clinging to life, or do they represent a darker part of our humanity that we refuse to examine and excise. The Girl with a Thousand Faces presents an interesting duality in its perspectives, both ghost and human, to interrogate not just this essential question but how ghosts themselves come to be.
Much of what makes this book so hard hitting is the humanity underlying the horror. That we create our own ghosts which follow us and our descendents is far more horrific than the literal ghosts appearing within the narrative at times. There is a grief that comes alongside knowing this, in understanding that Mercy’s story is the result of pain endured by her family and a suffering that was never addressed generations prior. Relationships between sisters, mothers, aunts, and nieces, are all part of this delicate tapestry and a pain that went unanswered. These relationships are the beating heart of The Girl with a Thousand Faces and the nuance in depicting motherhood, specifically the relationship between mother and daughter were some of my favorite parts of the novel. Siu Yin and her mother, dancing and swimming with ghosts rather than reaching for each other in hard times, cogs in a relentless cycle that initially appears impenetrable. Throughout this complex web, Dean underpins the staggering traumas of war and colonialism which shape us and those who come after. In the aftermath, sometimes the pain caused is too great and by trying to hide it we cause more, leading to further tragedy. The Girl with a Thousand Faces knows the work of grieving and moving forward is a heavy burden, but it is essential work and part of freeing our own inner ghosts.
The Girl with a Thousand faces is the best thing a book can be: clever and horrifying as hell. While it has been some time between Sunyi Dean’s debut, The Book Eaters, and her sophomore novel, I would wait twice as long if it means she can keep delivering books such as this one. The Girl with a Thousand Faces is certainly one of the most interesting historical novels I have ever read. A ghostly jaunt through a post World War Two Hong Kong—specifically Kowloon Walled City—as Dean examines what makes a ghost and what it takes to truly reconcile them. The Girl with a Thousand Faces nails all the bittersweet facets of forgiveness and how essential it is to breaking the cycle of grief and trauma. Not without its heartbreaking moments through others who did not have the language to do the work of grieving, instead languishing in that pain and trauma and never fully surfacing. Though horrific, grief ridden, and painful at times, there is a tremendous joy found in breaking the cycle, in doing the hard work of reconciliation. Certainly not an easy path but one that is worth the work. Sunyi Dean doesn’t deny that we don’t always get the answers we’ve been longing for, craving an understanding from our family members who are long gone, never there to give us greater context. Those can be ghosts too, following us ever long even as the cycle is rented in two. Haunting yes, but fiercely hopeful, The Girl with a Thousand Faces asks us to trust in the haunted and dare to sink knowing we will eventually surface—if we can just make that leap.
Thank you to Edelweiss and the publisher for providing the advance review copy.
Trigger warnings: violence, murder, depression, death of a parent, grief, war, mass death
Oh a brief chill in the air? A hot drink in one hand? A crunchy leaf on the ground to give you a boost of serotonin? It must be autumn! We need not argue over which season is the best (the fall). Instead, I’m here to discuss the romances of autumn. The autumnances if you will. I am LOVING how many books this season feel like the essence of autumn. Either by way of a books atmosphere, the tropes, or the characters. The fall romances are screaming autumn this year and I couldn’t be more happy about it. In preparation for sharing this list I read through a new romance every night for a week and a half. Lot’s of ghosts, magic, small towns, and of course, yearning to keep me happy. Typical for me, 90% of these are upcoming romances for the season so please consider preordering my recommendations or purchasing them when they hit shelves. Let the fall reading commence!
Disclosure: going forward I will be linking my Bookshop affiliate link below my reviews. I earn a small commission if you purchase books through this link and it is one way to support my reviewing! My affiliate link will simply be labeled “Bookshop.”
If It Makes You Happy by Julie Olivia
Fall goodness meets small town Vermont in If It Makes You Happy, a romance novel of 90’s nostalgia, timeless tropes, and Gilmore Girls fame. Down after her divorce, Michelle Cadell throws herself into the runnings of Bird & Breakfast, the B&B her mother ran in the (not so) quiet town of Copper Run, Vermont. Her reception from guests is less than savory, if the lack of signings in her guest book and the inedible scones she’s been serving for breakfast is any indication. A mutually beneficial deal: baked goods in exchange for babysitting puts Michelle in close quarters with her neighbor Cliff: single father and owner of the local bakery. The two become not just best friends, but true partners—that is if Michelle can see Copper Run as her forever home. Billed as perfect for Gilmore Girls fans and lovers of the autumnal slow burn, If It Makes You Happy is everything I’ve come to love about the small town romance, set in one of my favorite places on earth: Vermont. A fictitious town with a not so fictitious larger than life quality to it, I quickly fell into the happenings of Copper Run and its inhabitants. Julie Olivia paints the small town with that Hallmark-esque quality: city girl goes to a small town and falls in love with the next door neighbor while trying to succeed in running her mothers bed and breakfast. If It Makes You Happy grounds itself in familiar tropes to build a multi-faceted story of, yes, love, but also building a life where you’d least expect it. I really appreciate how much Michelle and Cliff feel like 30-somethings still figuring out life, struggling, failing, and eventually triumphing overall. This is a true friends to lovers as well, and Olivia provides this friendship unadulterated with romance because the romance is baked into their tremendous bond. Looking for love amid the falling leaves, small town coziness, and nosy neighbors? Look no further.
More witchy goodness from the witchy author herself, Lucy Jane Wood, means fall is officially here. Taking readers back to an alternate London where magic thrives in spades and witches abound, Lucy Jane Wood’s, Uncharmed sees Andromeda “Annie” Wildwood, witch, bakery proprietor, best friend, and confidant’s perfectly curated life completely fall apart when her coven tasks her with training an unruly teen witch at a cabin in the middle of nowhere. Away from her routine Annie casts off the trappings of her old life—one spell in particular, to determine what is serving her, and what is ultimately serving others. Uncharmed certainly re-enlivens the magic Lucy Jane Wood first captured with her stellar debut, Rewitched, but with an entirely new, potent flavor. Its magic diluted in its strongest form upon the page and it is easy to get swept up in the spells, secret societies, and the utterly delicious confections and baked goods. While complete with a romance subplot to die for, Uncharmed focuses most of its attention on the character of Annie and her relentless people pleasing tendencies and overall perfectionism. Annie’s strive for perfection comes at the expense of her autonomy—literally, as she douses herself daily with a spell to help her meet the impossible expectations she, and others, have set for her. The spell keeps her placid, able to be what others need without her emotions and beliefs interfering. Yet, stuck in the woods with an orphaned witch is all it takes for that to come crashing down, for good this time. Lucy Jane Wood’s witchy novels find harmony with intimate character studies, cozy atmosphere, and romance perfectly mixed and baked to perfection. Uncharmed is proof that Wood is only getting better and better and this found family story with magical creatures and a cottage in the woods is heartwarming as it is magical!
Jayci Lee reimagines Jane Austen’s Persuasion for the modern day in when Anne, a famous K-drama star, reunites with Frederick Nam, a dedicated firefighter captain and the man she was persuaded to give up ten years ago. Frederick has every reason to hate Anne for breaking his heart a decade ago, and he has spent just as long forgetting her, but her return to his life brings forth all the feelings he buried. Ten years may have not changed their affection, but wounds are still fresh and a second chance will mean excising everything that led to their breakup and deciding if they have what it takes for a happily ever after. Jayci Lee’s reimagining of Persuasion hits all the notes for a perfect second chance romance and Austen retelling. We have family members being genuinely terrible (and some who are delightful), the meddlesome friends, longing, and characteristic melancholy of one Anne Lee. Give Me a Reason makes the Persuasion story entirely its own however, with wedding planning antics and firefighters instead of navy officers (because of course). Also in the connection between our two leads Anne and Frederick, which we learn wasn’t exactly perfect. Frederick based all of his hopes around Anne instead of his own life, and Anne still placed so much trust in her family—similar to the original novel. I love that we get Frederick’s perspective this time because I really do love seeing the torturous longing right from the source. Frederick is exactly what I want from a modernized Wentworth. He’s tortured with love for Anne, who he’s convinced has moved on, but who very much has not. Give Me a Reason is a perfect look at Austen’s greatest novel (sorry P&P), and yet another call for reimagined classics for the modern day—that keep the yearning.
The love child of the Ex Files and Men in Black, Love at First Sighting concerns a UFO sighting, a social media influencer, a government agent, and a conspiracy gone wrong and all of it is out of this world romantic. El Martin, aforementioned social media influencer, witnesses a UFO sighting that changes everything (if anyone would actually believe her). The only person who does is Carter Brody, agent for the Private Intelligence Sector tasked with keeping tabs on her. But Carter is drawn to El for more personal reasons: mainly the death of his father many years ago—who bore witness to the same object El saw careening through the sky only nights prior. With a UFO mystery afoot, Carter and El will become unlikely allies and unexpected partners and lovers, as they race to uncover the truth before it’s too late. If you like your romances served with an entire plate of chaos and absurdity (affectionate), then look no further than Mallory Marlowe’s latest, Love at First Sighting. I’m big on the unconventional duo’s and social media influencer x government agent has to be the icing on the unconventional cake. Love with a dash of the paranormal is always the right call especially for autumn and this one leans heavily into alien sightings and all the conspiracies you’ve read about. With a slower build, Love at First Sighting gives a lot to its two perspectives, El and Carter—how they are different, and what exactly makes them the best of partners even when they aren’t chasing down UFO’s and breaking and entering. Love within the quirks is something I have come to adore. Here it’s chewing gum, suspenders, and Carly Rae Jepsen songs, all of which are essential to the romance. This is a romance for those who don’t just think of extraterrestrial contact as a far off possibility, but know it’s here, and anyone craving more romance formed in the fire of the paranormal.
Another year, another exemplary queer romance from author Alison Cochrun. Reupholsterer extraordinaire Sadie Wells is stuck—literally, running her grandmother’s antique furniture store after her passing while avoiding any adventure of her own. When her travel influencer sister is injured ahead of an important partnership, Sadie takes a leap and volunteers to take her place traveling the Camino de Santiago in Portugal. Except her dear sister neglected to mention it’s a tour for anyone who identifies as sapphic and Sadie is coming to the table fresh off a full blown sexual identity crisis. Additionally, the gorgeous woman she came out to on the plane is on the tour, and she’s made it clear she’s not one for anything more than a one time fling. If days and days of walking can change anything, that is. When I think of an author who not only provides unique queer love stories but leaves me constantly in my feels the person who immediately comes to mind: Alison Cochrun. Balancing a queer love story with self discovery, fraught familial relationships, and gorgeous scenery, Cochrun’s Every Step She Takes is a coming of age story with European adventure and lesbian romance all deliciously rolled together. There’s not enough words to describe how much I love this unabashedly queer book. From Sadie and her sister, Vi, to the people joining her on the Camino walk, and the tour host, an out and proud Trans woman. It’s what I needed to read right now and exactly the kind of affirmation that comes with reading this genre. Every Step She Takes is all about that: steps, the ones we take to get away, and the ones we take to reach for a new path. That change doesn’t always require a leap, but a step towards something better. Cochrun’s focus on queer adolescence as ever evolving and not contingent on time is a beautiful concept raised here. Witnessing it blossom in Sadie and even Mal, even more so.
Playwright Eve Ambroise is running—far enough away to escape her mistakes and the failures that have broken her inside and out. To clean the slate, she breaks up with her fiance, Leo, and leaves behind her judgmental parents to travel to the Tennessee mountains under the guise of a writing retreat. In reality, she’s at the cabin formerly belonging to her grandmother, hoping to finish her next play and perhaps recover from the wounds of the past. Yet she finds unexpected company in her neighbor, Jamie, fresh off of a custody trial for his son and desperate for a break of his own. Jamie and Eve pursue a relationship on the weekends, between writing plays and raising children, but love may not outweigh their pasts or their present responsibilities. Once Upon a Time in Dollywood interrogates if two people can find healing through a romantic relationship, or if healing requires a more deliberate personal introspection and internal work on its own. As much a story of healing as it is a romance, Ashley Jordan’s debut novel is a multifaceted love story that encompasses the wonder, pain, and joy of our innate existence. Eve Ambroise is a troubled protagonist still grappling with grief of her teenage years—when her parents forced her to carry a baby to term and then put the child up for adoption. This keen sense of loss and a lack of closure follows her years on as she and her fiance try for kids and she experiences several miscarriages. Ashley Jordan focuses all of her attention on the personal growth of her two characters, Eve and Jamie, as they move out from feeling stagnant and stuck in trauma to breaking free of that cycle. Jordan’s message is clear: we don’t have to be wholly without trauma to enter into romantic connection, but there is a tremendous bravery in taking pause to pursue recovery and better serve ourselves and those we care about.
In Erica Ridley’s The Wild Wynchester’s the absurdity is alive and kicking and A Waltz on the Wild Side might just take the crown in that respect. A chaotic family of orphans adopted by a wealthy baron spend their lives investigating crimes, fighting injustice, and aiding the working class in regency London—finding love amidst conspiracies, heists, and castle sieges. At long last we have the book for my favorite, arguably the most chaotic Wynchester: Jacob. If you’ve ever found yourself asking: what if there was an animal with you all the time that you could train to aid in your crimes, Jacob has not only asked this, he has succeeded. With his menagerie of animals and secret famous poet lifestyle, Jacob meets his match in a playwright who carries a tarantula spider on her person for protection, can redirect flying daggers, and also has a tamed badger. Erica Ridley continues to brilliantly contrast the struggles of the working class, immigrants, and Black, queer, and disabled people in this historical romance series, and A Waltz on the Wild Side is her best by far. Vivian Henry, our heroine, is a former enslaved woman running her cousin’s household in Cheapside, writing plays in her off time. When her cousin disappears under mysterious circumstances she turns to the family everyone reveres (except for her) to bring him home. The tension between Viv, Jacob, and the rest of the Wynchester family is sublime. Ridley focuses on how our experiences shape our morality and our views on justice, enclosed within Vivian and Jacob’s romance and her views of his family’s calling. Vivian seeing herself as a product, only worth as much as she is useful is a harsh, but very real extension of her experiences in enslavement. Ridley elevates Viv’s liberation and Jacob’s personal aspirations in this gobsmackingly wild, fierce and swoonworthy historical. Wynchester’s forever!
Collins Cartwright is running from ghosts of the strictly metaphorical kind. The real ones have gone quiet. When she left Sweetwater Peak, Wyoming, to pursue photography she never expected to return on a permanent basis, but after being fired from her photography job she’s back in town, crashing in the resident upholsterer’s spare room until she figures things out. Yet with her constant companions gone quiet—the various ghosts that inhabit the town and its backwaters, her only company is the suspiciously uninteresting individual she’s currently renting from: Brady Cooper. Her solution: show him some adventure and maybe send her ghost block into the afterlife where it belongs. Only Lyla Sage could put ghost sightings, small towns, and romancing the new to town upholsterer after accidentally macing him together in one whirlwind romance novel. But Soul Searching is so perfectly Lyla Sage, centering another forgotten gem of a town and its struggling inhabitants finding their footing and reaching for love without reservation. All with a side of occasional ghost sightings. Soul Searching’s main characters Collins and Brady are the definition of slow romance. At the beginning they don’t even like each other, but intrigue wins out in the end. Soon they’re confiding in their pasts and previously mentioned ghostly abilities all while taking in the hidden spots of Sweetwater Peak side by side. Get you a man that makes nonstop Lord of the Rings references, can reupholster furniture, and is constantly in awe of you. Oh and pays no mind that you are constantly talking to the ghosts that have been ignoring you. It’s a romance with a side of paranormal the Lyla Sage way. Hot, spooky, and thrilling!
Sometimes love is inheriting a six million dollar west village brownstone with your former friend and love of your life who looks a little bit like David Corenswet (niche people understand). That’s exactly where Joss Richard’s debut, It’s Different This Time begins. Two former best friends, Adam and June, are reunited after six years apart when they learn they’ve inherited their former apartment building after the death of the owner, their former landlord. Sell or keep, they’ll have to spend a month together before they can sign away ownership but that means facing what drove them to separate sides of the country six years ago. Ensuing your classic dual timelines where the past is flung wide, Joss Richard builds a friends to lovers saga where an aspiring chef and theatre actress/part time bookseller agreed to be roommates, but ended up becoming the best of friends. Adam and June really are that classic romance novel couple. Unlikely friends they may be, the friendship between them is unmistakable as is the support they lend each other across the years. Richard knows how to plot out an electrifying slow burn and with an entire decade since their first meeting, June and Adam are ripe for that angst and tension I need from my romances. It’s Different This Time feels like a When Harry Met Sally style story, both narratively, and in the relationship between June and Adam. Where the fall feels like a separate character—as does the city of New York. I love a dash of miscommunication in my fiction (for good health) and boy do we get that here. Really I expected nothing less from these two, but Richard grounds it in their individual pasts so it never feels overwrought, only typical of two people scared of change and scared to reach for what they want. It’s Different This Time is an impressive, nuanced love story between two people at first scared to try and then brave to start all over again. That it’s enough that it is different this time to hold onto a second chance with both hands.
Have you ever read a book that redefined romance for you? Because Regina Black’s, August Lane has done so for me. Luke Randall, a not so successful country music singer, has clung to relevancy on the back of a hit song he didn’t even write. Many years prior Luke met August Lane, daughter to a country music star, Jojo Lane. Luke and August burned fast and bright, while complicated family matters and issues in their Arkansas community pushed Luke to the outskirts where he had no choice but to leave it and August behind. Now Luke has been granted the opportunity to sing alongside Jojo Lane, but doing so will require his return to Arcadia and the person whose work he stole to make his name—August herself. When I say this book has enough angst to power a small town, I mean it. And that town is Arcadia, Arkansas. Second chance meets small town romance in Regina Black’s sophomore novel, a romance all about reconciliation and the messy, complicated side of resurrecting the past. August Lane has so much tied up in its central romance, drawing attention on Black musicians’ contributions to the country music genre, racism, grief, and the cycle of trauma—mainly women in motherhood and the impact on their children through neglect, abuse, and alcoholism. Regina Black continues to push boundaries within the romance genre with her flawed, imperfect characters who live loud and love not in spite of past wounds, but because of them. August Lane presents a melodic heart wrenching ballad between two people who find the strength to reunite and explore the chance of more—of writing their own love song together.
Sometimes you unexpectedly stumble upon a historical romance gem, and like the very gems our heroine seeks to recover at a scandalous gambling hell, I want to plan a heist around this entire book. New in an emerging series from Christina Britton, To Heist and to Hold has all the delightful accoutrement of the best historical romances. We have a widowed blacksmith attempting to seduce the owner of a gambling club, and we have that same stoic club owner choosing to succumb to her advances because of course you can better keep your eye on a widow you don’t trust by sleeping with her. Of course you can. But don’t let the utter hilarity fool you, To Heist and to Hold is a deeply emotional plunge into the physical and mental traumas of growing up on London’s streets, as well as the lives of widowed women socialized only to be useful and effectively cast out upon the deaths of their husbands. This book starts off with a smash as Heloise, our heroine, discharges a blade of her own invention (we love), and it really only gets better from there. Featuring a group of women—The Wimpole Street Widows, who use their position in society to solve cases, To Heist and to Hold brings an essential one: retrieve a missing ruby necklace from within a gambling hall. The plan: use the guise of a boxing event to do it—placing Heloise under the ire of Ethan Sinclaire, owner of Dionysus and the man she has been sent to seduce. What feels so refreshing about this novel isn’t just the quiet stoicism of our hero but the capable nature of our heroine, be that in a blacksmith forge, fencing, or methods of seduction. Ethan and Heloise soldier a lot of pain from their pasts, but love and an ill-timed heist force them out of the roles they’ve cloaked themselves in and into a brave, uncertain, certainly chaotic, future together.
Second chance romance lovers are going to feast on Bolu Babalola’s latest romance, Sweet Heat. After quitting her podcasting job, The HeartBeat, late twenty-something Kiki Banjo finds herself adrift at a time when she desperately craves control. Her relationship has stalled, her parents are selling their beloved restaurant, and her ex boyfriend is soon to be in town for the first time since their devastating breakup. Kiki decides to pour herself into planning her best friend’s wedding festivities, but the Best Man is none other than Malakai Korede, the man who broke her heart all those years ago. The chemistry is sizzling and the heat is still high, but for the sake of the wedding Kiki and Malakai will try to keep it all under wraps—or risk falling back into love and heartbreak. Bolu Babalola’s foray into the second chance romance arena is not to be outdone. From the moment Kiki and Malakai meet on page the angst is fierce and the wounds of the past are arrayed starkly upon the narrative. Babalola certainly takes her time to establish the perspective of Kikiola (our love interest Malakai does not even appear until after the first quarter) and the singular attention to this perspective is what makes the character work and the romance so strong in the later sections. The first part of this romance is all about the angst baby, and laying the foundation for the reconciliation between Kiki and Malakai which was in one word: sublime. Many have called Bolu Babalola the next great romance writer and Sweet Heat is proof she is worthy of the crown. This book bases the crux of the romance upon knowledge, the act of understanding someone at their marrow and the ache that is left in their absence. Phenomenal doesn’t even begin to cover Sweet Heat. It is a romance triumph!
Summer, summer, summer, summer (please read in the theme of Disney’s High School Musical 2 hit song “What Time Is It”). Hello and welcome to another installment of my quarterly romance recommendations. It’s insane how many romance novels have published since last quarter so to honor that this is a bit longer than usual. I’m still catching up to many April/May romances since I spent the month getting ready to move back home. Picture the last few weeks being me just reading romance there are that many. Summer is already heating up and the romances are just as hot (hallelujah). We’ve got small town messy sapphics, rival bands, Persuasion inspired historical romance, and plenty of unconventional love stories. Also please ignore that I put an October romance in here. Just preorder it (trust me). Happy reading!
Dream On, Ramona Riley by Ashley Herring Blake
Ever since her mom left their small New Hampshire town, Clover Lake, never to return, Ramona Riley’s dreams of doing costume design became an impossibility. Shortly after, she dropped out of college to assist her recently injured father in raising her younger sister Olive, and for decades that was all she could see. Now Olive is set to graduate and leave for college, and Ramona is still stuck in Clover Lake working at the local cafe. But when she hears that the next big romantic comedy is set to film in Clover Lake, Ramona begrudgingly sees this as an opportunity to forge a way to her dream career. Unfortunately the film’s lead star is her first kiss and once crush, Dylan Monroe, and she does not remember a single thing about Ramona. Luckily Ramona can spend the entire time avoiding her. Right? No one is doing small town romance like the sapphics and Ashley Herring Blake. Dream On, Ramona Riley recaptures the small town atmosphere of her first series, Bright Falls, and proves it’s not just a lucky strike, but an innate talent Blake can bring to any romance. As a lover of all things New England, rom-coms, and messy bisexuals, this had all the shapings of an unforgettable romance, and it delivered from beginning to end. Featuring another delightful extended romance cast—like April Evans the tattoo artist (up next for book two), and some of Ashley Herring Blake’s hottest sex scenes (trust me), Dream On, Ramona Riley really is queer romance perfection. The core of this story sees caretaking as a sacrificing act, but also a hopeful one—a poignant theme which threads through Ramona’s second chance career and eventual love story. Dream On, Ramona Riley is for anyone who’s ever thought the words “it’s too late,” because it never is. I am elated for more messy sapphic love stories from Ashley Herring Blake!
Bennet Taylor has no passion. She’s experiencing a passion deficit as it were. But who else is in their twenties working as a temp while desperately trying to forget the grief of the love of their life who they are pretty sure was the one. Pushed into a first date she didn’t want Bennet flees, only to run into her intended date, Henry, hours later where she confesses the grievous sin that she is not ready. She even admits to her passionless state, and Henry agrees he’ll help her find it. Now they’re having adventures all over the city, and Bennet and Henry realize they’re not just good friends and passion aficionados, they’re each other’s next chance at the love they’ve been waiting for. Disaster over pasta carbonara begins this hopeful romance debut from London Sperry that leans heavily into works in progress finding love not in spite of their circumstances but because of all that they are. New York City is very much a main character as Bennet and Henry traverse the boroughs and the nooks and crannies in search of ever elusive “passion” while avoiding unexpected feelings. Now with a founding father name like Henry Adams you wouldn’t expect a man to be so effortlessly romantic and capable of such yearning, but Sperry has written the romantic love interest of the year with Henry. I mean thespectacles?? Come on! Bennet Taylor had such strength while in the presence of this man I commend her for all of it. The journey of Bennet and Henry out of grief, to friendship, and then love is overwhelmingly gentle. Passion Project has a truly beautiful message baked in—that we don’t really have to have it all together to be worthy of love and happiness. The focus on depression and grief is one we journey on alongside Bennet, and it is as important as the love story. Passion Project doesn’t take the stance that love begets an end to these things, but we love in spite and live to heal day by day. Find your passion with London Sperry. It’s as easy as reading this novel.
Isabel Luna Valdés has made being overlooked a strength. As the unremembered third Luna sister she uses her talents to gather intel to aid Mexico in their fight against French occupation. Wallflower bookish Isabel has had no issue sneaking away from the various balls and society gatherings while her sisters entertain, that is until Captain Sirius Dawson starts to take notice of her disappearances. Sirius is a spy himself, for the British Home Office, and in taking concern over Isabel is in danger of losing it all for the chance to aid her. When Isabel unearths something that could transform the entire occupation she has the ability to finally provide something concrete, but what will she risk to help her country if the cost is her heart. Bookish women being loved for who they are is actually something that is so personal to me and that is essential to Liana De la Rosa’s, Isabel and The Rogue. Isabel Luna Valdés, the woman that you are! This follow up to the first Luna sisters novel sees a wallflower use her place in London society to uncover correspondence to aid her country, bringing a flawless addition to the rake and wallflower pairing. Liana De la Rosa has captured the spirit of each of the Luna sisters in their respective novels and Isabel’s feels like a comforting love letter to the spirited, bookish heroines finding inner strength and a place of their own. Sirius and Isabel are a well matched couple and their chemistry is fierce. I’m still thinking about the desk scene and probably will be for all time. The glimpses into London society from the perspective of three Mexican heiresses, the kernels of sisterhood, and the insights into Mexican history is what makes this one of the most unique historical romances out there right now.
Ten years since her singing career crashed rather spectacularly and two years since leaving behind a failed romantic relationship, Merritt Valentine is still in Crested Peak, the small Colorado town where her twin sister has elected to set down roots. Now with a baby on the way, her sister gives her ample notice that she will need to find another place to live so they can make room. Luckily, Merritt has a property she purchased not long after her arrival in town, however it needs quite a bit of renovating before she will be able to move in on a permanent basis. But getting things up to code will require her to engage the services of one Nikolaos Petrakis, local contractor, jack of all trades, and the man whom Merritt is hopelessly infatuated. I don’t think I’ve fully been captivated by a romance novel as quickly as I did with Some Kind of Famous. Maybe it’s just the setting, and the company of such wonderful characters but I quickly fell in with this on the most extreme level and it’s safe to say the rest of the novel carried it through. What’s so endearing about Some Kind of Famous is the extent it is emphasized that our two main characters are works in progress—two people still figuring life out but scared to reach for love with two hands when things aren’t perfect. Fear of the past is a big theme for Ava Wilder, and it imbues an immense pressure on both Niko and Merritt as they pursue a romance. Some Kind of Famous is about finding ourselves after setbacks and not closing ourselves off to connection just because we’re scared of trying again. The ups and downs are vast, but this is an exquisite addition to the celebrity romance space. Prepare to fall as hopelessly in love with this one as I did.
Facing down a loveless marriage to a man flaunting his dalliances across Europe, American heiress Eliza Dove wishes for one night to experience the real side of London. Her ticket in is Simon Cavell, Montague Club’s manager and the celebrated boxer of Whitechapel known only as “The Duke,” after a chance meeting leaves her an opportunity to convince him of her plan. All Simon yearns for is securing a life for his niece currently held by the man whom he owes a great debt, but soon all he yearns for is her, Eliza, the impossible heiress. Between the dark streets of London, townhomes, and tension filled carriage rides, soon it is impossible to deny that the only thing Simon and Eliza want is a life side by side, but that is as impossible as the feelings running between them. There is no power on earth strong enough to tear me away from a good historical romance, and Harper St. George is one of the strongest talents in the genre right now. Her Doves of New York series first ensnared me with The Stranger I Wed, but this follow up has outsold everything that came before. Eliza and the Duke concerns two people who never thought they could be loved—Eliza the hopeless romantic, and Simon the strong and silent boxer who made a life through his fists, finding unconditional, lasting love. Eliza and Simon are two individuals you can’t not root for. With Persuasion levels of longing, their connection is not only palpable, but grounded against their pasts leaving space for a beautiful romance to develop and plenty of angst to savor. And what a layered romance this is. Like that carriage scene? *fans self to no avail*. Eliza and the Duke is certainly for the Jane Austen lovers amongst us and it’s a historical romance that left me more than a little unhinged (a glowing commendation if there ever was one).
When songwriter Paige Lancaster meets with one of Nashville’s premier music publishers for a potential contract, she never expects them to leave her with a tremendous task of writing new songs. Paige takes this songwriting challenge to the extreme and enlists Liam Bishop, her ex, to aid her in the task—they’ll start dating again while she joins him on tour, and then when the romance is at its height, he’ll break her heart. Yet all this re-breakup plan does is force Liam and Paige to address the past, why they broke up, and if they have the courage to try it all over again—for real this time. Never Over is second chance romance goodness, written with aching emotion and lending voice to the weight of grief and how far we will go in pursuit of our dreams. Messy twenty-somethings still figuring out life is Clare Gilmore’s bread and butter, and her third novel is arguably the best of the best and the messiest of the twenty somethings. Dual timelines give rise to a second chance love story between determined songwriter Paige Lancaster, and Liam Bishop, once lauded baseball pitcher now concert manager on the tour circuit. Never Over is a love story centered around life on tour, bookstore meet cutes, baseball training, and a heartwarming love letter to Bristol, Tennessee. Clare Gilmore has completely shifted what constitutes an excellent execution of the second chance romance trope with Never Over and I am in complete awe of her talent. This feels like a book written for the overlooked younger children finding their voice and their place in adulthood after being lost in the background for so long. At the same time, the danger in letting yourself be defined by one thing and what happens when that dream abruptly ends. Like the most addictive sort of love song: Never Over is a romance to pour over, read, and repeat. Healing and cathartic all in one note.
Born into a family of obscene wealth and privilege, Alice Storm was never afforded her own path, and was subsequently exiled for choosing one of her own. Upon the death of her father, Franklin Storm, Alice is called back into the fold to mourn his passing and celebrate the legacy of a tech industry titan. Stuck on the family’s private island off the coast of Rhode Island, Alice and her siblings soon face the strings attached to their inheritance and the final game their father constructed from beyond the grave. The catch? They have to play or forfeit the millions they hoped to inherit. With one week to play the game the past is never closer to the present, and family grievances could be the deciding force in who wins the game and who is out before it can even begin. Sarah Maclean never saw a structurally sound building or complicated family dynamics she couldn’t mess with and I, as always, am here for her meddling. These Summer Storms is a far departure from Maclean’s typical historical romance ventures, but nevertheless a clever twist on the corporate family power struggle. Maclean brings together her flawed family—the straight and narrow eldest with a secret life, the arrogant successor convinced he will inherit the crown, the exiled artist, and the crystal & astrology obsessed youngest daughter, all vying for their inheritances. These Summer Storms is Succession on steroids, complete with all the spiteful feuds and particular personalities that clash and make these stories so entertaining while exposing unique experiences of grief and family. It all comes crashing down rather spectacularly (quite standard to Maclean) with reconciliation not so far off and even the fiercest of storms finding harmony.
Hendrix Barry has it all, a successful business, incredible friends, and a supportive family. Yet as her mom’s dementia worsens, Hendrix knows she’ll need to step up more than she already is, and balancing it all could cause the precarious house of cards that is her life to finally crumble. When she meets Maverick Bell, a charming self made billionaire, Hendrix knows she’s in trouble. Unfortunately as the ex of a current client, dating Maverick breaks every kind of girl code so Hendrix backs off. If only Maverick understood the memo, pursuing Hendrix with the determination of someone who knows what he wants, and is used to getting it. With their undeniable connection and chemistry to consider, giving in may mean finally reaching for the love she’s been denying herself, but of course that’s easier said than done. I’ve been eagerly anticipating the conclusion to Kennedy Ryan’s Skyland trilogy from the moment I finished, This Could Be Us. Hendrix Barry has this larger than life quality that leaps off the page and I knew her book would be divine from the previous books alone. Kennedy Ryan’s familial connections to caregiving deepens a story centered strongly around caring for aging parents. Ryan’s nuances around caring for a parent with dementia are carefully done, how one can feel like a failure for making mistakes and at the same time feel selfish for enjoying things outside of it. Hendrix handles it all with such grace and she deserves to be taken care of—which is where our love interest Maverick comes in. His attentiveness and understanding to Hendrix as she struggles and triumphs is one of the most romantic things. These two really were partners to each other in everything which is peak romance to me. Kennedy Ryan really is an incomparable talent and Can’t Get Enough is irrefutable proof.
Charley Beekman thought she could figure it all out, but after her divorce and her stalled legal career, things have undoubtedly changed. Surprisingly, that’s not her biggest problem. When her impulsive younger sister announces her imminent elopement to her ex boyfriend and friend from childhood, Charley only has one course of action: break off the wedding before they hurt each other again. Who should join her in the road to breaking up the wedding, but Ethan, her childhood best friend. Ethan (unsurprisingly) doesn’t really believe in breaking off the wedding, but a road trip to rekindle their friendship after a falling out is worth anything, even if it requires recognizing the feelings they have avoided years on. Anywhere With You is for the childhood friends to lovers fans wrapped up in a road trip gone wrong and a well intentioned but disastrous breakup plan. Former best friends Ethan and Charley have this intense, raw chemistry that sent me spiraling as they are forced into close proximity in the most bizarre ways (like a truck stop shower scene that is unusually heated). Alongside a road trip of reconciliation and feelings revealed, Palmer flits back to the past, uncovering the complicated ties between these two and where they are headed. Coupled with their pasts, Palmer shows why Ethan and Charley work together and the freedom afforded in them finally giving into their feelings. Ethan begging, tortured for Charley and Charley unlearning some of the cynicism stemming from her parents’ relationship, in that regard. Anywhere With You is the epitome of the friends to lovers trope. For every person still figuring out their plan, on a road with all the dips, turns, and returns that life affords.
Librarian Emily Allen has been stuck for too long on Martha’s Vineyard living under her mother’s thumb that she’s prepared to do something drastic—like moving all the way to Ireland to work for her favorite author from childhood. Siobhan Riordan’s acclaimed children’s fantasy series charmed the masses, but the tenth book has yet to be written due to her debilitating writer’s block. Emily’s job is to help her finish the manuscript while pitching in at the bookstore alongside Kieran the overly protective, grumpy bookstore manager—and Siobhan’s son. As Emily helps Siobhan complete the manuscript she learns Siobhan’s greatest secret, and it could ruin her resolve at her own next chapter. Shelve this under, made me sob uncontrollably (and in the would recommend category). There are few books out there that have the power to make me bawl and Love at First Book is one of them. Now on the surface this appears to be your standard romance novel, with a bit of hate to love around an American transplant living in Ireland and the grouchy bookstore manager who wants her gone (classic), but wow is this anything but. Love At First Book explores the transformative power of literature and how writing offers us the chance to reconcile the past while looking to the future. This book is about old and new beginnings as we follow a young librarian fleeing her narcissistic mother to a new life, a terminally ill writer trying to complete the final book in a series that was a love letter to her son, and a bookstore manager desperate to keep his life intact. Love at First Book showcases the power in the written word in bringing unlikely people together, to better themselves and find community. It’s romantic, tragic, and an aching portrayal of loss. If you’re in need of a good cry look no further.
Now that her divorce has been finalized, Ava Rodriguez is a free woman. Alone at a teaching conference she seizes the chance for a one night stand with the incredibly handsome Roman Vázquez, the self made businessman who owns the hotel, after he flirts with her at the hotel bar. Their scorching chemistry doesn’t just lie in the bedroom, and soon neither of them want to leave it at just one night. The catch: Roman will have to wait until Ava reaches out to make contact, and they won’t tell their friends. Months on and the fling is working perfectly, albeit with a few rule breaks, but when Ava discovers Roman is the best man to her friend’s fiance she’ll have to determine just how much she’s willing to break her rules for the chance at being his. Permanently. Along Came Amor is the long awaited third novel in Alexia Daria’s Primas of Power trilogy. This book is for the people pleasers in every regard and a cautionary tale for anyone precariously balancing every aspect of their life to appear perfect. Our heroine Ava is the victim of these people pleasing tendencies, always striving to be the perfect everything for anyone—lest they see the truth and cast her aside. Her liaison with Roman changes everything as she finds someone who loves and cares for her exactly as she is. Now Roman is the perfect love interest for a people pleaser because he was down bad for Ava from their very first meeting. Literally screaming, crying, throwing up for the chance that she reaches out to him after their one night stand. Roman and Ava are hilariously compatible and it’s very entertaining to watch them dance around each other for almost 500 pages. Along Came Amor is without a doubt the best read for the summer, featuring thirty and forty somethings attempting to have it all, next level sex scenes, and people pleasers leaving perfection behind in favor of authentic connection.
Acclaimed popstar Ella Simone built a career around music in small part due to the influence of her husband, Elliot Majors, a bigtime music producer. Now Ella is considering a shift in management after Elliot’s constant cheating leaves her with no choice but to end their marriage. Ella’s voice stands on its own, but to win out against the prenup she signed eight years ago and maintain control of her music, she’ll have to be on her best behavior. Enter stage right Miles Westbrook, a pro baseball player and Ella’s unfortunate downfall. After a wardrobe mishap and their palpable chemistry live on stage at an awards show, the rumor mill is indeed churning. Luckily, Ella and Miles’ PR teams have a plan to capitalize on the attention and it involves spending even more time with a man who has the potential to become a real problem for Ella’s already fragile heart. No Ordinary Love is an unforgettable romance novel drawn forward by an inner music that moved me from the very start. Myah Ariel knows the appeal of the celebrity romance and the slow burn and said you can have this entire book….as a treat. From multiple fronts, No Ordinary Love interrogates the entertainment industry, legacy, and personal beliefs and at the center of this is Ella Simone who embodies it all—control, ambition, and a deep love for her craft. Not just a character to admire deeply, Ella is one to root for as she casts off a toxic partner and works to build the life she wants for herself all while pushing the boulder uphill. Miles is the perfect harmony to Ella and his unconditional love and support was the grounding this story needed to become a true romance classic. Myah Ariel showcases the power in two driven and somewhat single minded individuals letting go just a little to find the music side by side. Where the bonus is falling in love.
The Chemistry of Familiar Objects by Alexandra Vasti
On 57 Gresham Street the true showdown is occurring. For Emmeline Starling, the building is the perfect space to test her skills in chemistry, but on the ground floor Robert Vane, a children’s book printer is one explosion away from a complete meltdown. Years of towing the line and stewing in their personal hatred for each other all ends when a dangerous concoction of Emmeline’s is stolen. Together, Emmeline and Robert are entangled in a dark conspiracy to weaponize her compound and the only way to uncover it is to work side by side—if they can do so without first burying the hatchet directly in the other’s chest. What would you say if I told you a real love language was blowing stuff up in front of a man who disdains you? What then? The Chemistry of Familiar Objects features all of my favorite things: man who is so sick of a specific woman he could vomit (but really), woman who can’t stop blowing things up/lighting things on fire, and love stemming from schemes and conspiracy. Alexandra Vasti is an undeniable power within the historical romance space, whether that’s writing full length novels or bite size novella adventures, and this novella is her pièce de résistance. How else does one craft something so profoundly moving and romantic all in under two hundred pages without losing any real depth from the page count. Em and Robert were (regretfully) in cahoots until it transformed into in cahoots (affectionate) and the entire journey is so delicious I could scream. Vasti doesn’t lose up on any of that wonderful romantic tension she is known for, nor the jaw dropping sex scenes that will be seared into my brain for all eternity. The Chemistry of Familiar Objects is a masterclass in intimacy, vulnerability, and that kernel of hate to love that moves all of us one way or another. Also chemistry. Lots of chemistry!
Once music rivals now complete strangers, Sam Blaze and Mackenzie Waters captivated their listeners with their chemistry on stage and their rumored romance. Several years since leaving their respective bands, Sam and Mack are independently striking out on their own, if only they can convince their labels that it’s a good idea. To secure the next stage of their singing careers, Sam and Mack agree to team up on a joint album in a comeback that will drag their past back to the present. Reviving the music and their undeniable chemistry could secure them a future in music if wounded hearts don’t first prevail and they can remain on the good side of the spotlight—no matter the cost. Effortlessly funny, charming, romantic, you name it, Emma Lord excels at it all and her second adult romance is no different. For the Record is a nostalgic rivals to lovers’ romance that made me yearn for the music while reminiscing on the days of bands long past. Emma Lord immediately swept me up in the drama of the bands Candy Shards and Thunder Hearts (think edgy punk rock group versus pop girl trio) and their notorious rivalry. One thing that always gets me with Emma Lord’s writing is the effortless way she brings readers into the lives of her characters and those orbiting our main duo. Even though we see little of them, the bond between Mackenzie and her former band members Hannah and Serena is quite the standout, as was Sam’s bond with his son and family. The romance still takes center stage here and god did Sam and Mackenzie bring on that unbearable romantic tension that made me want to bonk my head against the wall. Emma Lord knows how to write a romance and this one is a soft and hopeful love song you can’t resist being enamored by.
I cannot believe it has been six months of 2025 already, but one more turn around the sun just means I now get to do one of my favorite blog tags: The Mid-Year Book Freakout Tag! For those unfamiliar, this tag is just a fun way for bloggers and book creators alike to reflect back on these six months as we look to the remainder of the year. I had THE best time doing this tag last summer (albeit a bit late), and I eagerly awaited getting to do it again the coming June. To me, this tag is my Oscar’s. I pour over the hundred or so books I’ve read with the audacity of the academy, but with a scathing unrivaled and conversely, many, many tears. I will cut one book off without a second thought, and cry when choosing between two books like I’m choosing between my children, there is no in between. I’m honestly just so excited to share these books with you all because somehow the books this year are even more stacked than the previous one. So let’s dive right in (pun very much intended, particularly with my first choice).
BEST BOOK OF 2025
If you’re surprised by this one you’ve either been living under a rock or you have not been privy to me yelling about this book at every opportunity. Kalie Cassidy’s debut is a glorious rageful song concerning one siren’s ambitions for freedom, not to be curtailed by the man she binds herself to to secure it, nor the forbidden feelings running beneath their siren bond. Kalie Cassidy has reenlivened the intersection of romance and fantasy, with an emphasis on romantic yearning, much to my delight. Whether you consider this romantasy, romantic fantasy, you name it, Cassidy excels at it all and yearning is very much the reason why. Imogen and Theo had me struck dumb at times with their arguing, misunderstanding, and achingly romantic interactions. One of the hardest things to do as a romance author is to build and maintain that tension to move the story and the relationship forward. Add in fantasy and it’s a whole other ball game. Kalie Cassidy’s, In the Veins of the Drowning is a masterclass on how to develop romantic tension while integrating that romance with plot within a fantasy world. This should be on your TBR. It should be on everyone’s TBR. The world is not ready! Read my review.
BEST SEQUEL OF 2025
Yeah uhhh we gotta get a book on here that tore the heart from my chest with zero remorse, or it’s just not accurate. Sara Hashem said “Hi that’s me” with the sequel and finale to her Scorched Kingdoms duology, The Jasad Crown. This one picks up right after the events of the first novel with hidden identities revealed, a violent showdown, and Kitmer’s taking flight in the melee of the broken citadel. Few series have embodied true enemies to lovers quite like Sara Hashem, who makes a point to start her characters Sylvia and Arin on completely opposing sides of a war on magic and a scourge against the Jasadi magic wielders—initiating a reluctant alliance and eventually a romance between them. Of course this would not be possible without bringing an end to Arin’s world view, a veil which Hashem gradually brings down into disillusionment and then finally decisive action. This duology does an incredible job depicting the violence of colonization and in growing up in hiding in the land of your oppressors. Identity is a huge theme for this novel—how we are shaped by our surroundings & upbringings and what it takes to truly change. From the magic, the world building, the character arcs, to the romance, The Scorched Kingdoms duology is extraordinary. Prepare yourself for plenty of angst, yearning, and an epilogue that will destroy your emotions. Read my review.
NEW RELEASE I HAVEN’T READ YET
So it’s pride month which means I have a huge TBR right now and no way of actually getting to them all. One of my most anticipated books from 2025 was certainly the new Ashley Herring Blake, Dream On, Ramona Riley. This kicks off her brand new small town romance series, Clover Lake. Following Ramona Riley, an aspiring costume designer stuck in her dead end town and Dylan Monroe, an actress and her first kiss as they reunite and spark a romance. I’ve been excited for this one since it was first announced and it is a crime that I haven’t picked it up yet. You can blame my Libby hold which has yet to make it into my library. All of Ashley Herring Blake’s former romances have been hits for me, so I have high hopes this will deliver. Whether I manage to read this in Pride Month or beyond, tune back in later for my thoughts.
MOST EXCITED FOR IN THE SECOND HALF OF 2025
2025 is the year of the lady knight and we have been blessed by the queen of sapphic fantasy herself, Tasha Suri. The Isle in the Silver Sea follows a knight and a witch doomed to destroy each other in every lifetime who try to break the cycle when a deadly assassin begins to target similar tales like theirs. Can they break the cycle, or are they doomed forever to the same fate that haunts them? Suri describes this as her exploration into British folklore, Arthurian legend, monarchy, myths, in one queer reincarnation love story and I can safely say I am obsessed with all of it. If there is one thing I am, it’s a reader obsessed with tales about breaking the cycle, or attempting to do so. Characters standing against the cycles of generations, or even time, is a compelling center of focus for any tale, and I know Tasha Suri will make it a worthwhile if not heartbreaking read. Sapphic knights and reincarnation is a combination I did not know I needed, but now I’m not sure if I can live without it. I already know Suri’s propensity for morally grey sapphics from The Burning Kingdoms trilogy, so it is actually impossible that this will not serve. I will even go as far as to say this is shaping up to be the best of the lady knight books being published in 2025.
BOOK THAT SURPRISED ME
One of the best books of 2025 certainly, but I have a rule about featuring a book more than once, so “a book that surprised me” is what is the most fitting for Antonia Hodgson’s, The Raven Scholar. Heavy on the mystery, intrigue, and fantasy, The Raven Scholar features a deadly series of trials to determine the empire of Orun’s new leader and a central mystery running underneath it all. Neema Kraa, our main character, unexpectedly finds herself as a contestant when a murder leaves the raven house without a contender and she steps in to take their place—all while trying to solve the murder herself. This book is a whopping 700 pages but every single page is so well thought out I never felt I was reading such a large tome. Perfectly paced, plotted, and expertly crafted in all, The Raven Scholar is unlike anything I have ever read before and deserves its spot on the best books of this year. What made this one so surprising is the content, yes, but also the myriad layers Hodgson weaves beneath her narrative that make themselves known at key moments of the text. Just when you think you’re getting the hang of the story or even the overarching whodunit, Antonia Hodgson will appear to show you just how wrong you are. I actually pictured her as a specter at certain points in the novel because some of these reveals were actually so diabolical. With the addition of an unhinged animal companion named Sol and a bunch of omniscient ravens observing the events of the book to round it out there is so much to love about this book. Everything about The Raven Scholar points to it being a fresh new type of fantasy novel, one I hope will take flight in the coming year. Read my review.
NEW FAVORITE AUTHOR
Harper St. George is a new to me author as of the past few months but I can safely say she is an unrivaled talent in the historical romance space. Focusing mostly on the Gilded Age era and following a series of American heiresses who travel to England, Harper St. George carves out a new arena through which she constructs her romances. I sped through her Gilded Age Heiresses and the first in her Doves of New York series after I saw Lydia Lloyd recommend The Stranger I Wed on her Instagram. That one was marriage of convenience excellence and just so so fun. But as a lover of the yearning, the aching for something that can never be, my favorite is decidedly, Eliza and the Duke, coming out next week! From the longing, the tension filled carriage rides (seriously youre not ready), every part of this novel felt written for me specifically. Harper St. George knows how to balance her romance, history, and external plot and the result is an exquisite historical romance. Whether you are a seasoned hist-rom reader or new to the genre, Harper St. George is a great author to try. I’ll be reviewing Eliza and the Duke soon so be sure to keep an eye out for that.
NEWEST FICTIONAL CRUSH
Me, Sybil, Rory, and a gargoyle named Bartholomew (a match made in heaven). In true bisexual form I am here to say my new fictional crushes are both Rory and Sybil from Rachel Gillig’s, The Knight and the Moth. Draped in divination and drowned in the fetid spring upon the tor, this gothic romantic fantasy brings new meaning to the cycle of power and religious subservience through Gillig’s two main characters Sybil Delling and Rory Myndacious. I love to see two characters at odds, especially when they are narrative foils for one another. It’s giving: you hate me because you can see yourself reflected in me, and that is rife for romantic yearning and conflict. Though we only get Sybil’s perspective across this story, I really loved following Rory, her love interest, who is on his own journey alongside hers. The devotion Rory has to Sybil is unparalleled and I promise you won’t leave this book without being completely obsessed with these two and their dynamic. Gillig had me from the moment Sybil tackled Rory (to his complete surprise). Anyway I love both of them deeply and the fact that Rory is based on one of my favorite singers, Tamino, just further proves he is worthy of half of my favorite fictional crush status. I’ll also file this under the lady knight books of 2025 for good measure. Read my review.
FAVORITE FICTIONAL COUPLE
When you have a man fighting a woman, who leaves him completely bloody with a broken nose and all he can do is smile? Oh we had a hit on our hands. The winner of my favorite fictional couple is without a doubt Sarah Hawley’s, Princess of Blood. Specifically her main pairing Kenna, princess of the newly established blood house, and Kallen, a former executioner and spy. This was going head to head with The Knight and the Moth for a good while, but given that Princess of Blood is a sequel it ultimately won out. That’s to say that I have spent more time in this world with these two characters and their dynamic has been able to grow substantially across two books. The character arcs of our duo really have the chance to blossom in this sequel after a coup leaves the throne empty and the fae houses divided. Princess of Blood questions leadership and if we can build a better world without violence, and Kenna and Kallen are at the center of this. As they are given the chance to become something, somebody other than what they were forced to be, the two find solace in their friendship that eventually develops into a romance. Kallen is giving that pathetic (affectionate) brooding love interest and Kenna is a powerful, yet somewhat frightened young woman thrust into a position she never expected. These two fight (verbally and physically), they comfort one another, and they lend each other a hand when they need it. Devotion and longing are always going to be sexy to me and Kenna and Kallen know nothing else than complete and utter devotion for each other. Don’t just trust my word, read The Shards of Magic series for yourself and find out! Read my review.
NEWEST FAVORITE CHARACTER
Do you want dark fantasy romance centered around two feral bisexuals? Well S.A. Maclean’s, Voidwalker is here to answer the call. When I first sat down to run my list for this tag, I immediately knew Fionamara Kolbeck was going to win the title of Newest Favorite Character. A smuggler who traverses a shattered world to make a living, Fionamara becomes embroiled in a coup to oust the ruling daeyari—a monstrous species that must consume human flesh to survive. After a bomb is detonated in the capital, Fi comes face to face with Antal, the overthrown Daeyari who insists she join him to make things right. Even when she is caught between a rock and a hard place, Fionamara still manages to get back up and fight for her survival, and the survival of those around her. Not only that, but she still has time to apply her cracking eyeliner, carry a powerful void blade, and look incredible. I admire her even more for falling in love with a pathetic freak (not a) man who hangs from the rafters in a bathrobe and hides inside a snowbank as not to bother her. Yes she romances a monster but she never compromises her principles and that is what’s important y’all! This book is all that I crave from fantasy and its main character easily the best I have read about this year! Read my review.
BOOK THAT MADE ME CRY
Never in my life have I cried at a book like this. If you want a book that makes you bawl with zero remorse, then may I present Jenn McKinlay’s, Love at First Book. When she is given the opportunity to assist her favorite writer from childhood in finishing her final manuscript, librarian Emily Allen uproots her life from Martha’s Vineyard and travels to Ireland. Once there, she meets Siobhan Riordan, beloved children’s author who has yet to complete the tenth book in her acclaimed fantasy series, and Kieran Murphy, her son and manager of the local bookstore. The last thing Kieran wants is another crazed fan following his mother around and enabling her unending writers block, but that won’t stop Emily from getting the job done, and worming into his heart in the process. On the surface, Love at First Book appears to be your classic small town romance, but it is that and so much more. This book is about old and new beginnings as we follow a young librarian fleeing her narcissistic mother to a new life, a terminally ill writer trying to complete the final book in a series that was a love letter to her son, and a bookstore owner desperate to keep his life intact. Love at First Book showcases the power in the written word in bringing unlikely people together, to better themselves and find community. It’s romantic, tragic, and an aching portrayal of loss. If you’re in need of a good cry look no further.
BOOK THAT MADE ME HAPPY
Sophie Kim’s sequel in her Fates Thread series, The God and the Gwisin, recently published this year and it has the honor of being dubbed, the book that made me happiest. For those of you who have read this series it may be a funny category to give the second book, but after such a tragic end to book one, the only way to go was up. Seokga, a fallen trickster god lost the love of his life, Hani, after she helped him destroy a demon of darkness. Yet, all was not lost as Seokga was promised the chance to reunite with Hani when she reincarnates to her next life. Searching for years in vain, Seokga’s fellow godly beings vote to send him on vacation—a cruise to be more specific, one that traverses the river in the underworld with the spirits of the recently departed. On board, Seokga meets Yoo Kisa, a deceased Gwisin working off a life debt, and Hani reincarnated. Only problem: she doesn’t remember him. Sophie Kim had a lot to live up to in this sequel and somehow she managed to outdo herself entirely. The God and the Gwisin is a phenomenal fantasy romance that manages to pose some intriguing questions alongside it’s overarching murder mystery and reincarnated lovers plot. I spent the entire time worried something terrible was going to happen to our main couple, but by the end I was so so happy. Seokga and Kisa are given the loveliest ending and I really could not ask for more. Read my review
BOOK TO READ BEFORE THE END OF 2025
When I think of a series that has been a complete and utter delight to read, Erica Ridley’s The Wild Wynchester’s comes to mind. In this chaotic historical romance series we follow an unconventional family, the Wynchesters, a set of orphan’s adopted by an eccentric Baron who in adulthood, use their combined powers to fight injustice and aid the working class. Each of these siblings is unique and given their chance to shine in their own romance, but I have been eagerly awaiting Jacob Wynchester’s book since the series began. Jacob charmed me with his beloved, if not inappropriate, animal companions and his proclivity for poetry. What I love about this series is how Ridley makes each novel a reflection of who these siblings are at their core and this one is primed to be a reluctant allies to lovers romance between Jacob Wynchester and the advice columnist who hates him. If this is anything like the other five, it’s sure to be a wild ride.
PRETTIEST BOOK BOUGHT
Am I breaking a rule by featuring a book that is not yet published? Maybe. But I preordered this so I am counting it towards my “Prettiest book bought” category. Alix E. Harrow needs no introduction. After her devastating 31 page short story, The Six Deaths of the Saint, was revealed to be a test for her greater story concept in her upcoming novel, I knew I was in danger. The Everlasting is on the list of lady knight books for 2025, featuring a lady knight doomed to a time loop and the determined historian attempting to change their fates. I don’t know much else about this novel and that’s kind of the way I like it with Alix E. Harrow. I snagged an advance copy of this novel and will be reading it in the next month or so. But in the meantime let’s admire that cover. I mean come on!!
Cybil Harding is cursed. The latest in a string of firstborn daughters fated to bring an end to the Harding family line, Cybil was not meant to live beyond infancy. Against all odds, Cybil survived. Raised in the isolated Harding Hall estate, Cybil is all aware of her strangeness, the various deaths in childhood she feels she orchestrated, the flames and shadows leaning towards her as if in prayer, and the whisperings of the servants within its halls. Miriam Richter is a creature of hunger. A mere shadow in human cloaking created long ago for dark purposes, Miriam must subsist off of human souls, and never has she seen a soul as alluring as Cybil’s. Souls have to be freely given however, and Cybil is not inclined to relinquish her soul—not even for the chance at removing her curse. But when an accusation of witchcraft leaves Cybil dead and Harding Hall in flames, all she wants is another chance at the life cruelly stolen from her. Thus the two bargain. Cybil will get as many years back as she lived and in that time must seek a cure for her curse, or her soul now magnified by her reincarnation will be Miriam’s to collect. Across the lifetimes, Miriam hunts Cybil intent on taking what’s hers, but the centuries have only emboldened Cybil to retain her soul, even if it means she must at first offer up her heart and what little remains of her humanity.
Drawing together Faustian bargains, gothic splendor, and reincarnation across three distinct periods of English history, As Many Souls as Stars is a historical novel for the ages and Natasha Siegel’s masterpiece. A witch desperate for survival bargains away her soul, a demon endlessly hungering for souls discovers the brightest, and both will be ruined in their association by journeys end. The Faustian bargain is not a new concept, not in the slightest, so to stake claim on such a tale is to promise something inventive and unique in the telling. In As Many Souls as Stars, Natasha Siegel ingeniously twists the Faustian bargain into a lesbian game of cat and mouse spanning multiple centuries and incarnations as an immortal and a witch engage in a toxic romance tinged with obsession. Cybil Harding and Miriam Richter, witch and demoness, hunger both—for love, for souls, and for the continuance of their survival. Drawn into a demonic bargain to suit their purposes, neither intends to lose the parts of themselves they believed intrinsic, nor ill-fated love taking flight. Questioning fate and personhood, Natasha Siegel’s As Many Souls as Stars is a tangled dance of violence, hunger, and destructive romance, in everlasting opposition as misguided bargains can ever be.
As Many Souls as Stars is a dark, resplendent jewel immersed in the gothic tradition and draped in midnight hungers. Demonic bargains gone awry, witchcraft, and obsession mark the beginnings of this expansive saga in which Natasha Siegel mercilessly binds a demon to a young witch clawing herself back from the dead at the cost of her soul. Where some novels take time to settle with you, As Many Souls as Stars is decidedly not one of them. A prologue illuminating the origins of our demon, and the opening lines “Cybil Harding was born on Christmas Eve, 1576, under inauspicious stars” immediately signaled to me Natasha Siegel’s storytelling caliber and exactly what was in store with this extraordinary tale. Siegel does not hold off a whit in building up her gothic romance that leans heavy on the enemies to lovers side of things. It’s been ages since I read a true enemies to lovers’ romance, something that threads the needle in between love and hate with a capable hand. As Many Souls as Stars takes that challenge and gives a lesbian relationship overflowing with want and drawn towards destruction, where the star-crossed love of a witch and demon comes second to their other desires.
I love a story traversing multiple genres, and As Many Souls as Stars takes up a bold space between historical fiction, fantasy, and gothic romance. Natasha Siegel has a firm hold on her narrative, depicting the three reincarnations of her character Cybil Harding and glimpsing Miriam’s interludes at key moments of history. Traveling the centuries, Siegel orchestrates the dance between these two fickle beings and their decline. So slow it could even be unnoticeable Natasha Siegel begins to track Harding’s descent into the loss of her humanity—in consequence to what was done to her and the bargain she made, and Miriam’s inexorable transformation towards it, drawing to her unmaking. The love brimming with hatred, the devotion that leads to violence, these are all things that appear entirely contrary, but Siegel proves in essence belongs to Cybil and Miriam’s volatile love. Cybil and Miriam clash and retreat across the years, a battle of wills neither will concede and made all the more precarious by their developing romance. I was immediately struck by their conviction, Cybil’s desire to survive and take back her life and Miriam’s commitment to her demonic ways. Misguided perhaps, but essential for their conflict and the incredible transformation brought about by its end.
In all of Cybil’s reincarnations as she is hunted by Miriam, Siegel explores the dichotomy between love and hate and its natural end—with only one of them holding the knife and the other destroyed. There’s always been hatred seething beneath Cybil and Miriam’s interactions but that is essential to the love they find together. Destructive love can be freeing in a way, and for Cybil it tethers her to a life of her own design, one she will fight for at any cost. Covering three lifetimes of Cybil reincarnating, Siegel questions not just if the cycle can be broken but if it can be accomplished without Cybil and Miriam as each other’s undoing. The natural end to any cat and mouse game is when one is caught, and Natasha Siegel gives us that with her fervent final act upon a ship headed towards New York. The setting of a ship with the salt spray and the incessant rocking was fitting, with Miriam and Cybil completely cut off from their resources and nowhere to escape. Miriam and Cybil were always going to destroy each other, we’re told that from the start, yet witnessing that destruction play out firsthand is something else entirely. I found my screams well matched with that penultimate scene on the crows nest, but just as shocking was Siegel’s life-altering final twist that cleverly flipped the script and sent me reeling.
As dangerous as a bargain and as haunting as any loss, As Many Souls as Stars is about hunger in all shapes and forms, and the risk in losing ourselves as we chase it. Sometimes you read a novel that feels torn from the very fabric of your soul, and how could this not be that. We’ve got sentient shadows, a lesbian demon who can turn into a raven (caw caw), gothic locales, and an enemies to lovers tale with a wonderfully unhinged ending. Basically Robin catnip. Natasha Siegel’s gothic historical fantasy echoes with female rage and a wild and unrestrained magic in the hands of an isolated witch and sardonic demon caught up in a battle of wits. Fashioning such a saga is an immense challenge, and it’s felt in every overwhelming detail of this novel. Immortals being humanized! Hungering for the very thing that can destroy you! Things coming full circle! This novel has all that and more. The singular pieces that come together to form this story are striking all on their own but together they have ruined me for all other books. As Many Souls as Stars is so many things, but it’s largely a story about what we’re willing to give up for our autonomy and where we find the power to take it. All other gothic fiction aspires to be like this and I will continue to be haunted in its absence.
Thank you for Netgalley and the publisher for providing me with an advance review copy.
Trigger warnings: blood, death, death of a child, gore, murder, suicidal ideation, misogyny, homophobia,
Gabriela Luna Valdés has long felt the odd one out. Since fleeing France’s occupation of Mexico and making her way to London with her two eldest sisters, Gabi has sought to carve out meaning in her new life. Yet, as her eldest sisters have all married and gone on to contribute politically to Mexico back home and abroad, Gabi cannot help but feel adrift. The only constant in all of this is Gabriela’s years-long enemy, Sebastian Brooks, the Duke of Whitfield. A rake of the highest order, Sebastian charmed Gabi and just as quickly lost all her regard on the night of their meeting. After a scandal leaves her with no choice but to flee London, Gabriela intends to return to Mexico. Who should be called to provide a watchful eye on the ship bearing her home but her nemesis. Avoidance is impossible with the ship forcing them into close quarters, but outside of the expectations of London society Gabriela and Sebastian soon discover how little they actually know each other, and the sizzling chemistry underlying their years of hatred. But with Gabi’s family expecting a politically advantageous marriage, Sebastian is the last person she could ever have, and choosing him means standing in a life of her own design if she can first follow her heart.
Two enemies get the close proximity treatment in Gabriela and His Grace, a historical romance novel concerning misperception, rebellion, and forging your path against all odds. A historical series staking claim on an untapped portion of Mexican history, set within the regency, and centered around resistance and sisterhood, The Luna Sisters is a historical romance trilogy unlike any other. This being my first experience reading Liana De la Rosa, Gabriela and His Grace completely transformed my views on what makes a good historical romance, and how historical periods can best be examined and interrogated. In Gabriela and His Grace, Liana De la Rosa focuses on the end years of the illegal occupation of Mexico by the French as her heroine travels home to a world transformed. Gabriela Luna Valdés meets her match in the dually irritating and intriguing Duke of Whitfield, a man predisposed to push her buttons and enliven her to a plethora of new possibilities. These two battle their beliefs and lay waste to their plans, all while engaging in various arguments, heated dances, and there-was-only-one-room-on-a-ship trope. Gabriela and His Grace is a liberating novel in all regards and Gabriela and Sebastian’s love story is everything you could possibly want from a historical romance.
Gabriela and His Grace was my first escapade into the works of Liana De la Rosa and it was enough to have me clawing at my chest and racing to read her entire backlist. Hate to love, when done well, just reminds me of the power in great love stories and that was absolutely the case with the third Luna Sisters novel. Sebastian and Gabi had swoon worthy levels of chemistry from the start, even as they are sniping at each other, desperate to escape one another’s orbit on a ship where that is impossible. A very niche thing I enjoy in romance novels is scenes where one character sees another unguarded. I love witnessing characters removed from their comforts so much that the facades come down and that is central to Gabi and Sebastian’s romance. The beginning scenes on the ship, with Sebastian boisterously playing dice as Gabi looks on and their hopscotch moments, give way to deeper intimacy and the understanding that they were wrong about each other. Liana De la Rosa really works to make Sebastian and Gabriela see one another, and that in contrast to their upbringings made for some delicious conflict.
Gabriela and Sebastian are a prime example of hate to love done right. These two have particular personalities that lead them to clash and then retreat way back at the beginning of this series. In this novel, De la Rosa unwinds her established dynamic, upstaging these two from their comforts as they confront how little they actually know each other. Liana De la Rosa does not rush a single bit of Gabriela and Sebastian’s romantic arc, leaving the first half of the novel for them to build trust and begin to deconstruct their flawed perceptions. What comes after is really the slowest of slow burns, which is just as I like it—heavy on the longing and comprised of an aching sort of affection. Romance is written into every single interaction no matter how small—with Sebastian vehemently standing up for Gabi when she’s not in the room, his nicknames, and their various shenanigans. These all build to a blazing moment on the ship back to London where De la Rosa excels at a tried and true trope within this genre and gifting us with hot, hot, hot scenes between her two characters. I say I’m above persuasion but it was the quote “grab the headboard, love” that had me first running to request this book. If that isn’t romance marketing at its finest, and representation of just how these two connect on all levels I don’t know what is.
Part of this novel’s excellence lies in its skillful balance between the history rendered and the development of its romance. Since this novel takes place between London and Mexico, there is an added layer to consider in addition to the general intertwining of romance with history that the genre entails. Gabriela and His Grace windows into a part of history long uncovered within this genre, of France’s illegal occupation of Mexico during the late nineteenth century and the lives of those working to call attention and oust the occupying forces. The glimpses into the Luna family, innately embroiled in the resistance against the French were fascinating to read from. Liana De la Rosa entwines this tumultuous time in Mexican history with an exploration into home and how we can stand for our communities and ourselves. At the center of this is Gabriela who endeavors to find a place within a family of considerable personalities. Gabi’s journey to finding her voice and a path separate to that laid down by her domineering father is a powerful one, but held parallel to her relationship with Sebastian, is only that much more so.
Gabriela and His Grace is the kind of historical romance that doesn’t come around often, and one you cannot help but hold close for as long as you can. Liana De la Rosa’s talent has completely floored me and I’m afraid I will be making this the standard for all historical romances to follow—particularly hate to love—so take notes. The final Luna Sisters novel is an informative journey through a turbulent period of Mexico’s history and Liana De la Rosa handles this with such grace and skill. Knowing her intentions with this series just makes these novels all the more sweeping from its grounded history to the overarching romances. Gabi and Sebastian captivated me from the very beginning, embarking on a journey across oceans where avoidance slowly turns into affection and then lasting love. This really was the perfect romance. As an aside I don’t think I will be moving on from the sharing-one-bed-on-a-boat scenes, they were just so so hot (thank you Liana De la Rosa). This was a scrumdiddlyumptious romance, one I won’t be able to stop yelling about in the months to come.
Thank you to Netgalley and the publisher for providing me with an advance review copy.
Trigger warnings: colonization, war, abuse (not on page, but mentioned), racism
When a devastating plague strikes Zacatecas, Alba Díaz flees with her overbearing parents to her fiancé’s isolated home in the mountains, never expecting that there are far greater horrors in store than an unforgiving plague. Alba has had enough time to come to terms with her future as little more than property to her husband. The only choice she has is in the match—resigning herself in marriage to Carlos Monterrubio, an uninspiring young man who can afford her a comfortable life. Elías Monterrubio is running as far away from his past as he can, but his choices continue to haunt him. Cousin to Alba’s fiancé, Elías has no intention to ever interact with Alba, until a chance interaction in a courtyard changes everything and weakens his resolve. Attached to the Monterrubio hacienda is a silver mine, one that calls to Alba’s unknown past. Wandering in the night as if under a spell, Alba is victim to strange trances, hallucinations, and bouts of violence. Knowing she cannot rely on her family, nor the priest who joined the flight to the mine, Elías is her only ally in uncovering the truth. Fighting for her life against a malevolent entity, Alba soon finds her real demons are more man-made than she initially believed, and she could lose herself in excising them.
With the state of things, now more than ever I want to read about blood soaked women, the women who fight tooth and claw (wink wink) for their futures in a world set to dually possess and demonize them. With that resounding desire in mind, The Possession of Alba Díaz found its way into my hands. Isabel Cañas’ latest novel is an atmospheric gothic bloodbath involving the Inquisition, patriarchy, and autonomy, furthering plots far more violent than a mere possession. Alba Díaz, a young woman facing down a loveless marriage, flees various monsters real and mythic in a desperate attempt to seize control of a future that was never hers to own. From the moment I read the lines, “Alba plotted to sin again,” I knew I was in the hands of a master and Cañas spends this entire novel proving that to be true. Where the greatest fear is standing strong in the face of those who seek to demean and control, The Possession of Alba Díaz leads its protagonist down a path where she aligns with the demon within. It’s a haunting tale retold that begs the question if we can ever achieve control of our own narratives or if autonomy can only be gained through giving into our own demonization.
With Isabel Cañas’ novels, the characters are everything and the devil can be found within her unnerving backdrops. Plagues, confessions, and engagements begin this novel of demonic possession, with two perspectives that open up this novel to its tantalizing blend of horror and romance. Like both of her previous works, The Possession of Alba Díaz combines historical fiction, horror, and the gothic—proving these genres can and should contrast. Casa Calavera, a silver mine with a dark past, is a perfectly eerie setting for Cañas to conduct her expose into possession and patriarchy. The inner workings to the mine and the process of silver extraction are revealed, underpinning to the horror and illuminating the more intentional choices of these wealthy landowners. Cañas’ focus on worker exploitation at the heart of the horror, amidst Alba’s possession, and Elías connection to silver and dark magic is the beating center for everything that follows. Amongst these horrific moments of possession, The Possession of Alba Díaz develops familial and romantic relationships that outlast even the most gruesome of confrontations.
As a dark force sinks into Alba’s consciousness, Isabel Cañas brings together an unexpected partnership between Alba and Elías Monterrubio. I’m a sucker for any kind of romance subplot, especially in horror, so this really worked for me. Both Alba and Elías are trapped in their own ways and their appearance at hacienda de minas is a representation of that made real. Elías is the perfect romance hero, a bit tortured at times but resolute in aiding Alba in excising the demon possessing her. His attention to her problem was like a man possessed, which of course is romance representation I can only commend. Elías’ is being driven by the sins of his past, and his skill in amalgamating silver and his stockpile of mercury have led him to Casa Calavera. Cañas uncovers his past in connection to Alba’s and both were an expert source of tension for their developing romance and this novel’s unsettling aura. Cañas serves up her tried and true horror romance and gives Alba and Elías a chance to reach for a future that is theirs, one unencumbered by familial machinations and the intrusion of outside forces.
The Possession of Alba Díaz reaches a blood soaked conclusion with the confrontation promised in its first chapter. That penultimate chapter at a Zacatecan cathedral is the culmination of everything Isabel Cañas has been building to from the beginning of this novel and god was it worth it. The claws come out and it is a violent and bloody mess, but it’s all Alba’s. Cañas’ take that sometimes giving into the demon is okay is exactly what I wanted from this story—a cathartic and visceral choice but as we soon learn, a necessary one. That it is future Alba providing the outer narration bridging us into and out of the story is not entirely surprising, but it’s a missing piece that makes the conversation surrounding autonomy and cautionary tales that much more intense. Alba takes part in her own mythologization, the telling of the tale evident of her part in not just the story itself, but its ending. The Possession of Alba Díaz is my new favorite romantic horror story from Cañas. This unsettling novel creeps in like a demon taking hold, but every part is a tension filled dream of claws, silver, and sorcery.
Thank you to Netgalley and the publisher for providing the advance review copy.
Trigger warnings: death, blood, violence, murder, gore
It’s my first fantasy roundup of the new year *gasp* and I am so excited to share all of the speculative fiction I have enjoyed in this first quarter of 2025. Fantasy has come second to romance these past few months but the ones I have read have really stuck with me. I have continued the trend of moving through my backlist of advance copies while interspersing some rereads to keep me out of the dreaded reading slump. On the reread front, I reread Shardless and the Jasad Heir ahead of their sequels publishing this summer. There are so many new books out this year and it’s so hard to keep up with all of them so I am committed to checking in every few months on here just to move through my favorites. So let’s get to it here with a chaotic fantasy debut, THE best friends to lovers fae fantasy of all time (I’m serious), a romantic fantasy novel brimming with unhinged yearning, an epic fantasy debut involving the powers of the ancestors, and a gay murder mystery fantasy mashup.
The Prince Without Sorrow by Maithree Wijesekara
If you like your fantasy heavy on the chaos and the vengeance, then Maithree Wijesekara’s, The Prince Without Sorrow is the perfect book. A young prince destined to inherit a legacy of tyranny and violence, and a mayakari witch outcasted for her magic become entangled after a curse gone wrong kills the reigning emperor. Now The Prince Without Sorrow is pure chaos. Love me a book where the characters have no coherent plan and are just rolling with the punches and coming up with ideas on a complete whim and that was the essence of this debut in the best possible way. Wijesekara plays with the paths, chosen and inherited and the notion of legacy across her debut with such skill. I loved seeing these characters grapple with their morality as they endeavour to right the past and be different from their predecessors. Shakti in particular struggles with the pacifism of the Mayakari and the consequences of breaking their rules to curse Emperor Adil and enact her revenge, while Ashoka is determined to honor his commitment to nonviolence. Having a dead emperor offering you his unsolicited advice because you are now bound to his spirit is a specific kind of problem only Shakti could handle. She truly lept into this with flying colors and I was so here for her tendency to act on impulse. The Prince Without Sorrow fascinated me with its intricate politics, queer romance, and characters just trying to do the right thing but ultimately going down a path they always feared. There are so many threads present in this debut and I am hanging on to every single one as I await the next installment.
In the city of Nadežra one can be reborn. After fleeing the city and a life in its criminal underbelly with her sister Tess, Ren returns for the con of a lifetime. Masquerading as the lost cousin of House Traementis, Ren hopes to instill herself in the family, securing wealth and prospects. What she doesn’t expect is how deep the con will take her, the bonds she will make with her pseudo-family, and the dark magic transforming the city into a waking nightmare. When I started The Mask of Mirrors I was confronted with a plethora of rich detail that at first is difficult to surmount. The elaborate backdrop of a city split between two banks, upper and lower, and the island in between, plus the ruling families with complex alliances, and the magic system make for a riveting read if you can absorb its wealth of information. Interwound with the house politics, a variety of perspectives, and a vigilante stalking the shadows known as the Rook, The Mask of Mirrors is certainly one of the most intensely layered fantasy trilogies I have ever read. There is a deep heart of mystery M.A. Carrick taps into to construct the beginnings of this trilogy. With so many masks worn not just by our main character, Ren, Carrick questions who one can trust when confronting larger constructs tied up in wealth and power—and the ties we hold to our cultures and families. The emergence of children lost to dreams proves the deception runs deep, and uncovering the mystery will rely on Ren taking on a third and final identity. The Mask of Mirrors is a puzzling dream that one cannot begin to untangle with just one read. This is the kind of book that requires time invested, but earned back through its memorable characters and intricate political landscape.
Rune Winters has been a witch in hiding even before her identity was unveiled by the man she loved and she was delivered to her enemies. Now Cressida Roseblood, a witch long thought dead has returned and she has a plan to restore a world where witches reigned. To aid her Rune will have to excise the part of herself that still cares for Gideon Sharpe, the witch hunter, lest she see the rest of her kind destroyed for good. The Rebel Witch initiates the long awaited conclusion to Kristen Ciccarelli’s Crimson Moth duology. This sequel elevates the tension between our witch and witch hunter through an entertaining game of cat and mouse that sees entirely new stakes emerge now that Rune’s witch identity has been revealed. The chemistry between Rune and Gideon is even more palpable as they reluctantly become allies while retreating back into the roles they used to occupy. Ciccarelli interrogates the crux of enemies to lovers—the conflicting worldviews, how these characters have been socialized to see one another as the enemy, and if love and hate can truly coexist. Gideon is at the forefront of this conflict as he has centered his life around hunting witches outside his experiences at the hands of the series villain, Cressida Roseblood. Gideon’s feelings towards Cressida are deeply personal, but enacting his revenge could destroy his relationship with Rune and his ability to let go of the rhetoric that has fueled so much of his life. The Rebel Witch makes clear the cost of othering one group in defense of another and the difficulties in disentangling oneself from the propaganda and rhetoric fueling such hatred. This conclusion is romantic and action packed, earning its place in one of my favorite duologies of the past few years.
On the island of Tempris the immortal magic wielding fae hold status above all others. Humans, or shardless, possess no magic and are treated as lesser citizens. When she was discovered in the ashes of her family home as a child, with no memory of her past, Taly Caro was adopted by a fey noble and his family, who became her family themselves. But after experiencing magic—premonitions of the future seconds before they happen, Taly knows she is in danger, for this kind of magic hasn’t been seen in an age, and she will be hunted like those who came before. When I say this book is my favorite romantic fantasy I am deadly serious. I first read Shardless back in 2020 and since then I’ve reread it four other times, each one only serving to deepen my love and appreciation for this brilliant fantasy novel. Every part of this story is well thought out, from the prologue detailing a glimpse at Taly’s beginnings, the epigraphs of letters and portions of Tempris’ history, and the engaging plot at its center involving Taly confronting her magic and the mystery of her past. Fisher deepens this with a stunning friends to lovers arc between Taly and Skylen Emrys, which was serving that delicious delicious angst only intensified by the secrets Taly refuses to give up. Every part of this world is epic in scope, but it is the gateways sundered in the schism that locked away entire worlds and trapped much of Tempris’ population in one place, that renders this novel its post-cataclysm feel. Adding the intersection of fae magic with modern weaponry places Shardless decidedly in the category of steampunk-esque. I could really wax poetic about this incredible book for a life age. But just trust in me for your next obsession because it is this novel.
Liyen, heir to Tianxia, ascends to the throne after the passing of her grandfather who risked everything for her survival—securing a magical lotus flower belonging to the immortals that helped her recover from a deadly poison at the cost of his life. The relationship between the kingdom of Tianxia and the immortal realm has long been strained, but the loss of the lotus flower spells even more trouble for their alliance. Liyen travels to the Immortal Realm where she comes face to face with Zhangwei, the legendary God of War. As their respective worlds deem they work together, Zhangwei and Liyen push past their ire, confronting an unexpected connection and worse, an impossible love. Immortal is a novel I consider to be the height of romantic fantasy. Sue Lynn Tan poured her entire heart and soul into this mesmerizing tale of redemption and transcendent love. Ruthless betrayals, immortal bargains, and secrets are just the surface of this epic love story. There’s the tenuous relationship between the immortals and mortal realms, and an evil preying on the mortal lands connected to the Netherworld and our main duo. The breadth of the Celestial Kingdoms from Sue Lynn Tan’s former duology expands, providing a fabled sort of setting around which the entire love story is conducted. I’m afraid I have never seen yearning portrayed in the way the character Zhangwei yearns for Liyen and all of that is due to the layered relationship building Sue Lynn Tan imparts from start to finish. Immortal is surely the romantic fantasy of the year. Prepare to see a God of War down bad for his love interest as he suffers bouts of unshakable yearning and longs for a love he cannot get back.
In a moment of desperation, Tormalin the Oathless and Noon, a fell-witch of extraordinary power brought forth the Ninth Rain after many years of silence. Now these war beasts of legend, brought to life through the tree of Ygseril, have no memory of their pasts. Tormalin and Noon must figure out how to mobilize them, or see Sarn fall to the Jure’lia, their enemy of old. The Bitter Twins is the expansive follow up to Jen Williams the Ninth Rain where Williams returns to the Eboran empire after an intense battle with the Jure’lia who are once again intent on conquering all of Sarn. The characters Williams brings together remain the highlight of her Winnowing Flames trilogy. Vincent, a peculiar lesbian explorer obsessed with exploring ancient ruins and the dangerous wild, Tormalin, her hired immortal who thirsts for answers as he clings to the past, and Noon, an imprisoned witch who will do anything to retain her freedom. Brought together by less than typical circumstances, this sequel deepens the relationships inside and outside our trio while introducing the temperamental war beasts now bonded to them. The Bitter Twins envisions a cycle interrupted and what happens when the cycle that has stalled for many years all of a sudden begins anew. At the forefront of this are those who have resigned themselves to a particular fate given the chance to step out from the shadows and fight back. Williams’ layered characterizations, involved histories and peoples, and intriguing legend make for an all-encompassing fantasy world and a wild journey from start to finish.
Across the Kingdom of Nine Lands the ability to invoke the spirits of ancestors in battle is a coveted power granted only to those of noble birth. After a strange interaction leaves her bound to a mysterious spirit who grants her impossible power, Temi, a commoner, becomes embroiled in a plot connected to the ancestral realm and the truth to her kingdom’s history. A Song of Legends Lost debuts a gripping tale of ancestral power, histories lost, and revenge interwound with a quintet of characters confronting the legacy of their kingdom and the lies hidden at its heart. M.H. Ayinde constructs a unique fantasy world where advanced technology collides with legend. Both have power over the noble families fighting against the threat of Greybloods—mysterious beings of matter and techwork that are pushing into the lands, and these populations at large. A civilization long ago destroyed is remembered through forbidden techwork technology, a source of class tension that sees information suppressed from the top down. There’s power in storytelling and the histories that are passed down through generations, and Ayinde interrogates this at the center of her debut. Long ago civilizations and wars no one can remember are given context by the kingdom itself, an entity with its own agenda and a violent past. A Song of Legends Lost spans unique cultures, perspectives, and history, all given their time on the page through her organization of perspective. Ayinde skillfully submerges readers in her story and builds to an epic confrontation at its final act. A Song of Legend is the height of epic fantasy, confronting the legacy of colonization and the weaponization of history. I’m calling this as the best fantasy debut of the year and am imploring everyone to experience it for themselves.
Lord Nicholas Monterris has never been free to make his own choices. As the Monterris heir, Nicholas holds his family’s hopes in restoring their fortune through his arranged marriage to the daughter of his fathers greatest rival, Lady Leaf Serral. Combining the magic of two families is a delicate process, requiring a vowsmith to craft the marriage contract while the families are confined to the manor. When someone dies on the first night, Nicholas realizes someone wants to impede this marriage, and they are willing to kill for it. Locked in the manor with a killer, Nicholas relies on his intuition and unlikely companions—his fiance, Leaf, and former love, Dashiell sa Vare, to uncover the truth before the killer strikes again and his family is truly left beyond saving. The Gentleman and His Vowsmith sees historical fantasy meet arcane magic, a locked manor murder mystery, and a second chance romance. In this incomparable historical fantasy novel, two former flames reunite in a decaying manor where murder abounds and an impending marriage constrains any chance of their happily ever after. It should come at no shock to anyone that historical romance is one of my favorite genres. I’m a fan of anything blending genre and subverting conventions and tropes within this space, which this novel does wonderfully. Rebecca Ide delivers a queer romance with such intense longing and characters you can’t help but root for amidst the murder plot. Ide writes for anyone wanting the labyrinthine locked room mystery plot to come with a side of gay yearning and a dash of magic and The Gentleman and His Vowsmith delivers on all three fronts.
Four years ago, Sarai was discovered broken and brutalized beneath Sidran tower. Against all odds she was put back together, though the physical and emotional scars have forever lingered. Pursuing the justice she never received, Sarai finds a way back to the capitol as a petitor, a prosecutor with the ability to detect lies. Taking on the mantle of petitor, Sarai is assigned to work alongside Tetrarch Kadra, the only figure she can remember from her fall off the tower, whom she thinks committed the crime. This Monster of Mine initiates an extensive quest for vengeance that questions the ability of achieving justice through a judicial system and the costs of striking out alone. Set in a fantasy world inspired by ancient Rome, Abeysekara builds out a series of tetrarchs with competing notions and dynamics of power, and a flawed justice system. Sarai, a victim of brutal violence saw no justice from the tetrarchs, necessitating her quest for revenge that reveals an intentional plot within this hierarchy. This Monster of Mine uncovers a larger exploitation at the heart of the city and the individuals more than comfortable upholding these injustices for personal gain. Alongside this, Abeysekara examines a society’s tendency to mythologize a person and their situation rather than fight for truth and justice. Sarai is hiding in plain sight, but her story as the “Sidran Tower Girl” has been local legend as long as she has sought the truth. This Monster of Mine attempts several threads of mystery, romance, and magic, and all of them have a strong connection within this story. I love a good revenge narrative and this one handles the nuances of such an arc with a mix of grace, heartbreak and “good for her.”
For hundreds of years Jenny Greenteeth has made her home beneath the lake, where she devours her unwilling prey and witnesses the years pass on. In all her time beneath its waters, Jenny has never met a human, but that is quick to change when a young woman is bound hand and foot and thrown into the lake. Accused of witchcraft in the surrounding village, Temperance would have drowned if not for her rescue at the hands of the resident lake monster. Jenny and Temperance are nothing alike but this newfound fear of magic does not just threaten Temperance’s community, but Jenny’s home as well. Leaving behind the safety of her lake, Jenny and Temperance embark on a dangerous quest for fae magic to unravel the darkness before it consumes their respective homes and all they hold dear. Greenteeth wickedly ensnares folklore, magic, and Arthurian legend together in one adventurous fantasy standalone. Following the Jenny Greenteeth of tale and legend, O’Neill basks in uncovering her peculiar nature, the conflicting states of being between teeth barred and someone seeking connection. Monsters aren’t all as they appear in Greenteeth and O’Neill reveals the depths hidden beneath the murky surface of her charming cast of characters—a witch, a lake monster, and a spirited goblin. Found family never fails to get to me and Greenteeth achieves that along the road to adventure. Despite their oftentimes clashing perspectives, Jenny and Temperance find solid ground. I liked seeing how they connected over roles in motherhood, and their innate desire to protect others (even if you eat things sometimes). Greenteeth brings us to a Britain on the outset of legend, where the greatest power held is in memory and the legends themselves.
Lucinde Léon has always felt an affinity to the sea. Raised at the side of her adoptive father, a wealthy French shipowner, Lucinde has been granted every comfort, but the surrounding walls of Saint-Malo only serve to block her from the waves that call to her beyond. In secret, Luce spends her days on the water, learning to sail alongside her friend and closest confidant, Samuel. But in the aftermath of a storm, a shipwreck washes up on shore, and Luce rescues its only survivor—setting off a chain of events that will reveal the truth to her heritage, her father’s legacy, and why she finds power in the treacherous deep. Upon a Starlit Tide strikes a delicate balance between historical fiction and fantasy, and retelling the Cinderella and The Little Mermaid fairy tales, finding a unique footing in the spaces between these genres and the folktales themselves. Subverting various touchstones for these stories and centering eighteenth century Brittany as her backdrop, Woods crafts a glimmering tale of betrayal, tragedy, and forbidden love. This has exactly my kind of romance, connecting to those siren and selkie tales of old, and the longing of awaiting your love to return. Upon a Starlit Tide has a bit more of a slow build, with the political and romance elements percolating to an intense confrontation in the final act. As Luce finds her power, Upon a Starlit Tide uncovers the deliberate violence orchestrated over her lifetime. Woods connecting this back to a certain figure in Luce’s life and their choices is timely, as was Luce coming into her abilities and choosing herself. Upon a Starlit Tide is a heady mix of history and folktales made real and I was mercilessly swept up in its tumultuous undertow like a ship wrecked upon its shore.
All Sylvia remembers about her past is the fire and destruction that ripped her away from her family and the kingdom she loved. In the aftermath, the kingdom of Jasad was pillaged and its remaining citizens scattered, later rounded up and executed simply for the magic they wield. As the lost Jasad heir, Sylvia has hidden herself away in a small village, suppressing her limited magic so as not to alert anyone to her survival. After a slipup involving an inquisitive guard and her beloved sesame candies Sylvia comes face to face with Arin, the Nizahl heir. Caught between the heir and survival, Sylvia makes a bargain with Arin, she’ll help him track a group of Jasadi rebels in exchange for her walking free. But the closer she gets to Nizahl and its pesky heir, the more Sylvia confronts the legacy of the Jasad crown and if she can truly leave the past behind to be left as nothing more than a legend. Egyptian inspired high fantasy involving ill-placed bargains, trials, and an enemies to lovers arc was enough for me to first pick up The Jasad Heir two years ago and it still holds up today. Sara Hashem’s debut is a piercing blade that expertly dissects the legacy of a kingdom lost to violence and the conflicting path to survival in a world seeking to eradicate all that you are. Sylvia is the beating heart of this story, caught in an impossible situation as she leverages her abilities to survive, but makes a choice that could see more of her kind captured and killed. She’s conflicted, yet uncompromising in protecting those she loves and safeguarding her future. Lost heirs returning is a niche kind of story I just adore and god is this one of the best I’ve read in years. That final chapter is nothing short of masterful, the masks come off in the best way as Sylvia chooses her fate over Jasad and her rightful crown.
The horrors are relentless and they never cease so yes, I am out here recommending more romance novels in these trying times. A romance peddler if you will. When life gets rough, I like to have several romance novels on deck and if my current stack of romances is any indication it is indeed dire right now. This post name is not only apt because it’s finally spring, but we just gained an hour and I don’t know how to function. But in all seriousness I will continue to support the notion of reading as an act of resistance. Romances are exactly what we need to be reading right now and I’m here with twelve new favorites for ya’ll to read and preorder for the coming months. You know the drill, this is a mix of historicals and contemporary romances depending on your persuasion. Prepare yourself for a French lady obsessed with overly scandalous outfits, a hate to lovers historical romance on a boat, a hockey marriage of convenience, a When Harry Met Sally retelling, and so much more!
The Reluctant Countess by Eloisa James
Lady Yasmin Régnier has long been followed by scandal, ever since she was tricked as a teenager by a man who never intended to marry her, and her mother became infamous as Napoleon’s mistress. Years later in England, Yasmin wears her fashionably low cut dresses, eschews the ton’s rigorous rules, and hides none of her laughter, much to society’s chagrin. Those of you that have followed me on my historical romance journey know that Eloisa James is one of my favorite authors and My Reluctant Countess may just be my favorite from her to date. This novel concerns all things scandal, so called polite society’s impossible standards, and how significant events shape who we are and inform our belief systems. Put it simply, Lady Yasmin was just an icon. She knows the rules of the game and cares not to adhere to them, deciding to instead enjoy her time in England. When she falls for Giles Renwick, an Earl who cares so much for perception and avoiding scandal, she is challenged to either change herself or stand resolute in the face of scandal. Eloisa James creates some incredible tension stemming from this profound disconnect. Giles needed to be bonked over the head several times but Yasmin was perfect, standing strong in her knowledge and refusing to change just because Giles struggled to appreciate her as she is. This one is a winding road through scandal but it’s a wonderfully humorous and heated journey all the same.
Can I interest you in a marriage of convenience between a hockey player on the verge of retirement and the team’s physician who have hated one another for years? Ever since they met Alexei and Georgia have hated each other. She thinks he’s arrogant and he thinks she’s vapid, but Georgia needs research funding from her inheritance to continue her program training young women athletes after injury, and Alexei needs a green card to remain in Canada following his imminent retirement. Solution: a year long marriage until they both get what they want. Who cares if she’s actually intelligent and fiercely kind with a not-so-minor Vampire Diaries Addiction and a tendency to sleepwalk into his bed. And who cares if he wears glasses, communicates through the secret language of flowers, and takes care of her two bunny rabbits, Stefan and Damon. Warning, Gloves Off will leave you in the feels as these two so called enemies cohabitate and open up to friendship—and to love. What I liked about this addition to the Vancouver Storm series was how Stephanie Archer built a solid bedrock for the mutual hatred between her two leads. I could really understand why Alexei and Georgia viewed each other the way they did — even as I wanted to shake them so hard and beg them to see things properly. Romance is in the little things in this twist on marriage of convenience and hate to love. The drives to soccer practice and showing up to hockey games are all part of this developing romance. Georgia and Alexei had a slower build up but it is totally worth the wait. I entered this wondering how they would make a marriage work, and left wishing I could romance someone through a marriage of convenience myself. Funny how that works.
Kristina Forest concludes her series of interconnected romances with The Love Lyric, third in the Greene Sisters trilogy and dare I say my favorite? Headstrong and put together Iris Greene never expected to lose the love of her life at twenty four and be left a single mother. Since then, the door to romance has been firmly shut, but when she meets Angel Harrison, a pop and R&B singer, at a wedding event, sparks fly and she finds that love may not be so firmly in the rearview. The Love Lyric is a wonderful romance all about grief, loneliness, and starting over—featuring a man so down bad for our heroine he writes the song of the summer all about their romantic moments. What I love so much about this series is the heroes, and Angel is definitely a contender for the swoonworthiest hero in the trilogy. He was so patient and gentle with Iris as she worked through her continuing grief and started to come around to romance. But in private he’s yearning to be with her and writing the most intensely romantic songs without her knowing. The tension sparks as these two work together in a brand partnership, fighting feelings and the reality that their romance is not something either of them can pass by. As an aside I highly recommend the audiobook for this novel because the narrators absolutely smashed it. This wonderful series of sisterhood and modern love may be at a close, but Kristina Forest is a romance author you won’t want to pass by.
Two estranged friends, Nia and Jade, haven’t spoken since their explosive fight years prior. Before their best friend Michal passed away from cancer, the three planned a road trip that they never ended up taking. To honor her memory and their promise, Nia and Jade reconnect on a trip through southern Jewish history, confronting the love they’ve been denying for years. A sapphic friends to lovers romance traversing through years of grief, Jewish history in the south, and the complexities of a friendship, Rachel Runya Katz’s novel is a multifaceted romance gem. Whenever You’re Ready is an emotional journey unlike anything I’ve ever read. The love between Nia and Jade is wrapped up in so much history, between themselves, their departed friend Michal, and Jade’s twin brother, Jonah. This romance is just as much a journey out of grief, and reconciling the pain that grief dealt three different people—who has the right to grief and why? And how do we hurt others when we feel our grief is a singular experience. Runya Katz delves into the complicated history of Jewish communities in the south alongside this and it struck the perfect note between informative and entirely connected to our characters sense of identity. Whenever You’re Ready is everything I love about romance and what it affords us about human connection. Healing is possible but it is our connection to others that can help us along, reminding us we aren’t alone.
A Witch’s Guide to Magical Innkeeping by Sangu Mandanna
Just a woman and her live chicken skeleton, her friend cursed into the body of a fox, her resurrected aunt, the dungaree wearing aspiring hobbit in love with said aunt, a 20-something cosplaying as a knight, two small children, and a stoic historian. Now that’s a family. Sangu Mandanna’s long awaited, Witch’s Guide to Magical Innkeeping is here, and wow what a triumph of a novel it is. Sena Swan, a young witch, depleted her well of magic performing a forbidden resurrection spell on her aunt fifteen years ago. She was subsequently exiled from the Guild and left with nothing to do other than to help run the magical inn that serves wayfaring travelers in need. But one day, she hears of a spell that could restore her magic and just like that, Sena embarks on a quest to reclaim what she lost. A Witch’s Guide to Magical Innkeeping is a lovely beacon to the lost, the caregivers who burn themselves out in service to others who deserve to be taken care of and so much more. Mandanna recaptures the magic with her debut. From the eclectic mix of people who make the inn their home, the comforting atmosphere of baked goods and twisted magic—including a guest bedroom that rains apple blossom tea, the ghosts of Sena’s past that wander the house, and the wildflowers blooming in teacups—all of it left me utterly enchanted. A Witch’s Guide to Magical Innkeeping contains the kind of magic only Sangu Mandanna is capable of drumming up and I want nothing more than to remain under its spell.
Welcome to Mia Sosa’s twist on When Harry Met Sally, where the road to romance is long and tumultuous but hidden between moments of angst and true friendship. Almost ten years ago and some change, Javi met Mari during a late night protest which involved Mari stealing every copy of the college paper while Javi stared on dumbfounded. After some snippy back and forth they became friends and in their Sophomore year, made a promise to always vet the other person’s dates, until now —when Mari shows up to a friendship lunch engaged to a colleague Javi has never even met. Integrating dual perspectives and timelines, Sosa harkens back to the beginnings of this friendship as it stands on the brink of change in the present, and what went wrong in the years leading up to this moment. With these two the chemistry is intense but no match for the denying-you’re-in-love-with-your-best-friend mentality they both are holding fast to. Sosa really made me feel for Javi and Mari, their differences and their similarities, but also what they can be when they are on the same team. I have always said I love my love stories on the messy side and Mia Sosa understands that deeply. This was messy, sexy, and SO SO funny I think I hurt my chest a few times with all the laughing. Javi was a sweet theatre guy who yearns but feels like he isn’t good enough whereas Mari was ambitious and determined to chase the successful lawyer lifestyle and prove herself to her father and I loved them both dearly. Mia Sosa shows how it’s never too late in this reimagining of a classic, full of heat, misunderstanding, and the wedding mishaps we all adore.
Who wants to uncover lost treasure with their childhood enemy. Anyone? Elfreda Marsden has long been in her father’s shadow helping him publish his various papers of archaeological research. Elf desires to make her own name as an archaeologist—starting with proving her theory that a Viking army camped on the Marsden estate, but when she uncovers an amulet that proves her theory, she immediately loses it after clumsily colliding with her childhood enemy, Georgiana Redmayne. Georgiana and Elf have never gotten along, due in part to the history of animosity between their two families, but can they bury the hatchet and uncover a hoard of Viking gold instead. Joanna Lowell has been recommended to me by several seasoned readers in the genre and it’s safe to say I have never read a historical romance as charming as A Rare Find. This is Lowell’s first foray into Regency romance and it’s a purely whimsical, absurd, adventure through not just the regency period, but lost moments of history and antiquarian endeavors. Including some fantastic nonbinary representation and queer people discovering their identities, finding happiness and love, this book is a treasure in itself. The author’s note on Lowell’s research was an incredibly fascinating read and I’m reminded just how much historical notes are my love language. If you like your plots meandering with significantly lower stakes, A Rare Find is the perfect historical romance to unwind with.
Gabriela Luna Valdés has long felt the odd one out. As her eldest sisters have all married and gone on to contribute politically to Mexico back home and abroad, Gabi cannot help but feel adrift. After many years away from Mexico, Gabriela intends to return after a scandal leaves her with no other choice but to flee London altogether. Who should be called to provide a watchful eye on the ship bearing her home but Sebastian Brooks, the Duke of Whitfield, and Gabriela’s nemesis. But outside of the expectations of London society, Gabriela and Sebastian soon discover how little they actually know each other, and the sizzling chemistry underlying their years of hatred. Put simply, Gabriela and His Grace is historical romance perfection. Liana De la Rosa focuses on the end years of the illegal occupation of Mexico by the French as her heroine travels home to a world transformed, and I loved the windows into a part of history long uncovered within this genre. Liana De la Rosa entwines this tumultuous time in Mexican history with an exploration into home and how we can stand for our communities and ourselves. The hate to lovers arc is built up around this with the slowest of slow burns. I love seeing characters removed from their comforts so much that the facades come down and that is central to this romance. Liana De la Rosa really works to make Sebastian and Gabriela see one another, and that in contrast to their upbringings makes for some truly delicious tension. As an aside I don’t think I will be moving on from the sharing-one-bed-on-a-boat scenes, they were really so so hot (thank you Liana De la Rosa). This was a scrumdiddlyumptious romance and I will be yelling about it more in time.
Nicole and her husband Gabe have been trying for a baby for a long time, so long that Nicole launched a semi-successful podcast documenting her experiences with infertility. On the cusp of their final try with a gestational carrier, Nicole discovers her husband’s infidelity. To top it off, the pregnancy she has been wishing for for so long is viable, and their surrogate, Valerie, is now pregnant. Nicole’s entire world has been upended in mere minutes and in a fugue state, Nicole finds herself on the doorstep of a former colleague and friend, Logan Milgram. They haven’t seen each other in years but in seconds their immense history comes roaring back to life. The Best Worst Thing is a timely friends to lovers romance about the merits of Jane Austen’s, Persuasion, reading the books someone recommended as a love language, and all the messy and complicated bits of stirring up the past. Shifting between the past and the present, Okie documents the rise and fall of this relationship and just how much Logan and Nicole stand to gain from loving one another right now. A golden retriever protagonist so sickeningly in love and a messy second chance romance is the essence of Lauren Okie’s, The Best Worst Thing. This story is heartfelt, compelling, and extremely hot—exactly what you’d expect from a slow burn friends to lovers romance, but somehow nothing like anything you’ve ever read before.
Weeks after her ex, Sam, dumped her, Alison Mullally finds herself at his funeral. Alison soon realizes that no one there knows that they broke up, and she is called to play the part of the grieving partner—which includes boxing up all of Sam’s things in his former apartment alongside Adam Berg, Sam’s best friend. Four Weekends and a Funeral is a uniquely situated romance debut that centers some notably underrepresented topics within the genre. I really appreciated the focus on preventative healthcare and the anxieties that come with recovery and romance. When we are introduced to Alison she is on the heels of a double mastectomy after she found out she was a carrier for BRCA 1 and in all likelihood would develop breast cancer in her lifetime. Alison’s mother is pressuring her to go further with other preventative surgeries, after her own battle with breast cancer, and there is a lot on her shoulders because of this. Meanwhile Adam and Allison are growing closer as the four weekend apartment cleanout becomes significantly more involved, and they realize they have a connection. This romance certainly brings a lot into focus, but every topic is handled with such care. The close proximity between Adam and Alison is the real standout, with their delightful back and forth spurring forth the chemistry and their romance. This really is the perfect contemporary love story full of delightful Twin Cities representation and characters just trying their best.
Julie Anne Long’s Pennyroyal Green series has long been lauded as one of the best in the historical romance genre and I’m here to say that the praises are true. How The Marquess Was Won is book six in this eleven book saga (each romance can be read independently), and it is high up on my list of favorites from the series. Julian Spenser, the Marquess Dryden has specific requirements for his life, and that includes his search for a wife. Nowhere does tempting a kiss from his intended fiancee’s paid companion play into this plan. When she overhears a bet regarding Julian Spenser enticing a kiss from her, Phoebe Vale decides to confront him head on. What emerges is a back and forth in the hallways between gatherings, gifted bonnets, romantic kisses in forest glades, and a love neither of them can afford. Opening with Julian Spenser, shot, and calling out to a woman who he says does not love him, Julie Anne Long was not playing around. From there, it’s back to the beginnings of this slow burn and heavy longing between group outings and various social gatherings as we encroach closer upon why Julian was shot. Julie Anne Long knows how to build tension, and class disparity is the primary vehicle driving the tension here. How the Marquess Was Won is a perfectly crafted romance and yet another Julie Anne Long novel to reread over and over again. This romance made me so giddy it’s no wonder I immediately moved to finish the remaining books in this eleven book series.
A star hockey player in need of a private chef hires a newly unemployed chef and single mother in Slap Shot, a romance of epic slow burns. This was my first foray into Chelsea Curto romance and wow am I obsessed. I’ve often complained how the landscape of today’s contemporary romances don’t tend to leave space for slow burns or developing a friendship before romance enters the conversation, and that is why I love Slap Shot so much. Curto spends a tremendous amount of time highlighting who our protagonists are individually, as they strike up a professional relationship that transitions into friendship. Hudson and Madeline endear themselves separately without romance immediately being at the center, which only serves to deepen their connection and why their partnership works when they eventually start dating. Hudson is still dealing with the loss of his mother, and Madeline is desperately trying to balance her career with caring for her daughter, Lucy, after her partner walked out on them. These struggles are personal and yet together, Hudson and Madeline begin to build a future unencumbered by grief and strengthened by the sharing of these burdens. If this wasn’t enough, Slap Shot is seriously so hot. Hudson and Madeline’s sexual compatibility was on another level that I posit as due to the immense foundation Curto builds up over five hundred pages. I’m not one to typically recommend romance novels of this length, but every single page of Slap Shot is essential and certainly worth the read.
When Minerva was young, her Nana Alba would begin all her stories with, “When I was a young woman, there were still witches,” but they were just that —stories, tales to entertain her younger self that did not predicate their existence. Now, Minerva is not so sure. A grad student studying all things horror, Minerva became fascinated by the woman horror writer Beatrice Tremblay, whose novel The Vanishing was inspired by Stoneridge College, the institution Minerva currently attends. Remaining at Stoneridge over the winter break, Minerva plans to pour all of her attention into wrapping up her untouched thesis. As she continues her research, Minerva uncovers the extent to which Beatrice was inspired by her own time at Stoneridge through an unpublished manuscript in which Beatrice detailed the events leading up to the disappearance of her college roommate, Virginia Somerset. Eerily, the signs surrounding the disappearance of half a century ago echo in the present, and Minerva swears she feels an evil force watching her steps. Finishing her thesis will require her to plumb deeper into Beatrice’s life, but uncovering the truth may come at the price of Minerva becoming a cautionary tale.
Writing in the tradition of New England horror, Silvia Moreno-Garcia returns with The Bewitching, a tale of witches tethered across generations and one grad student’s descent into the dark magic at work on her college campus. If Silvia Moreno-Garcia writes it, I’m reading it. That has been the case ever since I first read Mexican Gothic back in the early days of the pandemic and fell in love with her craft, and it is still true today. Silvia Moreno-Garcia is a masterful storyteller. Her ability to immerse readers in her richly detailed landscapes and characters, regardless of the time period or the genre has always confounded me, but I am nevertheless grateful for it. The Bewitching is the latest witch struck tale to round out her lengthy backlist. This time, Moreno-Garcia spotlights the eerily quiet winter period on a Massachusetts college campus and an incoming thesis deadline, which is already its own kind of horror. Shifting between multiple timelines and integrating the lost manuscript of Beatrice Tremblay, Silvia Moreno-Garcia presents a different kind of witch, malevolent and intent on destroying others for their own gain. In The Bewitching, the unexpected reigns, and as something stalks the night, the hardest part is not being left forever spellbound.
The Bewitching is everything I have come to expect from Silvia Moreno-Garcia, full of mesmerizing magic, standout characters, and timelines intersecting across the decades. With her latest novel, Moreno-Garcia voices the witch stories of her childhood, where witches were malicious and preyed upon innocent victims. These stories and her own experiences attending college in New England form the bones of this story and the character of Minerva, a resident assistant funding her way through grad school in Massachusetts. This discovery of witches’ and their designs is split between several decades and the experiences of three different women, Beatrice, Minerva, and her grandmother Alba. Though entirely misaligned at its beginning, The Bewitching slowly pulls these individual narratives together into one comprehensive tale of witches and the inherent exploitation of the powerful. I put my fate in Silvia Moreno-Garcia’s talented hands, and as always, she managed to exceed my expectations at every point of this imaginative novel.
The setting in The Bewitching is simply to die for. Opening on Massachusetts in the late 1990’s, The Bewitching introduces us to Minerva as she shunts off the last of the on-campus students for winter break and picks up her incomplete thesis on Beatrice Tremblay. From the unruly peacocks prowling Stoneridge campus to the lore of the Witch Thicket, The Bewitching first finds its footing through this campus setting. Stoneridge College is built up by an expert hand, and these quirks and college legends help better frame the narrative. The unsettling mystery of Beatrice Tremblay’s missing roommate reverberates in Minerva’s research and it is through Moreno-Garcia’s strong sense of place that this first creeps up on the reader. Wandering the woods with Minerva as we accompany her on her RA rounds, to the chilling sounds in the night echo in the disappearances of days past. Yet the past cannot be left behind as an unseen force prowls the campus ready to strike again.
The stories of witches feel grounded in place, Stoneridge Campus for Minerva and Beatrice, and Alba’s family farm in Mexico during the early 1900’s. I have always appreciated the historical connections and deep dives Silvia instills into her novels. The Bewitching is no different in that regard. Much of this novel deals with the dichotomy between the practice of magic and nonbelievers, landowners versus city folk, and the upper and lower class. All of these are connected across timelines and Silvia Moreno-Garcia uses them to initiate the journeys of her three characters. Generational knowledge has a real power here and connection through storytelling tethers Alba and her granddaughter Minerva in the present day. The exploration into the exploitation of the lower class to fuel the lives of the wealthy, spiritualism of the 1930’s, and the folklore of witches are heavily scrutinized across this novel. Moreno-Garcia further challenges this notion of what makes a witch through her stories villains—not only flipping the script on witch folklore but who is truly pulling the strings.
The Bewitching is the latest in a long line of incredible novels from Silvia Moreno-Garcia. Part gothic, part horror, and part historical fiction, the true connection to her past works is that this is a standard Moreno-Garcia genre meld. The Bewitching represents all the horror writers writing on New England, and the horror within these spaces themselves. The way setting informs the horror and the cultural wounds intrinsically tied to a place is central to this novel, and New England horror as a whole. If you’re up on the genre you’ll notice some clever nods to the horror writers of today and I loved dissecting those in line with the actual mystery. The Bewitching is an eerie journey through the folklore surrounding witches across three distinct decades and all of it is extraordinary. Unsettling to the extreme, I never could have expected this novel to end where it did, but I’m afraid that’s yet another Silvia Moreno-Garcia standard. Come for the chaotic grad student desperately trying to finish her thesis, and stay for the real horror underlying a New England college and decapitation unknowingly tethering a family together (no further comment).
Thank you to Netgalley and the publisher for providing this arc to review.
Literaryrobin 