Tag: lgbt+

Review: Voidwalker by S.A. MacLean

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Rating: 5 out of 5.

Ever since she was brought close to death at eight years old, Fionamara Kolbeck has been able to see the gateways separating worlds, and can traverse the boundaries between them—a rare talent coveted by many. Fi makes her living smuggling goods across the fractured lands. In return, her village continues to thrive without aid from the Daeyari, the forest entities who exist off of tithed sacrifices and hold the coveted energy technology that fuels humanity’s survival. When Fi is given the payment of a lifetime to smuggle unknown goods into the capital of Thomaskweld, she unknowingly becomes embroiled in a coup to oust the ruling Daeyari. In the aftermath, Fi is left vulnerable to Antal, the deposed Daeyari who insists she help make things right. As it turns out, Antal has been staving off his hunger as best he can, and Thomaskweld’s new ruler is not so magnanimous. Neither Antal nor Fi want this to stand, but righting the situation will require them to join forces. Nothing could have prepared Fi for being in close quarters with a monster, yet, she finds that Antal is startlingly balanced to her inner fire and she actually enjoys his company. Being caught within a monster’s clutches may no longer be the worst fate imaginable but giving in to temptation will require a leap greater than the one into the void itself.

Voidwalker asks the age old question, what if you romanced your inner demons and the result is the best fantasy romance I have read all year. S.A. MacLean understood the assignment with this deeply bisexual fantasy novel involving the toils of revolution and the alluring call of the space between worlds. A world walking smuggler equipped with eyeliner as sharp as her energy blade and a cracking dye-job and a forest entity with antlers who is more than a little pathetic team up to take down their enemies, trying and failing to avoid romance in the process. As a fan of idiots to lovers and reluctant allies this book was already primed to be a hit for my reading tastes. But what makes Voidwalker so incredible isn’t just MacLean’s two pathetic main characters and her select use of tropes, but in her soundly layered narrative. Integrating satisfying character arcs, romance, cross dimensional worlds, and an impeccably paced external plot, Voidwalker is fantasy honed to perfection. It’s also really really hot. Like SO hot. This book is for the readers who stare into the dark wishing the dark stared back…and was a hot forest demon equipped with antlers and claws with the disposition of a wet cat. Voidwalker is a dark, messy, romantic story—one that undoubtedly met my cravings but has me begging for more. 

The fractured landscape of Voidwalker is a second home to our protagonist Fionamara who makes a living traversing the shattered plains, smuggling goods between worlds to help her village thrive. MacLean captures a rough beauty within this disunified landscape. The crisp winter which ravages the population, the pine trees, the snow capped mountains, and the intense green of the polar lights envelop the narrative and feels entirely connected to the alluring call of the Daeyari and the void itself. MacLean’s debut, Phoenix Keeper, was a riot of color and magical beasts and she infuses this into her sophomore novel, admittedly with different flavors. Voidwalker is home to a variety of magical creatures—aurora beasts, void horses, and the mysterious void creatures, to name a few. I am very much partial to the void horse myself, with my love of animal sidekicks how could I choose any different. MacLean brings on the details but all help establish these split worlds and construct the initial foundation for this novel with a smuggling job gone wrong and two unlikely allies on the run. 

Two bisexuals in a cabin in the woods with nothing but their failures between them—the byline for this novel, and if I could so boldly claim, the real romance between Fionamara and Antal. These two start out by dragging each other headlong into danger both believing the other capable of fixing things, yet they are immediately confronted with the fact they are way out of their depth. Reaching rock bottom is the perfect way to elevate this romance and start to deconstruct Fi and Antal’s facades. The walls come down as Fionamara drags Antal back to her cabin in the village of Nyskya, where the two hope to prepare an uprising against the ruling Daeyari, Verne. Close proximity is at the forefront of this scheme, as Fi and Antal cohabitate in secret amidst their plans to retaliate. Now S.A. MacLean understands the innate allure of a pathetic freak man and unfortunately neither I nor Fionamara were immune. I really am here for this rabid demon creature who would rather sulk inside a snow bank with his antlers sticking out and hang from the rafters like a feral bat than emote/behave normally. It’s all part of his charm, and trust me, it’s endearing as hell.

Now I would be remiss to not elaborate on how seriously hot this book is. Like SO hot. The tension between Fi and Antal is like a sharp knife through butter and I was standing there in rapt attention as they toed the line between forced allyship and something more. MacLean elevates this tension through her extensive focus on the backgrounds of these two characters, particularly in the first section of this novel. At the start of this book both Fi and Antal have reached rock bottom and can really only rely on each other, albeit begrudgingly. This partnership brings on some wonderfully sharp verbal sparring which of course is the veil over their greater compatibility. Part of what makes Voidwalker so profoundly hot isn’t just the “romancing a hot forest entity with antlers” of it all, but how Antal and Fi open up a space for honesty and look out for each other again and again. They keep each other on their toes while romancing through small gestures—like Antal recovering Fionamara’s favorite coat and blade just because he knew how much they meant to her. Don’t get me wrong, the sex is hot, but the tension between “bite me I dare you” and walking willingly into the embrace of a monster gives just as much besides. 

In Voidwalker, successfully forging a new future means confronting the past for our two protagonists. Though fully established in Fionamara’s point of view, Voidwalker provides deeper insight into Fi’s and Antal both, all to help construct a greater picture of what they are working to overcome. Fionamara’s arc is framed at the center of this narrative, and the true standout for this novel is in her reorienting her perception of the past and standing strong in her choices. Fi’s journey through self-preservation and her perceived cowardice is a hard one, especially as she is torn between competing perceptions—her brother, Boden and childhood friend, Astrid. Astrid and Boden are two facets of this journey in their differing views of the past and reconciling them is a vehicle through which Fionamara gains further agency in her own life. Antal on the opposite side, is entirely alone. He has held people at a distance to save them from the violence of his kind, and he is scared to see the past repeat itself. Both Fi and Antal are excruciatingly aware their feelings run deeper but giving voice to them is easier said than done.

You’d be hard pressed to find a book more tailored to my tastes than S.A. MacLean’s Voidwalker. Every part of this novel is exquisite and I really could go on and on with how much I love it. Reading this, it’s clear S.A. MacLean suffused all of her favorite fantasy elements and character archetypes into one novel and not one of them feels out of place. The disaster bisexual characters trying to prove themselves without admitting they care is my bread and butter and Fi and Antal took that challenge and pushed it to extreme limits. There are not enough books with a pathetic guy who endears himself to the main character with his freakish charm and Antal is that character. Like this is a weird little guy…this is a freak of nature, but I love him so much. And Fionamara is my coffee obsessed hellion ready to fight and so so important to me. Seriously this book has it all, along with the audacity of being hot as all hell. S.A. MacLean’s talents for unique romantic fantasy are seemingly endless and no more is that on display than in her sophomore novel. Voidwalker is fantasy wrapped up in a bisexual little bow and I am so grateful that it exists. The fact that this is a duology just means I can yell about it louder and for far longer than I would typically until the sequel is in my hands. 

Thank you to Netgalley and Gollancz for providing the advance copy to review.

Trigger Warnings: blood, death, gore, murder, drug use, alcoholism

Preorder a Copy – Out 19th August

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Review: The Raven Scholar by Antonia Hodgson

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Rating: 5 out of 5.

For twenty-four years peace has reigned within the Empire of Orrun. But per the laws of the empire this peace will be tested in a brutal competition to determine its next ruler. Neema Kraa is a Raven Scholar and eight years prior —at the emperor’s behest—she carved the exile edict that would seal the fate of an innocent young woman and propel Neema to High Scholar. An event that would echo in the fates of more than just the solitary Raven Scholar. Thousands of people now flock to the Imperial Island, the epicenter of the empire’s power where its fate will soon be determined in the Festival of the Eight. On the night before the festival commences, Gaida Rack, the Raven contender, is found murdered in her apartment. As Gaida’s least favorite scholar, Neema is one who would stand to gain from her death, and thus, in the emperor’s eyes, the perfect candidate to solve her murder. Not only is Neema tasked with uncovering this crime but she is now the Raven contender in the fight for the throne. Dodging fights and avoiding losing to the dangerous trials, Neema soon becomes embroiled in a devious plot decades in the making, one that like the trials themselves, can have only one victor.

With The Raven Scholar, Antonia Hodgson pens the first in an audacious high fantasy trilogy. Epic in scale, bold, and extraordinarily detailed, this book burrowed its way into my heart where it is more than content to remain. As sentient ravens bear witness to events and murder abounds, The Raven Scholar expertly integrates a murder mystery within an immersive fantasy setting as a devious plot comes to fruition within the fraught empire of Orrun. When I set out to read this seven hundred page tome, I had no idea I would venture into one of the most cleverly wrought fantasy debuts I have read in many years. Hodgson hits all the marks for an epic fantasy novel with characters that bite (pun very much intended), and ones that lean into their morally grey natures. The plot takes the lead in this series debut, but it is only elevated through a detailed world history and extended mythos. Truly the pillars of this story are in the details and Hodgson is intentional in their placement as she builds to her grand reveal. The footnotes and folktales scattered across the narrative, the pesky ravens, all of it serves to build up an integral foundation for this new series. The Raven Scholar is everything high fantasy should be and I loved every single page of this intricately layered, clever novel.

Turning inward on the Imperial Island, Hodgson calls witness to the exile of Yana Valit, a decision that led to her brother becoming the Tiger contender and our protagonist Neema Kraa her position as High Scholar. Not quite a prologue, this look into the past soon transitions into Neema’s point of view, our window for the rest of the novel —a jarring shift made all the more so in the eight year jump to the present. The Raven Scholar has a claustrophobic aura, as thousands crowd the Imperial Island for a scheduled transfer in power, soon finding themselves caught up in more than a game. It all feels very locked-room, except the room is an entire island and everyone on it a suspect. Hodgson’s narrative is ever shifting, flitting back to new perspectives and integrating folktales from Orrun’s history. There is so much to sift and parse over here and no part of this story feels out of place, nor the narrative bogged down at any moment. Every single part of The Raven Scholar’s seven hundred pages is perfectly paced and expertly plotted. Through the ravens, the footnotes, and the folktales, what emerges is a vivid fantasy world with characters that leap off the page. 

I would place The Raven Scholar in the category of: what if there was an animal who was just following you around all the time (but the burrowing inside your chest cavity and offering unsolicited opinions-variety). The Raven Scholar dances around perspective and flashes between the implied author and narrator across the narrative. The implied author being the raven guardians circling the island providing their commentary was a fresh way to hone in on key events. I’m very much here for the flock of Raven Guardians having an omnipresence as Hodgson shifts between perspectives to orient her story. Hodgson layers in these perspectives to better serve the story and build to a smashing final act. Where the raven companion comes into the story is another strong suit. The “Solitary Raven” who was banished from the flock pushes forward through ink, page, and cover to become a fragment within Neema’s mind, acting as a guide in the fight for the throne. Sol is that nettlesome presence needed to further the story and its humor. I found the body horror aspect of this extremely hilarious. The imagery of Sol just chilling in Neema’s ribcage ready to burst forth in viscera whenever he needs to come to her aid or remove himself from a situation could only ever be viewed as relatable and painfully funny. 

One thing I appreciate about this novel is its heavily detailed character work. For most of the book we are in Neema’s perspective and her views cloud our opinions of the past and future of Orrun. Neema is the solitary Raven Scholar, brought up from her station as a commoner to take up space within the Emperor’s court. With such a rise comes many enemies and a perspective that reflects inward more often than not. Antonia Hodgson is comfortable exposing the flaws of this character and the blind spots that place Neema in danger as the plot progresses. I love ambitious women but just as much I love that Neema’s ambitions come at a price. The huge reveal at the end would not have come about without the manipulation of several key figures, one of which was the High Scholar herself. Characters grappling with their morality and the justification of past decisions is a central part of this novel. Neema, Cain, and Ruko are three characters who really stood prominently within this —figures who will undoubtedly continue to shape the progression of this series and its core themes.

The Raven Scholar is a true fantasy gem, sharp, gleaming, and rare in its splendour. As prophecies are fulfilled and the Festival of the Eight draws to a close, the Eternal Path series finds a strong footing in an unstable final act that I was in no way prepared to venture into. And wow oh wow what a conclusion. I don’t think I breathed for the entire last third of this book. It was that intense. Antonia Hodgson pulls the rug out in every sense, making you feel like the dominant players are aiming for one thing when in reality it is something else entirely. Integrating unique points of view —the animal guardians staking their claim on the narrative and the future of an empire and a daring scholar courting danger to solve a murder, among others —this is an artfully designed fantasy novel with a host of characters to enjoy. I cannot emphasize enough how this fed my cravings for epic fantasy to the extreme. Much like our Solitary Raven, I want to live inside this book and I’d feel comfortable burrowing into its pages to wait out the eventual sequel. 

Thank you to Netgalley and the publisher for providing this arc to review.

Trigger warnings: death, abuse, murder, blood, violence, imprisonment, drug use, execution

Preorder a Copy – Out 15th April

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Review: A Letter from the Lonesome Shore by Sylvie Cathrall

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Please note this review contains reference to some of the events contained within this novel, and the former installment, A Letter to the Luminous Deep.

Rating: 5 out of 5.

Former correspondents E. Cidnosen and Henerey Clel bonded over an academic mystery, but they never expected that mystery to involve travelling through a mysterious structure in E’s garden. Now, E. and Henerey find themselves in a sunken city that holds the secrets they’ve been searching for —of an archaic floating society that retreated into the sea after some indescribable danger led them to flee the world above. The mystery of the fate of E. and Henerey captivated many following their disappearance, but none more so than their respective siblings, Sophy and Vyerin. Piecing together the truth through the letters E. and Henerey penned across several years, Sophy and Vyerin now find their siblings forever out of reach. Drawn deep into the life of the archaic scholars and their city of secrets, E. and Henerey confront the limitations imposed by this society while desperately yearning for a way home. Meanwhile Sophy and Vyerin relentlessly chase the gateways that could reunite them with their lost siblings. With Sophy and Vyerin on the case and E. and Henerey seeking the truth to their world, neither party understands the true threat stalking the deep which brought a once thriving archaic society low.

A Letter from the Lonesome Shore returns readers to the elusive deep after the revelation that scholars E. and Henerey did not perish in the destruction of the Deep House. Told entirely through letters, this epistolary novel concludes the Sunken Archive duology and unravels the mystery of the gateways and the archaic scholars. Long thought dead, these scholars have remained within an underwater city awaiting those fleeing the mysterious threat that brought them to its sunken waters. Knowledge has a cost in A Letter from the Lonesome Shore, and Sylvie Cathrall tests the bonds of our undaunted scholars, E. and Henerey, while a larger threat closes in on their underwater world. A Letter from the Lonesome shore is flitting in its shades of enchanting light academia and winsome romance. Sylvie Cathrall pushes her frontier, integrating new perspectives and roundabout ways to ensure character points of view remain at the forefront of this novel. These narrative subtleties lend themselves to the greater conversation of academic pursuit and the human connection at the center of academic inquiry. A Letter to the Lonesome Shore is an endlessly fascinating series conclusion and all I want is to continue to chart the immeasurable depths of this extraordinary duology.

In concluding her Sunken Archive duology, Sylvia Cathrall reorients her underwater world with E. and Henerey having gone through the portal by the Deep House, and Sophy and Vyerin initiating a mission to follow them through to the other side. This sequel proves there is so much more lying beneath the surface as we are introduced to the enigmatic scholars of a sunken city who have awaited refugees since they first abandoned their world above, and the scatterings of a future we encroach ever closer upon. Between E. and Henerey’s private diary entries, Cathrall brings new perspectives into the forefront. The back and forth between the Thirtieth Second Scholar maintaining records for the archaic society and the Fifteenth First Scholar providing their interjections was an intriguing addition —while suffusing some necessary humor into the text. The contrast between the eager Thirtieth Second Scholar offering his commentary and the particular Fiftieth First Scholar trying to stick to protocol was not only deeply hilarious, it uplifted the more serious elements within this novel.

Endearingly awkward should be the main descriptor for the romance between E. and Henerey. Two people in love who believe they aren’t worthy of the other person while constantly exhibiting signs of “you remembered” and “of course I did” is the recipe for this academic romance. After book one detailed their charming correspondence over the mystery of the Deep House and the garden structure, E. and Henerey find themselves united at long last within the underwater city of the archaic scholars. Sylvie Cathrall begins to test the bonds between these two as they leave behind their comforts and find themselves within this sunken city. The courtship rituals are thrown into an entire new orbit as they soon learn they may be stuck there unable to return home. In this series, the relationships on the periphery are just as strong. Sophy and her wife and Vyerin and his husband remain some of my favorite romantic subplots within this duology. A Letter from the Lonesome Shore continues to represent queer relationships at the forefront and I appreciated how Sylvie Cathrall brought in new layers to these relationships as she raises the stakes in this sequel.

What I’ve always relished in this series is its focus on academic research. Cathrall makes the reader feel as if they are pouring over the primary and secondary sources to construct theories for how this underwater society came to be and what happened to the archaic world from long ago. Part of what makes this sequel so fascinating is getting to see where the individual pieces from book one slot into place. The mysterious island, the Darbeni poem, and the Fleet are part of a plot that spans back thousands of years. Cathrall expands upon this underwater world that is actually just one drop in a universe that is an entire ocean. The introduction of an interworldly threat was the perfect addition to underpin this revelation and the connections between the individual threads from book one. The predator as a primordial being that feasts on knowledge, swimming between these worlds to consume any that have become overly abundant was an insanely clever reveal. Cathrall’s imagery of this boundless universe ocean is thoroughly evocative and places the entire world stage in a new perspective.

A Letter from the Lonesome Shore maintains the lighthearted atmosphere from book one yet expands upon the boundaries of this world and the mysterious underwater society of the archaic scholars. Just as A Letter to the Luminous Deep was about the pursuit of knowledge and romance set within scholarly inquiry, this sequel demonstrates that knowledge is nothing beyond the connections that make us human. Finding a home after a devastating event brings E. and Henerey to a newfound shore that feels fitting for their individual paths and the partnership they have built side by side. Sylvie Cathrall knows that the real treasure in the deep is the bonds we keep with one another and it is worth any sacrifice. Lush and fathomless, The Sunken Archive duology is one series I will certainly return to to rechart and navigate anew. The real treasure for me is this series from start to finish.

Thank you to Netgalley and the publisher for providing this advance copy to review.

Trigger warning: anxiety

Preorder a Copy – Out 6th May

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Review: The Knight and the Moth by Rachel Gillig

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Please note this review includes references to some events contained within The Knight and the Moth. No overt spoilers but read with caution.

Rating: 5 out of 5.

For ten long years all Sybil Delling has known is dreams and drowning. As a foundling child, Sybil was brought to Aisling Cathedral to take on the mantle of Diviner. In exchange for ten years of service she and six other girls were provided a home, sundering their names to forever be known by a number —gaining the ability to receive and interpret visions from six figures known as Omens. Across Traum, citizens and travelers wander the long roads to the Cathedral upon the tor to have their futures divined. Sybil and her sister Diviners are their guide through the magical waters of Aisling’s spring that drag them down into dreams. Just as Sybil and her fellow diviners close in on the end of their ten years of service, Traum’s king and his retinue of knights appear at the cathedral. Not long after, Sybil’s fellow Diviners begin to disappear one by one until only Sybil remains. Desperate for a way out, Sybil finds an ally in Roderick Myndacious, the foul and brash knight she met upon the tor at the side of the king. Entering a world unknown with a foul knight and a boy king grasping at a fantasy, Sybil will learn the cost of her divine gifts and the truth to the portents and their gods.

The Knight and the Moth is a fortifying dark gothic fairytale in which errant knights, vexing gargoyle companions, and ardent romance unite to bring truth to divination and the powers that sustain a kingdom and its divine figures. Rachel Gillig is back, enlisting her penchant for atmospheric gothic fantasy in her sophomore series, intricately carved in symbolism and unending power. There were few books I was more excited for from this upcoming year than Rachel Gillig’s sophomore novel, The Knight and the Moth. I think I let out an inhuman shriek when this showed up on my doorstep and in a self fulfilling prophecy sort of way it met all of my expectations and is easily my favorite book I’ve read this winter. The gothic is already one of my favorite genres, but add in lady knights, slow burn romance, and symbolism and The Knight and the Moth transforms into its own rare flavor of gothic fantasy. In her second series, Gillig continues to deliver on transportive fantasy that deals a devastating blow, and this is one I have yet to recover from. The Knight and the Moth is a novel altogether intricate in its inquiries into religion, but unflinching in exposing the roots of belief and the pull between religion and entire kingdoms.

Kicking off a classic quest narrative of knightly adventure with a ragtag cast of characters, The Knight and the Moth contests knightly virtues and the costs of service, whether fealty to one’s king or religious piety. Opening with the arrival of a young king and his retinue upon the tor, Gillig drowns readers in divination —from the inner workings of Aisling Cathedral to the kingdom of Traum. Sybil Delling, or “Six” is our veiled window into this enshrouded world as she breaks free from Aisling Cathedral and initiates a journey to unmake the Omens, or their gods. Coin, inkwell, oar, chime, loom stone, and moth connect to a mysterious sixth figure and provide a framing for this quest journey. Rachel Gillig skillfully places her narrative portents at various places to call forth and interpret at key moments across this novel. Almost endless in its symbolism, The Knight and the Moth is veiled in a wretched sort of beauty. The fetid water and rotting flowers around the Cathedral spring portray the violence in having to drown to divine and all of it encircles the haunting atmosphere which Gillig pulls forth.

The physical journey in The Knight and the Moth is made all the more profound through Sybil’s personal arc running alongside the quest narrative. Taken in as a child and transformed into a tool to be wielded in a power struggle she was wholly ignorant to, Sybil’s journey is both heartbreaking and fortifying in its unveiling. Something I love about reading fantasy is the slow process of learning a character’s purpose within the larger context of the story. Integrating into Sybil’s perspective it soon becomes clear just how connected she is to everything from the founding of this kingdom to the continuous cycle of making and unmaking. Sybil’s journey is one of personal enlightenment and agency, two things that were taken away from her the second she was drowned and initiated as a Diviner. Sibyl and her propensity to lose herself for a cause finds knighthood as a way to gain agency and begin to command her tale. Gillig removes the facades as soon as Sybil flees the Abbey upon the tor, but it takes much longer for her to stand in her truth and truly remove her mask.

The romance in The Knight and the Moth falls into the category of bitter banter with a healthy overdose of yearning. Picture me feral in the corner while reading this novel because Rory and Sybil had me drowned in their longing (like the wax scene? I think I died). There are few things I love more than two characters who misunderstand one another finding love. Those differing perspectives which clash and create tension slowly begin to fade away as the quest progresses. The relationship between Sybil and Rory presents an interesting dichotomy that integrates within the larger commentary on religion and fidelity. The tension between these two comes at the reality of their differing belief systems stemming from their upbringings. Rory as a foundling child given a chance and a purpose at the side of a king, and Sybil, a foundling child who was abandoned to serve the purpose of a manipulative and cruel mistress puts them thoroughly in opposition — or so you would think. But Rory plays into the knightly virtue of fealty, not to his king, but to Sybil herself. And that is why this romance had me on the floor: the longing and devotion that comes from seeing someone at their worst and the constancy of that devotion.

If there’s one thing I love in my fantasy novels it’s a funky little guy following the protagonist around. I’m proud to say Rachel Gillig understands this wholeheartedly. The sliver needed to underpin the more serious tones and overarching plot of this novel is the character of Bartholomew —the stone Gargoyle who flees the cathedral and joins the quest at Sybil’s side. Little did I know that this was actually going to lead to the most heartbreaking revelation in the last third of this novel. I should have expected nothing less from Gillig who expertly interweaves these symbols and character arcs together in a masterful final act that left me grasping at the threads and desperate for more signs. The foundations truly fall down in a penultimate scene connecting to the larger deception taking place within Traum and the woman at its center.  

In The Knight and the Moth, Rachel Gillig reveals the truth to divination and the powers underpinning the faith of a kingdom. Everyone from the gods —mere humans fed on shreds of power to retain divinity— to the citizens seeking meaning upon the tor are at the mercy of one woman and the waters running free from the mountain spring. The commentary on religion as a way to keep entire civilizations beholden and subservient runs deep within this story. The disunifying portions finally find cohesion in the return to Aisling Cathedral and the confrontation with the Abbess. This final section was absolutely my favorite part of this novel as Gillig disentangles her designs and provides an encompassment for her larger commentary. It is the Abbess who claims that it is the nature of humanity to seek signs and find meaning which she, or others like her, will always be able to manipulate. The final comment that when you feed people a poison disguised as salvation they will do anything you ask was a particularly apt link within the story. As Sybil’s veil comes down and the group nears the end of their quest, Gillig connects it to the deception held by the Abbess, the portents, and their intemperate gods.

Shrouded in dreams and glimmering prose, Rachel Gillig’s The Knight and the Moth is one fantasy novel I want to stay fully immersed in. Even knowing that many readers may start this having not read Gillig’s former novels, this is a paragon to her craft and may I boldly claim —the best of her work so far. Rachel Gillig has never not brought me to my knees with her enthralling gothic atmosphere and fervent romance and I’m afraid this has unseated the Shepherd King duology as my favorite. The Knight and the Moth frames faith within a greater context of power and an unending cycle of control and rebirth. Ordinary people become gods and are forever starved for the source, but immortality is a mere tool in the hands of a greater player. In the power vacuum left in the aftermath of her concluding act, Gillig drives one last swing at her readers’ sanity. I followed some of these breadcrumbs but even I was floored in its brutality. The Knight and the Moth reveals what truth lies in heresy and the idealistic views which causes the cycle to renew. Diving into dreams, faith, and devotion, Rachel Gillig deconstructs myth in one fantasy novel which will leave you similarly transformed. Forever mourning that I have to wait even longer for the next in this series and very much missing our unconventional knight crew and endearing gargoyle companion.

Thank you to Orbit Books for providing this advance copy to review.

Trigger warnings: blood, violence, murder, death

Preorder a Copy – Out 20th May

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Let’s Talk: Romances to Read and Preorder This Winter

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We’re finally out of January (seriously how was this month 84 years long) and because of how long this month was I managed to read 55 books total, twenty of which were romances. The vibes were very much reading away the horrors while trying to curb the chance of an original thought occurring (haha just kidding……unless?) and the result was far too many books and people being concerned for my health and general wellbeing. This is my first roundup of 2025 and I’m refocusing my attentions on delivering my latest favorite romances and speculative fiction at least once a quarter. Seeing as January was a million years long this list was harder than usual to narrow down but without further ado, here are my favorite romances from the beginning of the year. The theme for my January romances was very much second chance so if that’s not your thing I hope to indoctrinate you by the end of this post.

Left of Forever by Tarah Dewitt

Second chance romance is the gift that keeps on giving and Tarah Dewitt’s latest is a sparkling and angst-fueled road trip between a former husband and wife who attempt to reconnect six years after their separation on the way back from dropping their son off at college. This journey follows Ellis and Wren on the road to discovery as they try to find themselves outside of their roles as parents and caregivers and decide if they can give their relationship another chance. Dewitt flawlessly navigates the emotional reconciliation after many years apart with her hilarious situations and exceptional dialogue. Left of Forever is quite the emotional read as Dewitt exposes what went wrong in this relationship and builds to a second chance. Ellis not wanting to become a parent again after having to parent to his siblings so young was extremely compelling and tied in with why their relationship ended the way it did. Dewitt places emphasis on communication and opening a dialogue up to compromise as Ellis and Wren unearth the past. Communication has, and always will be sexy, and Dewitt understands that wholeheartedly in this second novel. Pepper mishaps, letters, picnics, and one trip to grasp a love lost, Left of Forever is about love that grows deeper in absence and love refortified in the face of vulnerability and forgiveness. Though much of this takes place outside of Oregon it was so nice to be back with the Spunes crew and I am undoubtedly awaiting more from Dewitt.

Preorder – Out 20th May

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Unromance by Erin Connor

A trope filled journey that pays homage to the romance genre and its readers, Erin Connor’s, Unromance deserves its spot on all the romance TBR’s. A plan to ruin romance for a beloved actor you had a one night stand with while finding inspiration for the massive writers block currently plaguing you? That’s just the chaotic setup I live for. Erin Connor takes all my favorite components about romance into a blender and what emerges is a fascinating study on the genre, its tropes, and a love story for the ages. Connor delivers that classic romance meet cute but flips the script with two leads focused on anything but falling in love. Tale as old as time, as Sawyer and Mason adhere to their pact (rather loosely) while slowly opening up to trust and communication and falling for one another. Unromance is about two people that have made their careers around romance, through writing and acting, rediscovering its power in their own lives. Erin Connor moves through the tropes and genre conventions as fluidly as water, employing them in a beautiful love story intimately connected in friendship and understanding. In a setup seeming to flip the tropes, Connor instead recognizes their force for good within the overarching narrative. Unromance has humor in spades, shaken cynicism, and enough romantic moments —equal parts hot and sweet — to be your next favorite. 

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Wild & Wrangled by Lyla Sage

Anyone up on their cowboy romances knows that the Rebel Blue Ranch series is a tried and true staple. Wild and Wrangled brings this romantic saga to a close with the long awaited second chance love story between beloved Camille Ashwood and Dusty Tucker, her neighbor and childhood love. As a reader who eats, sleeps, and breathes second chance romance I can say with confidence that knowing this book was coming made me more than a bit unhinged. Sage has teased this romance in her previous installments and the crumbs were so delicious I knew this had the potential to be my favorite in the series. Integrating moments from their past as Dusty and Cam flirt with a second chance, Lyla Sage proves just how important first love can be and the support gained through vulnerability. Camille’s desire to please others was painfully relatable but her journey towards doing things just for herself was an important component of this romance arc. Now Dusty Tucker is the textbook definition of pathetically in love and I loved it so much. The years apart only intensified his love for Cam and he comes back ready to be whatever she needs. Dusty and Cam were so soft for one another which only enlivened their chemistry and highlighted why they work so well. The tension was tensioning and the chemistry was chemistrying just the way I liked. With Wild and Wrangled the romance is truly in the details and it’s absolutely Sage’s best work to date.

Preorder a copy – Out 15th April

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Flirting with Disaster by Naina Kumar

Stuck with your Ex in a hurricane while trying to convince him to sign divorce papers? Yes and yes. Naina Kumar said you can have a bit of angst as a treat and I ate it up like a full course meal. Flirting with Disaster is a ravaging storm contained in one life affirming romance. Married young and separated a year after they first tied the knot, Meena and Nikhil couldn’t get far enough away from each other — or at least Meena couldn’t. Nikhil is still living in their home in Texas ignoring her messages. Seven years later, Meena and Nikhil are brought back together when a hurricane leaves them stuck inside together, but the real storm is everything they have taught themselves to leave behind. Flirting with Disaster is not only an exemplary second chance romance, it’s also retelling the romantic comedy classic, Sweet Home Alabama, with South Asian characters at the helm. The longing and angst jumps out from the start as Nikhil and Meena are forced to cohabitate and confront the past. The conflict at the center of Flirting with Disaster is about wanting better for your partner, but how fraught that can be when you believe wholeheartedly that you aren’t good enough. Life goals changing, especially as one steps outside of parental expectations and reach for new dreams was another compelling theme that Kumar explores as she endeavours to bring Meena and Nikhil back together. If you like your romance heavy on the angst and one that addresses the perils and utterly human reality of miscommunication then give this one a try.

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The Partner Plot by Kristina Forest

Second chance romance but it’s the ‘we accidentally got married in Vegas after not speaking for a decade’ variety, The Partner Plot is a perfect romance of reconnection and flawed choices. Kristina Forest returns to her Greene Sister series in a follow up that focuses on Violet, the middle sibling, as she attempts a faux marriage after waking up in bed in Vegas next to Xavier, her childhood love, with a ring on her finger. Both Xavier and Violet quickly realize their marriage could be mutually beneficial, and agree to lie to their friends and the public until they get what they want from their respective careers. Right off the bat, Forest makes you feel the intense history between Xavier and Violet, the connection drawing them back together even as they tell themselves their marriage is a means to an end. The forced proximity on top of this was, in a word, sublime. I love how Forest modernizes romance tropes and uses them as a tool to expose the past between her two leads. Xavier and Forest have to confront how they’ve changed, but also how they have not, if they want to succeed in their second chance. As these two have led such different lives since their breakup, I wondered how Kristina Forest was going to make it all work but every single moment of this book works to build the foundations for a fresh start. I can’t fully describe how obsessed I am with Forest’s vibrant characters and this romance only had me gearing up to dive into the rest of this incredible series.

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Mistakes Were Made by Meryl Wilsner

As a self described lover of mess, Meryl Wilsner has always been an author after my own heart. In their sophomore novel, Wilsner takes this notion to the next level. The premise: college senior Cassie Klein hooks up with a beautiful stranger at a bar off campus, never expecting to meet them at breakfast the next day when that stranger is introduced as her friend’s mother. Was the hookup a one off? And if not how will Cassie justify pursuing a relationship with a woman so intimately connected to her personal life. When I first started Mistakes Were Made I had my doubts because the mess was high and I had no idea how Wilsner was going to bring it all together. Luckily, Wilsner knows how to set up the messiest situation ever and expertly work to build upon that initial situation with open communication and intensifying chemistry. Though Cassie and Erin were at vastly different parts of their lives their connection becomes something more and they pursue it as they dodge the one person they have in common. Mistakes Were Made is a hot book and the forbidden romance only heightens this. The tension as Cassie and Erin deny that they have a real relationship was quite funny because they were already so compatible and establishing a life where they could be together. Emboldened by moments of vulnerability that shine through its chaotic start, Mistakes Were Made is everything I love about messy queer romance and my favorite novel from Wilsner so far. More of this immediately.

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Temple of Swoon by Jo Segura

Jo Segura’s Temple of Swoon is the perfect fix for anyone that likes their romance heavy on the action and adventure. Writing in the shadow of Indiana Jones and The Mummy, Segura follows up her debut, Raiders of the Lost Heart with a brand new romance adventure. Dr. Miriam Jacobs never expected to be leading an expedition to uncover the legendary City of the Moon in the Amazon, especially not without the aid of her mentor, Dr. Corrie Mejía. Add in the handsome and effortlessly charming journalist Rafael Monfils occupying her thoughts and a dash of sabotage and Miriam is unconvinced she will ever succeed in uncovering this city of legend. Now that I have read two novels by Segura it’s evident her talent for humorous, swoony romance that delivers on the action and a satisfying commentary on archeological pursuit. There are so many components raised in this sophomore novel and all were handled with the correct amount of attention and care. Now Rafe and Mariam were giving that classic action adventure couple and their interactions had me laughing one moment and then blushing the next. Miriam working to overcome her insecurities and raise hell was by far my favorite part of this novel. I also really enjoyed the references to Segura’s former novel and seeing how they connected to this one. Sexy times in the rainforest while a dangerous group works to sabotage your mission? What could go wrong.

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Love is a War Song by Danica Nava

Danica Nava is a relatively new to me author but I now need every book written by her on my desk immediately. Love is a War Song, her sophomore novel, follows Avery Fox, a Native American pop singer who flees to the ranch of the grandmother she’s never met after coming under fire for an insensitive photoshoot and music video. Avery has never met anyone in her family after being raised alone by her mother, but this vacation from the public eye provides her the chance to learn her family history and Muscogee identity. Unfortunately, there’s Lucas Iron Eyes, the man in charge of her grandmother’s ranch and the one person who cannot stand her or her music. Love is a War Song is a romance all about second chances and the fallible nature of first impressions. It’s about building your community and home even when you’ve never had one to begin with. The romance that blossoms between Lucas and Avery is truly heartfelt —stemming from two people who initially met with judgment actively working to unlearn those predisposed beliefs. Alongside the romance, Avery confronts the hurt she caused the greater indigenous community through her music video and magazine cover while becoming acquainted with the Muscogee community in Broken Arrow. Danica Nava addresses a host of issues in this romance from the entertainment industry, to cancel culture, and indigenous stereotypes, and all felt grounded in the story and its place. Danica Nava leaves her mark with this outstanding romance and and I eagerly await what she writes next.

Preorder a copy – out 22nd July

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Let’s Call a Truce by Amy Buchanan

Hate to love workplace romances aren’t anything new, but Amy Buchanan proves there are perspectives missing from this type of story in her debut novel, Let’s Call a Truce. When she started a new job after the passing of her husband, Juliana never expected to gain an enemy on her first day of work. Ben, unfairly attractive and rude, decided to complain not so privately about her leaving early due to an emergency with her two young daughters, and it did not go over well. It’s been two years since then and Juliana and Ben still cannot get through a simple conversation, but beneath their feud lies something else – something Juliana doesn’t dare interrogate. Let’s Call a Truce is a workplace romance surrounding horrific first impressions and a feud long gone astray. Exploring grief, single parenting, and returning to work after raising kids at home, Buchanan attempts a lot, but what emerges is a flawless, well rounded romance. Though they got off on the wrong foot, I could clearly feel Juliana’s frustration with Ben and how that spiralled into years of petty interactions and pointed remarks. It also led to a palpable chemistry which Buchanan builds upon over the course of this novel. The revelation of Ben’s background only served to make this feud more well-founded and the tension all the more delicious. Let’s Call a Truce has the perfect balance of hatred and simmering heat to make me entirely obsessed and I am all but begging for more from Amy Buchanan.

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Kiss Me, Maybe by Gabriella Gamez

Librarian Angela Gutierrez has a penchant for going viral, something her superiors are none too happy about. When she openly admits online that she’s never been kissed, while also sharing her asexual identity, the video goes viral and Angela becomes determined to achieve her first kiss at all costs. Her bold idea: a scavenger hunt across the city where the winner gets her first kiss, but she’ll have to enlist the help of Krystal Ramirez, a gorgeous out of her league bartender to pull it off. Now that I have read two romances from Gabriella Gamez the overarching vision for this series is clear, but this second novel could not be more different from her first. Kiss Me, Maybe is a romance intimately intertwined with sexuality, identity, and the societal pressures to perform against an arbitrary list of experiences. Main character Angela, has found comfort in her identity but her lack of romantic experience has led her to feel behind and out of touch in her own life. Gamez calls attention to this desire to know oneself but also the pitfalls in putting too much pressure on these goals. As she develops the romance, Gamez further explores the ace spectrum and Angela’s developing sense of identity. I appreciated the attention paid to the diverse experiences under the ace spectrum through Angela’s desire to find a label that best fits herself. That and the relationship between growing up queer and these “all important” experiences really served to ground the story. Kiss Me, Maybe is a layered romance that achieves much within the friends to lovers narrative, and I loved every second of it.

Preorder a copy – Out 6th May

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Review: Ladies in Hating by Alexandra Vasti

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Rating: 5 out of 5.

When she sat down to pen her first novel all Lady Georgiana Cleeve intended was to support a life for herself and her mother. Now a celebrated writer of the gothic variety, Georgiana has a much bigger problem. Ever since she became a renowned author Georgiana has gone toe to toe with Lady Darling, another beloved writer in the genre. No one knows Lady Darling’s true identity but the similarities between her stories and Geogiana’s are far too close to be a coincidence. Determined to unmask her rival goes awry when Georgiana confronts Catriona Rose Lacey, daughter of their former butler and Lady Darling herself. Georgiana hasn’t seen Cat since her father was dismissed from service, for reasons unknown, but she has harbored the youthful infatuation she felt for her close. When a sojourn to the decaying Renwick House to research their upcoming novels leads to an unexpected confrontation, Cat and Georgiana agree to set down their swords and pen their novels side by side. But when they become trapped in the manor, fiction becomes reality, and as danger ensues Cat and Georgiana must face the desire burning its way through their bitter rivalry.

Oh no we’re two gothic novelists writing stories inspired by our childhoods together as we subconsciously yearn for the past…what happens if we kiss in a decaying manor that may or may not be haunted? If there’s one thing I am, it is a gothic romance lover to my core and Alexandra Vasti’s Ladies in Hating is a delectable feast for anyone who loves the gothic or sapphic historical romance. In the final book in the Belvoir’s Library trilogy, Alexandra Vasti pens a tender love letter to women gothic novelists, the gothic genre, and the queer people who found love and livelihood in the Regency period. Ladies in Hating is a model representation of gothic literature, in its themes and motifs, and a stunning example of what the historical romance genre can afford our greater understanding of love and connection. The persistent Lady Georgiana Cleeves meets her match in Catriona Rose Lacey, her rival and worse, the woman who could change her closely guarded principles and make her believe in love again. A wondrous rivals to lovers story submerged in fervent wanting and agonizing romance, Ladies in Hating made me feel every emotion and left me aching for more historical romance from its ridiculously talented author.

Ladies in Hating is the kind of book that feels almost written for me. This exquisite novel reached into the crumbling caverns of my heart and fortified my belief in love and existence as a radically political act. Now the gothic has long been a genre for exploring societal wounds and the intricacies of our experiences. The decaying manor house that comes to represent the fragility of the psyche or the hurts and traumas of a family is a prominent motif within the genre. Vasti understands this inextricable link as she traps two rival gothic novelists inside the dilapidated Renwick House —with its peeling wallpaper and crumbling facades, to reconcile their past hurts and confront their growing passion. But mystery takes the center stage as authors Georgiana Cleeve and Catriona Rose Lacey are left to uncover the secrets of a family long buried. 

Gothic imagery is a staple in itself and Vasti adheres to this with a cadence that submerses the reader in the intricate conventions of the genre. Renwick House and its medieval structures are transportive, invoking a period long past and ravaged by time. The host of bats that call the manor their home, the decaying trees in the orangery, and the damaged books in the crumbling library recall meaning to this place and its former inhabitants. For Catriona and Georgiana it’s a source of inspiration for their continued livelihood through their gothic novels, but it quickly becomes something far more personal. I love the sense of mystery that shrouds the narrative, wonderfully entwined with the romance between rivals. Love and horror are so often linked together and Vasti gives a dash of that in her mystery — the screams which draw Georgiana out of her bed chamber in the night to wander the hallways in the dark and the dead body unexpectedly uncovered. The moonlight conversations in the library and a conservatory hidden in the recesses of the manor are two phenomenal settings in this novel, connected to the love between these two women and the uncovered sapphic love story of Renwick’s past.

The external plotting to Ladies in Hating is essential in developing the love story at its center. Georgiana and Cat’s respective family backgrounds provide a rich foundation for the discussions surrounding sexuality, class, and sex, which Vasti brings into the fold. The tension this suffuses into the narrative as they find a mutual attraction was exquisite. Georgiana is someone who wholeheartedly believes she is responsible for bringing ruin on her family and that she will hurt everyone around her, a conviction Vasti works to shatter across this novel. It’s quite heartbreaking but an important perspective of Georgiana as a victim of emotional abuse from her father and how that necessitated having to reveal her author identity to the public. Her relationship with Cat opens up a whole world if she can only reach for it with both hands, but giving up her principles is easier said than done. Cat on the other side just wants to be chosen —an extension of their class disparities when first they met. Though brought closer in the years following Georgiana’s life away from her father, it is the basis of their understanding of one another and not easy to shake. The longing and tenderness at the center of Cat and Georgiana’s romance made me quite feral and that my friends is the barometer for an excellent romance.

Drawing her Belvoir’s Library trilogy to a close, Alexandra Vasti honors the fierce women who penned gothic stories and the queer people of the past who reached for their happiness and lived in joy. This is one of those books further enriched by its afterward where Vasti addresses the historical significance and her sources of inspiration for the text. The sheer research present is evident from the start but it was fascinating to read about the property on which Renwick House was based and the sapphic illustrations and Lesbian writers who paved the way forward. Ladies in Hating is radical in all the ways standing firm and building a life in a world that would deny you that can be. Catriona and Georgiana building a life at Renwick House is a powerful full circle moment — made stronger in the discovery of the letters between Luna Renwick and her love, Sarah Sophia Penhollow, forever immortalized in the estate. I’m truly sad to be leaving the ladies of Belvoir’s Library behind but know Vasti is nowhere near done bringing us historical romance excellence. Sapphic, mysterious, and insanely hot (praise be to Alexandra Vasti), Ladies in Hating is my latest —and eternal—historical romance obsession.

Thank you to Edelweiss and the publisher for providing this arc in exchange for an honest review.

Trigger warning: homophobia, physical abuse (mentioned),

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Review: Well, Actually by Mazey Eddings

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Rating: 4.5 out of 5.

Eva Kitt isn’t exactly where she’d like to be. As the host of Sausage Talk —a talk show where she interviews B-list celebrities over subpar hotdogs, her dream of a career in journalism is heavily on the back burner. Frustrated and a little drunk, Eva calls out Rylie Cooper, a popular social media talent for ghosting her during college. When the video goes viral, Eva’s superiors attempt to capitalize on that attention by having her interview Rylie live on the show. In confronting the past and her first real relationship, Eva is on edge until Rylie sits down and proposes something truly outlandish. He’ll take her on six dates to attempt to make up for his behavior during college and they’ll debrief together on his show after the fact. It’s unconventional, but Eva isn’t above making Rylie squirm. Bonus, the continued publicity could launch her out of Sausage Talks’ unfortunate shadow. As Rylie kicks off his apology dates, Eva is more than sure he is above redemption. But the dates, while a little contrived, only make her more interested in righting their shared past that is not quite done with them yet.

If you witnessed the insane levels of chemistry on Andrew Garfield’s Chicken Shop Date interview this past fall and found yourself asking “Is there a book like this?” boy does Mazey Eddings come through. With her signature knack for crafting unusual romantic circumstances, Well, Actually is a quintessential modern love story of effortless humor, second-hand embarrassment, and pop culture references served with mediocre hotdogs and a quest for redemption. It’s messy, so bisexual, and the kind of book I was always going to fall for. Well, Actually introduces Eva, a down on her luck journalist with black cat tendencies, and Rylie Cooper social media’s darling and golden retriever to his core. They seemingly have nothing in common besides the five dates they went on in college before Rylie unceremoniously ghosted Eva. Well, Actually brings exactly the kind of romance setup I go for: heavy on the mess with imperfect protagonists finding love and meaning in their lives. Mazey Eddings has a grasp on the finite ledge between the humorous and emotional situations and she employs it deftly in her strongest romance to date.

In Well, Actually, Mazey Eddings proves the past is never truly past as two chaotic individuals reach for love in spite of their tense history. Eddings brings Rylie and Eva together via an unfortunate PR nightmare that initiates a journey of rediscovery and forgiveness around their complicated past. Eva as someone desperately wanting to be chosen —having been pushed to the side in her family, and Rylie whose grief made him unable to participate fully in their relationship in college is a perfect unsteady foundation for this second chance arc to blossom. Eva Kitt, fashionable and opinionated is everything I want in my romance protagonists. She’s determined and mean when she needs to be and I love her so much. The only person who (maybe) loves her more than me is Rylie Cooper who opens up a space for her to be entirely herself. From the start Rylie was giving Nick Miller energy as Eva being mean to him just made him fall even more in love. As a lover of mean women myself I could not find blame in this.

Mazey Eddings hones her dialogue to perfection and Well, Actually is a pinnacle of her talent for witty, sharp banter. There were so many moments where I laughed, screamed, or put my kindle down out of sheer frustration. Eva and Rylie’s antagonistic, snappy interactions evolving into their deeper arguments and romantic moments was the true highlight of this novel. I’m firmly of the opinion that dialogue can make a romance and nowhere is that more on display than in Well, Actually. Rylie and Eva had so much to unpack as they embarked on a new relationship and Eddings grounds that in open and honest communication. Even though it is difficult and our leads shirk from it at points, that communication opens up an avenue for reconciliation and a true second chance. The individual journeys Eva and Rylie are on are personal, yet grounded in their shared history. Loving the idea of someone is something Rylie confronts as he tries to win Eva over despite not really knowing her, and Eva has to decide if she can move past the hurt Rylie caused. The conversations surrounding anxiety, grief, and forgiveness as these two work to surmount obstacles and reach for a relationship together are outstanding and truly some of the best I’ve read within the romance genre.

Mazey Eddings brings humor and hunger (for connection and hotdogs) in her latest romance that has all the wit, heat, and depth to send you spiraling. Well, Actually is perfection captured and bottled in a second chance romance of awkward manners and resolute natures. Through her leads Eva and Rylie, Eddings initiates a discomforting journey of reconciliation and everything caught up in forging through conflict. Haters of the third act breakup can rejoice because as far as Mazey Eddings is concerned it doesn’t exist and I praise her for it. Well, Actually emphasizes change for the right reasons and loving without conditions. This story is hilarious, it’s tender, and everything my bisexual heart needed to stay sane this winter. Mazey Eddings is still the romance author I turn to for hilarious and grounded contemporary love stories and I encourage everyone to do the same. 

Thank you to Edelweiss and the publisher for providing this arc in exchange for an honest review.

Trigger warnings: grief, death of a loved one

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Review: Cursebound by Saara El-Arifi

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Rating: 5 out of 5.

Yeeran has departed the fae lands to return to her home and end a centuries-old war. Leaving behind her love, Furi, and her sister, Lettle, who now stand against a wave of dissent, deadly assassins, and a determined group who seek to end Lettle’s life. Used to being left behind as her sister faces war, Lettle soldiers a war closer to her heart – one of fae politics and history long buried. Trusting that her sister will bring about an end to the elven war, Lettle seeks to find answers to breaking the curse that leaves the fae forever bound to Mosima. Yet the fates who used to offer her guidance are strangely silent and her powers completely closed off to prophecy. To find answers she unites with unlikely allies and a stranger who found his way into Mosima despite a lack of fae heritage. When Yeeran’s former lover courts war against the fae instead of peace, Yeeran and Lettle must reunite and reconcile their two worlds before the lives of the elves and fae are plunged into a permanent darkness.

What I admire most about Saara El-Arifi is her ability to leave you spellbound with her writing and bereft upon finishing her stories. I have been chasing that magic since I first read her debut, The Final Strife, and her romantasy series Faebound took this captivating recipe and soared to new heights. Capturing that classic romantasy feel in a fantasy world burdened by generational cycles and war, El-Arifi infused an underlying depth to fae fantasy I had long been yearning for. Including queer and disabled characters fighting for their futures and finding love, and it’s clear why Faebound was one of my favorite debuts of the past year. As prophecies come to light and the history of two distinct peoples is unburied, Cursebound ushers in a new path for Saara El-Arifi’s Faebound series. Characters and loves are ripped apart as the freedom of the Fae and Elven Lands is contested. Cursebound is a follow-up that forges a new path within the confines of this world and reveals hidden depths that left me confounded and begging for the next book in this dazzling fantasy series.

Cursebound brings us back to Mosima, as Yeeran departs and Lettle remains. Despite the groundbreaking revelations that shook the foundations of the first installment and the tremendous change our characters have undergone, sisters Yeeran and Lettle are confronted by their old roles as they settle firmly into new ones. This second novel is where El-Arifi further hones in on her world-building, established character dynamics, and lore. The introduction of new characters really lets the narrative breathe and integrates further depth into the upheaval of the Fae and Elven worlds. Lettle continues to be my favorite character in this series and she takes on a substantial role in this novel as her partner Rayan is elevated to king and she relies on her abilities to free the fae from their home and prison. Her quiet strength is different than Yeeran’s fire, but no less important. Yeeran faces a struggle of a different nature, her past which is in direct conflict with her present. As she travels back to the Elven Lands and puts her new life on the line to attempt peace that fire is reenlivened by the very life and love she is fighting for.

From Mosima to the Elven Lands, Cursebound triggers an unrelenting pace with moments of romance, immense danger, and groundbreaking revelations. El-Arifi is a master at this balancing act and nothing is out of proportion across this gripping sequel. The continued conversation surrounding the necessity of storytelling and personal history is a powerful one – striking directly at the overarching journey of righting the past and forging a future untethered by its weight. Each of our characters face new relational conflicts in this installment that move in tandem with the external conflict. Furi and Yeeran in particular bear the costs of caring for their people and their relationship suffers as they walk down different paths to secure peace. The rage, determination, and fire these two characters possess have always been a uniting force for their love, but that finally may not be enough for what they desire. Building to yet another shocking twist (seriously how is she so good at these), Cursebound is a superb fantasy sequel. Its unique way of laying the groundwork is sure to reveal something all the more astonishing in the final installment. From her blazing Ending Fire trilogy to Faebound, Saara El-Arifi is an exceptional talent. I’ll gladly wander through any book she writes and Cursebound is just the latest in what will no doubt be regarded as one of her best fantasy series.

Thank you to Netgalley and the publisher for providing this arc in exchange for an honest review.

Trigger warnings: death, blood, murder, death of a parent (mentioned), war, violence.

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Review: A Drop of Corruption by Robert Jackson Bennett

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Rating: 5 out of 5.

On the outskirts of the empire, Dinios Kol and Ana Dolabra confront a shocking mystery. An officer of the treasury has been murdered, after disappearing from a heavily guarded room with exterior locks and windows still intact. The territory of Yarrowdale is the only Canton free from the Empire’s influence – staved off by a hundred-year treaty that is about to draw to a close. With the horrific discovery of parts of the treasury officer’s remains, Ana and Din realize the conspiracy reaches further than just a simple disappearance. The threat comes from an individual who appears to be steps ahead of them, able to predict the moves of their investigation and all its intersecting figures. Far from the threat of the Leviathans, Yarrowdale still plays a vital part in the empire’s tapestry. Here, the dead carcasses of the Leviathans are hauled to an off-shore compound known as The Shroud – where their inner workings are harvested for their magical properties and transported around the rest of the empire. With an omniscient adversary setting his sights on a necessary part of the empire, Din and Ana have their work cut out for them. Yet it is the past that they investigate that could bring the case and Yarrowdale to ruins.

The Tainted Cup was one of my favorite books of the past year, a series debut that ingeniously blended fantasy and mystery in a punchy yet poignant fantasy world featuring an unconventional investigative pairing. Robert Jackson Bennett serves up his follow-up in a novel no less witty nor utterly transformative. Ingeniously plotted, A Drop of Corruption takes our detective duo far away from the influences of their pesky empire, to Yarrowdale, a canton teeming on the edge of change – to be absorbed into the empire or continue to stand on its own. Corruption and the unsettling biology of the Leviathans take root as investigative assistant Din and the ever-brilliant detective Ana Dolabra delve ever deeper into the strange murder and a new conspiracy that could threaten the safety of Yarrowdale and the entire empire. Snaking back upon itself continuously in Bennett’s typical style, A Drop of Corruption nurtures the flawed reality of those who relentlessly pursue progress within an empire and the costs of those who continue to unearth the corruption at its heart.

Robert Jackson Bennett’s Shadow of the Leviathan series is as powerful and reinventive as the leviathans that wreak havoc on the shores of his flawed empire. In A Drop of Corruption, Bennett takes Din and Ana away from the center of this empire to its outskirts in Yarrowdale where a conspiracy bears unexpected fruit and has unforeseen repercussions. As Ana and Din confront a new case with a confounding center, Bennett draws a tighter net around the workings of the empire and the civil servants who work tirelessly in service to its unending goals. The characters continue to delight – Din, sardonic and chronically tired, and Ana the peculiar and brilliant investigator who continues to call people out so precisely, all while blindfolded. Our assistant and local bisexual disaster Din is back and more chaotic than ever, as he copes with greater financial burdens after the passing of his father and a growing sense of helplessness as he is exposed to the reality of the empire. A Drop of Corruption jumps beyond these established dynamics to delve deeper into the psychology of the characters and the makeup of the empire. 


What continues to amaze me about The Shadow of the Leviathan series is the balance it strikes between its cynical humor and the deeper commentary taking place within Bennett’s world. Din’s concerns from book one become more prevalent as his loss, his new financial burdens, and his innate desire to enact change fester a desire to leave his job behind. All of these tempt him away from his work with Ana and this could very well be their final case. Through Din and the other characters intersecting his mystery, Bennett gives voice to the fatigue of unburying corruption that seems unending and only drives dedicated people to corruption or absolute pessimism. The revelation that the people who think they are doing things for the greater good – in service of the empire or Yarrowdale’s independence end up bringing about corruption and causing greater suffering was an interesting link in that chain. A Drop of Corruption continues to emphasize people at the mercy of a system and how this empire only begets further pain and violence. Building a better world is oftentimes a tiring endeavor and drives further cynicism but it is still a necessary one, a tenet at the heart of this mystery. A Drop of Corruption is not just a perfect sequel it is a perfect book. The characters are at their height, the dynamics polished and razor-sharp, and the mystery just as world-altering as its predecessor. Robert Jackson Bennett is a formidable talent and I’ll be needing a million more mysteries with Ana and Din. 

Thank you to Netgalley and Delrey for providing this arc in exchange for an honest review.

Trigger warnings: death, blood, murder, violence

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Review: The Dark Mirror by Samantha Shannon

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This is book five in a seven-book series. As such, former books and events contained in this installment will be discussed. Read with caution (I’m serious).

Rating: 5 out of 5.

When Paige Mahoney wakes she finds herself captured and outside Scion-controlled territory for the first time since childhood. Six months have passed since the Paris bombings, but Paige has no memory after the night of the masquerade. Dosed heavily with the White Aster plant by her captors to suppress her memory, Paige’s amnesia threatens to drag her under with no chance of returning to her former self. Yet Paige escapes, journeying to Venice to find allies who thought her long dead, and the world transformed in her absence. The memory of Arcturus’ betrayal still cuts fresh, but in coming face to face with the Ranthen and her clairvoyant allies Paige begins to question the truth behind their last conversation. News reaches the Domino Programme of a new Scion plot, Operation Ventriloquist that will tip the scales of control over Europe in Scion’s favor unless they unravel the means behind this new plan. Though Paige was brought out of her stupor with the White Aster it still has roots deep within her dreamscape and there is only one individual who could help her, if he’s even still alive. Traveling to Italy, the team has one chance to bring themselves out of the shadows and play the first hand in the fight over the remainder of the free world. And it all starts with rescuing Arcturus Mesarthim.

What began in Oxford and the clairvoyant underworld of London to the catacombs racing beneath Paris transforms across the winding streets of Italy in this fifth installment to the Bone Season. With The Dark Mirror, Samantha Shannon presents the fifth chapter of her groundbreaking series and it is assuredly her strongest work by far. This fifth book is this series fully realized, in its themes, characters, and deftly constructed plot finally blossoming with astonishing precision. After the agonizing events that concluded The Mask Falling, this sequel is as much a soul-deep reconciliation between Dreamwalker and revolutionary Paige Mahoney and the warden Arcturus Mesarthim, as it is an expansion in the fight to bring the Republic of Scion to its knees. Paige and her allies take the next step outside Scion to unmask a new threat in Italy that will transform the free world. Teeming with angst and decisive action, The Dark Mirror is everything I could have hoped for interwound in one astounding volume. With so many emotional reconciliations, confessed feelings, near misses, and epic confrontations it’s no wonder I spent most of this book being stressed as hell waiting for the other shoe to drop and the rest basking in its brilliance. Samantha Shannon leaves no holds barred in her fifth Bone Season novel which redefines the world order and the next stage for our revolutionaries.

Reading The Dark Mirror was the most stressful reading experience I’ve ever gone through and I can say that with a finality that should by no means assure you that this is not one of my all-time favorite books and I would not venture back into it willingly (as I already have done several times). The Dark Mirror is made all the more stressful by the concluding moments of book four, with Paige racing across Paris as airstrikes commence desperate to free Arcturus whom she realizes did not betray her – to her capture at the hands of Cordier whose intent we don’t fully understand. The Dark Mirror is full of unfamiliar experiences for Paige who suffers further loss of agency with her capture and exposure to the White Aster, a drug that could destroy her dreamscape from the inside out. Her memory loss is coupled with the startling revelation that she has lost six months of her life to the drug, causing her to question everything about herself and the decisions that led to Arcturus’ capture. As she comes back to herself with limited memory Paige rejoins the fight against Scion and must reconcile all that has occurred in the half a year since she was taken.

The Dark Mirror takes a further leap from Paris to the free world in Italy – a world outside Scion that represents immense possibility, for the Sargas expanding their dominion and for the world still free from its control. Book five presents the first time most characters have left Scion in decades and is fraught with the weight of that freedom. The way they react to this newfound freedom and the costs of knowing it for themselves were some of the most intriguing aspects of this novel. Nick and Paige in particular struggle with the free world and it in contrast to the things that have been done to them simply because of who they are and where they were born. As she wrestles with the reality of this free world, Paige continues to experience the lingering ramifications of her torture at Westminster. The continued impacts of Paige’s torture sink in deep, in Venice with its surrounding water, to Capri where her relationship with water is truly put to the test. Being near a constant trigger is challenging for her but beyond that Paige’s loyalty is tremendous when in rescuing Arcturus she puts herself in the path of something that has the power to drag her back to those horrific experiences. Her connection to water and the mastery of her fear is truly awe-inspiring and it reminds me of why she is such a powerful protagonist – her startling tenacity and guiding loyalty that remains unshaken.

The themes of identity and fate come to a head in this fifth chapter, as Paige sets out to rescue Arcturus from Nashira but finds it’s not so simple. Past motifs like the devil and death inverted cards are finally unveiled with devastating effect and unforeseen ramifications. Never would I have guessed the reality of Arcturus’s rescue and it was excruciating to read the chapters dealing with the discovery and the aftermath. This fifth chapter centers heavily on emotional tension and misperception as Arcturus comes back to himself after his latency and Paige continues to provide support – with a degree of distance. In the aftermath of Capri and Arcturus’ return both Paige and Arcturus struggle with guilt and where they stand with one another. Arcturus wants to hide his experiences of being mentally and physically tortured by the Sargas and the dreamwalker Cade Fitzhours, who used his memories with Paige to psychologically and physically torment him. On the other hand, Paige holds herself personally responsible for his capture and believes that he must as well since he is more emotionally reserved. Despite where they believe they stand Samantha flips their dynamic, with Paige looking after Arcturus and relying on her knowledge of him to bring him peaceful moments. The scene where they perform the Gloaming together is probably the standout of this sequence and a wonderful callback to their beginnings at Oxford.

The emotional reconciliation between Paige and Arcturus is a long time coming, but it is agonizing to read, yet made all the more hopeful on the other side. Paige and Arcturus have always shared their truth no matter how painful and excising their truths after six months apart isn’t easy for either of them. Several scenes carved out a hole in my chest, particularly when Arcturus confides in Paige that their time in Paris in that dark room became his shelter during his torture in Carcassonne. I don’t know what hurts more the fact that Arcturus’ dreamscape was in complete shambles and then his spirit shifted it to the Guildhall, the place he first kissed Paige and where he felt the safest, or that when he was being tortured he only had to think of their night in the dark to take himself out of his physical body. I’m still impressed at the depth of intimacy these two share and how that is represented across this fifth installment. At times it almost doesn’t seem real but then Samantha Shannon reminds us of everything they have done for one another throughout the journey they have been on. Their trust and intimacy have held fast against some of the darkest things anyone should ever have to face and that is fully honored by the sexual intimacy they develop in their reconciliation. The whole duet chapter is a testament to the trust and innate love they share. The connection between the dark rooms and physical darkness being outweighed by the firelight at Orvieto is one such instance. Paige and Arcturus have spent so much time within the darkness, in Oxford, and in dark rooms meeting the feelings that burn through them that it’s crucial for this stage — the consummation of their physical relationship and emotional reconciliation— to reflect a stepping into the light.

Across Venice, Capri, Orvieto, and Rome, Samantha Shannon tightens the knot and brings old allies and new enemies into the fight over the freedom of Italy. Nick and Maria are back in full force and are more than ready to assist Paige in this next stage and it is an utterly heartfelt reunion for the Mime Order crew. I loved all the moments with them standing up for Paige and advocating for her against the organizations that intersect the fight outside of Scion. Maria undeniably stands out in this one and is probably my new favorite side character (her channeling Frodo Baggins was terribly funny). She just wants to light things on fire and hang out with her hot girlfriend and I have nothing but respect for that. The Dark Mirror is a real turning point for Paige, as she opens up to those in her life about her experiences and allows them to support her in her recovery. I appreciated how much of that connected to her coping mechanisms in the past and turning aside from them as she embarks on a new chapter. The Dark Mirror is a reminder for our core characters of just how much they can accomplish together as they reunite and make one of the greatest stands against Scion.

As Paige and her clairvoyant allies unveil the truth to Project Ventriloquist, they unmask three new players on the board – Grapevine, Tin Man, and the Council of Kassandra unfurl a world on the brink of war. It all goes down in Rome, in an epic sequence across streets beset by Buzzers allowed entrance through the cold spots awakened by latent Rephaim hidden underneath the city. This final act layers all the known lore about the Rephaim and twists it into a horrific act by Scion to take control of Italy in the next stage of its European invasion. The final fight at the Colosseum with the Ranthen fighting the Sargas Rephs and Paige coming face to face with Cade while the rest of their allies explore beneath for the final body as Buzzers swarm the ruins was utterly masterful. The Dark Mirror highlights Paige’s desperation as a kind of strength, particularly in her fight against the dreamwalker Cade Fitzours who has spent his life coming into his power. Samantha Shannon makes it clear that Paige didn’t have that luxury, she was quite literally thrown in to her power. She has always made unconventional moves, in her time at the side of the White Binder and her reign as Underqueen and she uses that to her advantage. As she fights a dreamwalker with seemingly unlimited powers, her cleverness is again on her side as she uses her own memories to suffocate him in her Dreamscape.  

The Dark Mirror is a resounding ode to dreamers and resisters and is undeniably the best in the Bone Season series. This flawless installment manages to entwine every strength from its former novels, with the mystery, trauma, and heartbreak coalescing across a pivotal fight in Italy. It is also Samantha Shannon at her most diabolical. I already cried my eyes out to chapters twelve and thirteen, and the journey out of chapter twelve was so intense and genuinely made me feel like I was being hunted for sport. The echoes of certain scenes of books past, and long-awaited developments make this such a treat for fans of the series old and new. The Dark Mirror is a wonderful tribute to the journey this series has taken and is further proof that it is just the best of fantasy right now. The Dark Mirror is certainly a long-awaited sequel but it’s heartrending and masterfully plotted and deserves to be read over and over again. 

Thank you to Edelweiss and Bloomsbury for providing me with an advance review copy.

Trigger warnings: forced drug use, death, blood, violence, murder, panic attacks, grief, suicide, emotional abuse, kidnapping

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